With a secret smile, not unlike that of a healthy child, he walked along, peacefully, quietly. He wore his gown and walked along exactly like the other monks, but his face and his step, his peaceful downward glance, his peaceful downward-hanging hand, and every finger of his hand spoke of peace, spoke of completeness, sought nothing, imitated nothing, reflected a continuous quiet, an unfading light, an invulnerable peace.
― Hermann Hesse, Siddhartha
Welcome back. It’s been about ten or eleven days since I last welcomed you here. Good to be here and good to have you back. I don’t know that I needed a break from this part of what I do but I needed a little extra time to get back in the swing of things on the bigger part of what I do, which is painting.
Did I get back into the swing of things, find a groove?
Hard to say. But I was very productive. More than expected, to be honest. That’s the advantage of getting to work on the small pieces for the Little Gems as a reentry point. Smaller work obviously takes less time to complete than much larger works so rhythm builds quickly as I move from one piece to the next. There’s little time between them to lose the new spark or the new thought. Momentum is easily maintained.
This allows me to examine new spaces as well as new or enhanced takes on the normal themes of my work. Some work takes me forward and some is a reexamination of the past.
Some will surprise you. Hopefully in a good way but maybe not. I might like it but it might not be your cup of tea. And that’s okay. Nobody is required to like anything I do here, though I guess one might wonder why you’re here if that is the case.
Will this momentum or new ideas be carried into the following several months of work? I can’t tell at this point but generally the answer leans toward yes based on past decades of going through this. My own first reaction on this work is strong, creating the excitement that I was seeking so I am hoping it does take hold for me.
That being said, I will be showing this new work in the coming weeks leading up to the February 7th opening of the Little Gems show at the West End Gallery.
The first piece I am showing is an 8″ by 6″ canvas piece titled Completeness. It was one of the first pieces I worked on and, while I am not sure it breaks new ground within the body of my work, it really provided a big jolt of energy for me, doing just what I hoped it might which was to set a pretty high bar for where the work that followed in its wake might go.
I also thought this was good piece to show first since it represented a central theme in my work, which is finding a sense of wholeness within myself. This painting felt whole, as though the broken shards of the sky had been finally reassembled to reflect down on the fully formed and complete Red Tree.
It just felt right.
Here’s a song that kind of goes with this piece. It’s Love You To from the Beatles classic Revolver album. George’s sitar playing links well with the passage from Siddhartha and I could imagine the lyrics resonating with the Red Tree here:
Each day just goes so fastI turn around, it’s passedYou don’t get time to hang a sign on meLove me while you canBefore I’m a dead old manA lifetime is so shortA new one can’t be boughtBut what you’ve got means such a lot to me
Redtree Times 
Glad you are re-energized. Looking forward to the show. I am fond of the Little Gems. I have 4 already.
The Little Gems show in 1995 was the first time I showed my work in public so it has always held a special spot in my heart. It marks the true beginning of the painting year for me.
That is amazing.
It was also the first Little Gems show put on by the West End Gallery. So, we have kind of grown up together.Sent from my Galaxy