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Posts Tagged ‘Little Gems’

I’ve written recently about the upcoming Little Gems show at the West End Gallery in Corning, a show that has a lot of meaning for me as far as being the jumping off point for my career.  I also really enjoy this show,  just to see other artists’ work.  It’s always interesting to see how artists who more often work in larger formats  handle the challenge of working on a smaller scale.

Here’s a great example from Marty Poole.  It’s a beautiful little 6″ by 8″ painting, a wonderful  example of his great ability with color and light.  The face of this child just glows on the panel. Marty is well known nationally for his large landscapes with broad, evocative skies as well as for his figurative work.  His handling of paint is remarkable in any genre.  He very seldom works so small so this show presents a great opportunity for collectors to pick up more affordable pieces from an artist whose work is widely sought.

Another aspect of Little Gems is allowing artists who normally work in a smaller format to show their work on equal footing, as far as size, with artists who works’ normal sizes would dominate the gallery walls.  It allows their normal work to really shine.  Here’s a great example called Last Bell from Mark Reep, whose meticulous black and white small works are always filled with ponderous atmosphere that belies their size.  Just beautiful work.

Then there are artists who take this opportunity for small works to show a different side of their talent.  Such is the case with Wilson Ong who is perhaps best known for his sublime portraiture.  His small pieces are whimsical tiny (in the 2″ by 3″ range)  paintings of animals in unlikely situations. Here are two of my favorites:

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As I said, this is always  a great show to see really talented artists working on a small scales.  Stop in and see these gems.

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I wrote yesterday about how music and other stimuli influence my work.  Since then I’ve been thinking about that and a comment made by writer David Terrenoire about knowing other fiction writers who refuse to read other writers for fear of having the voice of this other writer creep into their own.

I believe the creativity of any artist, writer, or musician comes from their own unique perception of the world around them, how they see and take in everything to which they’re exposed and reflect it back to the world.  I don’t think it’s so much that they create new worlds but how they synthesize what they encounter in this world into their own personal version of it.  This synthesis of influences is what gives an artist their unique voice.

I was recently talking to a young painter, still in a college program, whose work showed real promise but it was obvious he was still in search of a voice.  Every painting carried the earmarks of the painter he was influenced by during its making.  While all were well done, there was nothing yet visible that stood out as being uniquely his in any of the paintings.  It was obvious he was still gathering influences, seeing what was out there and trying to copy it first.  I asked him how he liked to paint, how he saw his work in his mind and he said he wasn’t sure yet.

He hadn’t started synthesizing yet.  While obviously talented, his voice was not present yet.

But at some point, for any creative person,  there has to be the transition from simply taking in information and reflecting it just as it entered to a thought process that allows new data, new influences, to be taken in and transformed internally into something uniquely their own.  Their own voice becomes unmistakable.

When that happens, I can’t say.  It’s probably different for every person and maybe it never happens for many.  Maybe there’s an aspect to this I’m overlooking because I am just thinking out loud here.

As is often the case, I don’t really know…

The piece at the top is a tiny new painting,  the image being 1 1/2″ by 3 1/2 ” in size and matted in a 6″ by 8″ frame, called Hold Your Banner High.  It is available at the West End Gallery as part of their Little Gems exhibit.

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