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Posts Tagged ‘Erie PA’

Well,  I am well into preparations for an upcoming show at the Kada Gallery in Erie, Pennsylvania.  The show opens October 16.  I have decided to call the show Toward Possibility which is the name of the painting above.  It is a 24″ by 48″ painting on canvas and has been a favorite of mine for some time.

The title of the show refers to the possibility offered in the paintings, the pure chance of existence and imagination.  These landscapes that I paint are not pure products of this world.  I can stop and step back to analyze them with a cool eye  and say this or that element in the painting doesn’t or couldn’t exist in the real world.  But my goal and hope is to make them possible in the eyes and minds of the viewers, to create a harmony in the elements that allows the viewer to comfortably assume the reality of the landscape.  To create a vocabulary of elements that speak of the possibility of this other world.  That is the possibility to which I refer in the title.

Hopefully, I am moving more and more toward that possibility.

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Destination- GC Myers 2010

I am at the point in my year where I am past my two summer shows and several months out from my next, a show I do every other year at the Kada Gallery in Erie, PA.  This is a time when I get to catch up on some small things like maintenance around my home and studio, working on a few commissions that have been patiently waiting and starting to work on new ideas that have cropped up over the past few months. 

 It’s a good time for me, for the most part, with no immediate deadlines hovering  overhead.  A time to breath a bit and reflect on the direction of my work and where I want it to head.   Try to bring into form an ideal location further along the continuum where the work shows more growth and depth.  A place where I am totally satisfied in all ways by the work.

Destination.

Which is, by the way, the title of the painting at the top.  This piece, a 12″ by 36″ canvas which is part of my New Days show at the West End Gallery, really represents the concept I’m describing.  Looking ahead and finding a place, a situation,  that meets all your needs and desires, whether in one’s life or lifework.  That sense of the realized ideal really jumped from this piece for me.  There is a great and obvious clarity in this painting, a sense of a gained sense of understanding.  Like looking ahead to a distant future and seeing yourself as being both the same as now but somehow different.  Changed somehow by a new knowledge that you have somehow gathered in the interim between now and then.

I am what I am but I am not what I will be.

It’s a funny feeling when I come across a piece where a thought like that jumps at me, fully formed and encapsulated.  It becomes all I see in the piece.  I can recognize other aspects of it that others see in it.  But for me, that one thought overshadows them.  It makes it a very powerful personal piece for me.

Now, I must get back to finding a way there….

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This is a painting that is currently being displayed at the Kada Gallery in Erie, PA.  It’s a 36″ by 48″ piece on masonite that is part of my Archaeology series, titled Archaeology: A New History.

It has a real aged, sepia-tone feel that is different than most of the pieces in the series, a feel which is central to my own feelings on the group.  I see the items under the surface as a type of old family photos, evidence of time here on this earth.

The fairly large size of the painting gives it a bit of oomph and emphasizes the simplicity of the overall composition, letting the tree do all the speaking from across the room.  But as you close in the subterranean objects begin to take shape and tell their own stories.  The whole idea is to present a variety of items and let the reactions of the viewer form a narrative for the underground part of the painting.  Hopefully this jibes with the overall feel of the piece for the viewer.

Well, that’s the idea…

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I’ve had the term body of work in my head recently and was reminded of it once again by a couple of sports related stories in recent days.  First, New England Patriots coach Bill Belichick made a risky decision this past weekend that failed and may have paved the way for his team’s loss.  This morning, sports talk radio was filled with analysts calling it a bonehead move but one analyst made me think when he said that sure, it was a mistake but he wouldn’t judge him on this one mistake. Instead, he would look at his whole body of work.

Then there is the case of Andre Agassi who, in his recent biography, revealed that during a year in the 90’s he had regularly used crystal meth during the tennis season.  He was widely attacked for this revelation, many judging his entire life on this episode of bad judgment.  He expressed surprise at the reaction, saying he hoped people would judge him by the whole of his life and not a time he openly and honestly regrets.  He wanted to be judged for his body of work.

It made me think.  How many people out there have judged me on one bad moment I may have had?  Something idiotic I said?  How many people was I holding judgement on whose only exposure to me was in a less than stellar moment in their lives?  How many of these people had changed, grown and evolved, yet I only knew them from a much less developed time in their lives?

I guess the same dynamics are in play when I speak of my painting as body of work.  There are certainly people who have seen my work and it may not have hit them favorably at that point and they formed a judgement that becomes set in their minds, making it hard to overcome.  Like Belichick and Agassi probably realize, there’s not a lot that can be done except to try to focus on what you can control, to try to constantly evolve and improve and create a body of work that shines brighter than the inevitable lowlights we all encounter in our lives.

I try to keep that in mind when I’m in the studio, that I cannot worry about those whose opinions of my work I can’t control.  I can only concern myself in satisfying that person whose opinion I can control and that’s me.  If I can do that, I will create a body of work  worthy of the most critical eye.

The piece at the top is Climbing Beyond the Blue and is on its way to the Kada Gallery in Erie, PA today.  I’m on the road again, visiting my friends in Erie before the holidays and delivering some new work.

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