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Posts Tagged ‘memories’

Emorries

Rest Stop – At the West End Gallery



Emorries

n. vivid memories of a certain experience that you carry in your head for years until they’re casually disputed by someone who remembers it very differently—correcting basic chronology, clarifying a misread gesture, or adding context you never knew—which makes you want to look again at all the images you’ve been using to piece together your worldview, wondering what details might’ve been hidden in shadow all this time, or washed out by your own naïveté.

After documentary filmmaker Errol Morris, whose work often addresses the fallibility of memory and how little of reality can be captured in a photograph. Pronounced “em-uh-reez,” like memories, but with a piece missing.

The Dictionary of Obscure Sorrows, John Koenig



I am well aware of the fallibility of memory, both my own and of other people in general. Being married so long, I am regularly confronted with recollections of things that have happened in the past– both distantly and recently– that differ wildly from my own memories of the same event. Sometimes one of us has memories that are absolutely absent from the memory of the other. As though only one of us was there.

Most of the time you just shrug it off as the events in question are usually not significant or earth-shattering in any way. They just take up valuable memory space that could better be utilized in holding on to more important things, like the name of some obscure band and the title of their obscure song from 70 years ago that you weren’t even fond of in the first place.

But sometimes, these gaps or misremembrances– these emorries— worry you a bit, especially if it concerns something that held importance to you, something that felt absolutely confident in your memories of it.

As an aging person, you immediately wonder if this is the beginning of some form of dementia. You’ve seen it in people you knew including some you loved so it seems natural to wonder. But you weigh out the facts and examine your other facilities and mannerisms and decide, or at least hope, that there’s nothing to worry about on this account. Unless, of course, you’re already well into dementia which means your observations on the subject are somewhat compromised.

But even if you can shrug that worry off and can be assured that you’re not yet in the throes of dementia, the fact remains that these emorries have somewhat shaken the foundation of the structure of yourself you have slowly built throughout your life. You begin to worry that that these once-trusted building blocks of memory were instead misremembrances, misinterpretations, falsehoods, or outright fabrications of your mind.

This makes you question if you are who and what you think you are and how you believe other people view you. Have you been living in a weird bubble of emorries all this time that is nothing like the reality of it all?

It makes one’s head spin. But then you realize that we’re all subject to the same condition, that everyone you encounter existence is built on their own set of  emorries. They most likely are all contending with the same set of worries. You then realize all we know, our reality as it were, is just a large bubble of emorries, that nobody has total clarity of what is and isn’t.

That moment of realization may well ease your worries or may make your head spin even a little faster. That’s just the way it is. Or just how I am seeing it this morning.

By tomorrow, it will all be just another one of many distant or forgotten emorries.

Here’s a song from an artist that I have never shared here before, for some unknown reason. Maybe he simply slipped from my emorries. Jim Croce died in an airplane crash in 1973 at age 30 when he was at the peak of his success. He left behind a strong legacy in his songwriting and music that doesn’t always get the recognition it deserves. This is his Photographs & Memories. Very soothing stuff…



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In Fond Memory— Part of Little Gems at the West End Gallery



When it is said that an object occupies a large space in the soul or even that it fills it entirely, we ought to understand by this simply that its image has altered the shade of a thousand perceptions or memories, and that in this sense it pervades them, although it does not itself come into view.

–Henri Bergson, Time and Free Will (1889)



I have talked a number of times about why I chose the Red Chair as a recurring icon in my work. It is a universal object, one that doesn’t need an explanation of what it is. It even carries with it its own meanings as a symbol. It can be a symbol of power– the seat of authority or throne.  It can represent having input or of being heard– having a seat at the table. It can represent a seat in the halls of justice– a seat on the jury or a seat on the witness stand. Or a seat of cross-examination, a seat where one gives information as they know, either willingly or through harsher coercion, to some figure of authority.

I could labor on with more examples and you might even have some that pop in your mind that I might miss. But the one symbol that stands out for the Red Chair is one of memory. For me I tend to mean all memory, but it also represents, more specifically, the memory of those who have died. That empty chair symbolizes the place they hold in our memories and our hearts. This symbolism of the chair in that way crosses many cultures around the world, an empty chair being placed at a dinner table for those recently past.

I saw this come into play as I attended a memorial service yesterday for a friend who recently passed away from brain cancer, a glioblastoma. She was a lovely person and it was obvious from the sizable crowd that she had touched many lives with her own that had ended much too soon.

She had been a teacher at a local school and when the fall semester rolled around, it was obvious to her that she would not be teaching or likely to ever return to it. She and her family started a project to make Red Chair ornaments, some in wood and some in origami, to give to her students to let them know how much they meant to her and to give them something by which they might remember her and the lessons of creativity and optimism she had passed on to them. Her family created a brochure explaining the severity of her illness and the meaning of the Red Chair as she saw it.

It was a lovely and touching gesture. They had a number of the Red Chairs there for those attending the service to take with them as reminder of her life. I have mine here in the studio now and will certainly have her memory in mind when I look at them.

For this Sunday Morning Music, here’s an all-time favorite of mine from Harry Nilsson. This is Don’t Forget Me.



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