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Archive for the ‘Video’ Category

Today is the birthday of Elvis Presley.Early Elvis

I’m not going to wax rhapsodic about the man or what he has meant to so many people.  Everyone knows the facts:

Elvis was and is big.

For me, it’s memories of going with my sister and cousin to the movies to see his films.  I was 5 or 6 years old but even then, Elvis’ charisma was unavoidable even in those sometimes awful films.

I remember sitting in front of the TV with my dad in’68 when Elvis made his comeback special.  We both sat mesmerized as we watched,  which struck me because my dad was not one to show much obvious interest in a lot of things.  It was an amazing thing to watch.  Elvis had the air of absolute desperation around him, as if everything in the world hung on  him pleasing us and gaining our love and approval.

 It seemed to be, to quote an Elvis hit, now or never.

It was a mythic performance, obvious to even a 9 year old.

But like many mythic beings, intermingled with greatness there was the aura of tragedy and sadness.  That’s how I think of Elvis.  A simple man elevated to myth and burdened with a talent and charisma with which few are equipped to handle.

Here’s another Gillian Welch song, Elvis Presley Blues,  which kind of sums up that feeling.

Happy birthday, E…

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HarlequinWell, it’s Sunday morning and I think it’s time for a little music.  Thought I’d play a great version of one of my favorite songs, 1952 Vincent Black Lightning,  written and originally performed by Richard Thompson.  This version is from Del McCoury and puts a wonderful bluegrass twist on the song that fits very well.  I enjoy hearing songs done in a different genre like this.  I’d love to hear Del McCoury do a version of 409 from the Beach Boys.  It’s a song built for bluegrass and his flat, plaintive voice.Vincent Black Lightning

There’s something very lyrical in the name of this mythic motorcycle.  Vincent Black Lightning.  I think I’d like to come back in another life with that name.  I can only imagine…

Anyway, until that happens, give a listen and enjoy…

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dblackwood7-captain-ned-bishop-home-in-wesleyvilleI just wanted to say a few words about another influence on my work, this time from Canadian printmaker David Blackwood.  I first stumbled on his work several years ago when I came across a documentary on him called, fittingly, Blackwood.  It was nominated for an Oscar as best documentary when it came out in the mid-70’s and brilliantly depicts his technique and how his art and the personal mythology of his home are intertwined.

David Blackwood  Man Warning Two BoysMuch of his work deals with Newfoundland and Labrador and its hardy inhabitants.  There are whalers and Mummers, lost parties adrift on the ice, colorful kites flying over a frozen starkness and houses being dragged across ice.  It is fascinating work and beautifully done.  He has created his own visual vocabulary that resonates in his pieces.

This meager description of his work doesn’t do it justice and I encourage those interested to do a bit of researchBlackwood Daybreak The Labrador Sea and discover this treasure for themselves. He has a beautiful website that I will add as a link and there is a beautiful book, David Blackwood: Master  Printmaker that I highly recommend, with a foreword from Annie Proulx, whose own The Shipping News owes much to the mythology that Blackwood’s work depicts.

Really great stuff.  I always enjoy pulling out his book and absorbing the great compositions and sense of place he creates in his work.  Always inspiring…

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fausts-guitarWell, we’re finally out of 2008 and hopefully it will recede calmly in our rearview mirror and not re-emerge, Terminator-style, to hunt us down.

Put the pedal to the metal and let’s get into 2009.

I thought on this first day of a new year we could use a little lightness.  Maybe a goofy juxtaposition.  How about some more surf music, the venerable Pipeline by the Chantays ?   Here they are, of all places, on the Lawrence Welk Show.  Check out the choreography and ride the pipeline into ’09.

Yee haa…

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The RevelatorI find that whatever is playing in the studio, music or film, at the time I’m painting has a great influence over my work.  Songs or movies that have great dramatic impact for me often manifest themselves in my work, with me picking up their tone and rhythm and trying to lay it down in paint.

