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Archive for the ‘Neat Stuff’ Category

 Led By GraceBAZONKA

Say Bazonka every day
That’s what my grandma used to say
It keeps at bay the Asian Flu’
And both your elbows free from glue.
So say Bazonka every day
(That’s what my grandma used to say)
Don’t say it if your socks are dry!
Or when the sun is in your eye!
Never say it in the dark
(The word you see emits a spark)
Only say it in the day
(That’s what my grandma used to say)
Young Tiny Tim took her advice
He said it once, he said it twice
he said it till the day he died
And even after that he tried
To say Bazonka! every day
Just like my grandma used to say.
Now folks around declare it’s true
That every night at half past two
If you’ll stand upon your head
And shout Bazonka! from your bed
You’ll hear the word as clear as day
Just like my grandma used to say!

—–Spike Milligan


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Chinese Translation

M-Ward-Chinese-TranslationSaturday morning and it’s gray and damp here in my part of the world.  Still August but the fingers of autumn are insinuating themselves in more and more each day, which is fine with me.  I like the damp and cool.

Like being in the cool cover of a forest in the mountains, maybe a bamboo forest in China.  A light chilly breeze rushes over the skin and shakes the leaves gently, making a quiet whirr of sound then it calms and there is silence.

Cool, precious silence.

On this cool, precious Saturday here is a song/video from M. Ward, an artist that my nephew pointed out to me a few years back.  It’s called Chinese Translation and has a pretty nice video to accompany the song.  Enjoy…

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Usain Bolt I have never ran fast, never had real speed at my beck and call.  In fact, I am downright slow.  But I can really appreciate seeing the true magnificence and beauty of  pure and simple raw speed.

This past week, at the World Championships for track and field in Berlin, Usain Bolt of Jamaica ran faster than anyone ever has before, shattering his own records in the 100 and 200 meter sprints.

Bolt is a marvel to see run.  He is very large, something in the range of 6′ 5″ tall, and when he unwinds those long, powerful legs, it is a thing of beauty.  It is all power and rhythm, channeled perfectly with little wasted effort to the track surface.  In fact, there is so little waste that he seems to move effortlessly, an incredible feat for someone running over 30 MPH.  His competitors seem to be expending twice as much energy yet are left far behind, 5 or 7 meters in his wake.

There is an artistic sense of perfection in his races.  Like looking at a painted masterpiece where there are no extraneous brushstrokes, each stroke having it’s necessary place.  Like watching a great film where there is no word of dialogue or movement that doesn’t move the story forward, doesn’t add something to the whole.  Like listening to a great piece of music, where one note more would destroy the entire structure of the composition.

It seems also that there is more to come from Bolt, that he still has more in reserve and that is, in itself, incredible.  I will be watching…

Here’s yesterday’s 200 meter race.  19.19 seconds…

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Alvin LeeSunday morning and I’m up late.  Tired.  Not much working upstairs yet.

Since it is the 40th anniversary weekend for Woodstock I’m going to simply cruise today and show yet another clip of one of my favorite performances from that weekend back in 1969.  There were so many performances that stand out in thecollective memory that it’s hard to choose.  But this was my favorite when I was ten and I still snap to when I hear it.  It’s Goin’ Home from Alvin Lee of Ten Years After fame.  They were famous for I’d Love to Change the World, a great song that I’m still surprised to not hear as a remake, but never had the huge fame of many of the other acts from that show.

But on that August night they played this they really lit up the night…

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Russell Schermer 55 MercedesI wrote in an earlier post about how I might proceed if I lost my ability to see which is the primary sense I use in my work.  I felt I would somehow move on in some form creatively.  I saw this fellow’s work yesterday and knew that  my assertions could be correct.

Above is a 1955 Mercedes made by Russell Schermer out in California.  Russell has been blind since birth and has been a fan of cars since he was a youth.  He has a collection of model cars that he replicates by feeling each detail then transferring it to clay.  The result is recognizable but it’s the wavering from exactitude that I find appealing.  It’s like seeing the car in a parallel universe, where lines and shapes are just not quite right but close enough to allow your mind to translate them fully.

RussellSchermerThere is an interesting sense of rightness in his work.  I get the feeling that I could be a claymation figure and could jump in any of these cars and go down the road as the dimensions of the car and everything around it were constantly shifting just a little bit.  

I think the imperfections in them are perfect expressions.  My hat is off to Russell for his work and for jumping over his obstacles.  Good work.  To see his website, Russell’s Relics, click on any of the cars shown here.  

Russell scherrmer 64 impalaI don’t know if Russell’s work qualifies as folk art but I have a longtime friend, Paul D’Ambrosio, that would know.  Paul has started a new blog, American Folk Art @ CGP, as a vehicle for discussion of folk art.  Paul is vice-president and curator of the New York State Historical Association (NYSHA), heading the Fenimore House Museum in Cooperstown.  He also teaches at the Cooperstown Graduate Program for museum studies.  So he knows a little bit about his field which is American folk art.  Anyway, if you’re interested in folk art please check out his blog.  I think you’ll find lots of info.

Russell Schermer

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InterloperI’m showing an older piece today, one from around 1996 , called Interloper, mainly because I have mentioned the Kada Gallery over the last few days and am reminded of how I came to show with them quite a few years back.  There was a bit of serendipity involved.

It was in  late summer of 1995 and I had been showing at the West End Gallery for several months which was my first experience exhibiting in public.  I was still waiting tables at the local Perkins Family Restaurant full-time, working on building our house and painting every other available minute.  Man, I had a lot more energy then!  I still had no idea that I would or could have a real career as a painter.  My work at that time was very small in size for the most part and was just starting to gain some notice locally but I really didn’t know if it would ever transfer outside our local area.

One Saturday morning, I was at my job waiting tables when a family with a daughter about 10 or 11 years old sat in my station.  They were very nice, smiling and talkative.  Typical chit-chat.  I took their order and that was that.  After a bit, as they were eating I was going through my station checking on each party and I stopped at their table.

The daughter, Hillary,  asked, “Are you a painter?”

I was a little taken aback by the question.  Nothing was said about painting or art, to them or any of my other tables and that was the last thing on my mind at the moment.

“Well, yeah. I am.”

“My mother said you were.  She said that anyone that happy doing their job had to be a painter.”

I just stood there with nothing to say.  How do you respond to that?

It turned out that the mother was a painter as well who lived, for the time being, in our area.  Her name was Suzi Druley and she was on their way out to a gallery that sold a lot of her work in Erie, Pennsylvania.  They had me run out to their vehicle to take a look at her work, which was very interesting, particularly for our area.  It had a sort of Southwestern/Native American feel with with vivid, deep colors and a lot of symbology.  Turns out she was from Texas originally and they had moved here for a job her husband had taken.  She asked what my work was like, saying she would like to see it.

A few weeks passed and I decided to take her up on her offer and went out to their home.  I took photos and some pieces and she really seemed excited by the work.  She said I should show the work to Kathy at the Kada, that she would really like it.

Long story short, she called Kathy and a visit was arranged.  I hauled my bits of paint and paper out there and I’ve been showing with them for going on 14 years.

I’m glad I was in a good mood that Saturday morning at Perkins- I most certainly would not have found made my way to the Kada Gallery without Suzi’s simple observation that I must be a painter.

Serendipity…

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Bela Lugosi as DraculaMaybe it’s a sign of advancing age or just detachment from youthful society at large, but I am totally mystified by the romanticization of vampires in things like the Twilight series of books and movies or the True Blood series on HBO.  While I know there was a certain charisma that went along with Bela Lugosi’s portrayal of Dracula in the films of the 30’s and 40’s and maybe a little with the vampire-based soap opera of the early 70’s, Dark Shadows, I suspect the current fascination with all things vampirish really took off with Ann Rice and her books.

Okay, so people enjoy the books and movies and find the lore and drama of it all interesting.  I can see that.  But why do people feel the need to try to adopt the lifestyle of vampires?  What does someone see that compels them to dress and act like vampires and even have dental work done to give them fangs?  What is it in this world of bloodsucking that they find so much more appealing than their normal lives, to the point they make it the focal point of all they are and do?  

It seems to be a recent phenomena.  I can’t imagine that there were groups of youths in the 1930’s who dressed in Dracula-like black capes and dark eyeliner, sulking around their parent’s homes and muttering under their breath in an affected Romanian accent.  Maybe I’m wrong.  Maybe, but I doubt it.

Maybe there is nothing wrong in this.  Maybe there’s something to be said for trying to become more like the characters we see in movies and read about in books.  Maybe I’m being too critical and should have a more open opinion.  I mean, I do have a beard and I did like Lon Chaney, Jr. as the doomed Larry Talbot in those werewolf movies…

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Smart

For Father's Day---
Smart

My dad gave me one dollar bill
'Cause I'm his smartest son,
And I swapped it for two shiny quarters
'Cause two is more than one!

And then I took the quarters
And traded them to Lou
For three dimes-i guess he don't know
that three is more than two!

Just then, along came old blind Bates
And just 'cause he can't see
He gave me four nickels for my three dimes,
And four is more than three!

And I took the nickels to Hiram Coombs
Down at the seed-feed store,
and the fool gave me five pennies for them,
And five is more than four!

And then I went and showed my dad,
and he got red in the cheeks
And closed his eyes and shook his head-
Too proud of me to speak!
--Shel Silverstein

If you want the rundown on the happy family above, 
just click on the picture.  Have a Happy Father's Day...

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Women in Art

WomenInArtA friend sent me a link to this video yesterday, called Women in Art.  It’s extraordinarily well known on YouTube, having something like 9 million views.  I, of course, had never heard of it.

It is a montage of famous portrait paintings of women through the centuries morphing from one to the next.  The creator of this video, Phillip Scott Johnson, did a great job of choosing and arranging the subjects, earning him an award for his creativity from YouTube. The accompanying Bach piece performed on the cello  by Yo-Yo Ma fits beautifully.  Makes for a nice Sunday morning viewing.

If you would like to identify any of the paintings used in the video, click on the group of six paintings above and you’ll be taken to a website that identifies each.  Enjoy…

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CurraheeThis is a small painting from a few years back that is titled Currahee, a word I first heard in the WW II series, Band of Brothers .  It is a Cherokee word that means “stand alone” and it immediately struck me as a real word with some sort of innate power.  It was the battle cry for the 101st Airborne Division, the group of troops portrayed so well in Band of Brothers.  It stands for a sense of self-dependence with which I can identify so felt a connection with the word and my paintings, which are often primarily about the idea of standing alone.

The reason I mention this is that I recently saw a segment on CBS news about a soldier severely injured in Iraq, losing both his legs and suffering brain injuries which left him totally unresponsive. Back here in the States in the hospital, the soldier was visited by General David Petraeus who talked with the young man and after a bit, getting no response, turned to leave.  He turned back and yelled out the word.  Currahee.

The soldier immediately tried to sit up, trying to utter the word.  

Amazing.  Since then his progress has been remarkable and he is walking with the aid of two prosthetic legs and is speaking.  He recently appeared with Petraeus at, I believe, the New Jersey Hall of Fame.   You can see the original story here.

I am always in awe of the power of certain words and icons, how we place such personal meaning to them that they become ingrained in us, triggering instant emotion at the mere mention.  That is real power.

Currahee

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