This is a great example of this trait.  It’s a painting from a few years back titled The Revelator and even takes it’s name from the song that influenced it, (Time’s) The Revelator from Gillian Welch.  This was a much played song in my studio at the time and I felt that it had emotional weight that mirrored what I was trying to get across in my work.  Wistful but warm.  Accepting of the fact that time eventually reveals what is true and what is important.

Good stuff…

Here’s the song performed by Gillian Welch.  Enjoy.

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997-152-bluepeacenightWell, it’s the day after Christmas.  I always find this holiday a reflective time.  There are always a flood of memories of past holidays- moments of joy and moments that are a bit melancholy.  Memories of family and friends, past and present.

For many, it remains a small respite from the chaos and cynicism of the larger world and in this year of extreme stress throughout this planet, I say let’s not jump back into the real world too quickly.  Let the quiet of Christmas last another day…

Here’s a little song from A Colbert Christmas with Elvis Costello and Stephen Colbert singing a very sweet and wistful song that kind of sums up the holiday (note: I had originally inserted the actual video from the special but it was withdrawn on Youtube):

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george-baileyIt’s that time of the year  when you hunker down on a cold, snowy night and watch a holiday classic.  One of the most beloved is It’s a Wonderful Life from director Frank Capra.  It has long been one of my favorites and it would be easy to go on and on about its message and how the final scene with the redemption of George Bailey makes me tear up just thinking about it.

But yesterday David Terrenoire  wrote in his great blog, A Dark Planet, about how he secretly preferred Potterville, George Bailey’s bizarro world version of his hometown, to the original Bedford Falls.  Potterville was a rockin’ town.  Strip clubs.  Hot music.  Bedford Falls was, by contrast, a real snore.

George Bailey Close-upHe cited an article by Wendell  Jamieson in the NY Times that made his case for the same thought.  Jamieson even goes so far as to state that George Bailey would be facing prison time for the loss of the 8000 dollars, regardless of restitution.  

Just before I had read these two articles I had come across a video entitled Bad Bailey.  It’s put together as a movie trailer and using eerie music and a drastic realignment of the movie’s actual scenes make for pretty disturbing viewing, especially for lovers of the movie.  It made me realize how much darkness there was in the film which, I think, probably made it so powerful.  Just shows what a little editing can achieve…

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Faust's GuitarWell, I’m on the road today, heading out to Erie, to see my good friends at the Kada Gallery and to deliver several commission pieces.  It’s always good to hit the road once in a while and clear away the studio cobwebs.  I thought I’d share a little Miserlou from surf guitar god Dick Dale.  Most probably know this piece from Quentin Tarantino’s Pulp Fiction and, while I think his use of music in that film was masterful, there’s something kind of cool in this clip by itself.  Maybe it’s the blonde twisting away in front of them.  Maybe it’s the side to side sway of the Del-Tones, all looking like they just came from a Chamber of Commerce mixer.  I think my dad may have bought insurance from the drummer and I’m pretty sure the bass player is Al Franken.  Maybe it’s just the alliterative power and the dark contrast of Dick Dale himself, picking away at that mesmerizing Middle Eastern melody.  Whatever, give it a look and listen…

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The ServantThis is a little exercise that I did when I was first painting and still working as a waiter at a Perkins restaurant.  I call it The Servant and it sort of sums up my time as a waiter, except for the fact that  I never wore tails when serving pancakes.  It was a great learning experience however.  I think everyone should wait tables for a while.  Teaches humility.  

I remember going to some openings and being praised for the work.  “Oh, this is so wonderful” this and  “You’re doing great stuff” that to the point my head barely fit in my car to drive home.  Then the next morning I was pouring coffee for a factory worker or a trucker and I would realize that for most people my so-called triumph was an absolute nothing.  Didn’t matter and never would.  

My head returned quickly to its normal size and would resume my duties as a server, all the time whistling and humming tunes in my head to pass the time.  Here’s one from Lyle Lovett that was a favorite back then and still is.

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It’s Tuesday.  Tuesday deserves this.

This is the cover of Pablo Picasso by the Burning Sensations that was in the cult film Repo Man (from ex-Monkee Michael Nesmith).  The Modern Lovers did this song originally but the Peter Gunn-style horns in this version make it for me.

 

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