Sometimes my own view of a piece will shift over time. Sometimes I might see something in the work that was not the focus of my attention when I was painting, something that gives me deeper appreciation of the piece. Or it might work in the reverse, where I lose sight of that thing in the work that once was my focus in it and the work seems to resonate less with me. I suppose this little painting, only about 5″ by 8″ on paper, shown here falls in that first category.
This piece seemed to be a struggle from the outset. The colors never fully went where I thought they should and the whole thing just never seemed to sing for me throughout the process. The sky took on a murky shade and I worked at scrubbing away as much as I could but it was one of those situation where the atmospheric conditions and the gesso underneath made the paint grip tighter in the creases and folds .
It just seemed blah. I did this piece earlier in the year back in June and set it aside, next to a group of pieces that still need work or are in the same category as this painting. I would look at it every so often and feel dismayed because it should work for me but it just didn’t have that crisp color with the depth that I try to find in most of my work.
But over time, a shift in how I viewed this piece began. Maybe the distance in time from the struggle of creating it had allowed me to just look at it as a piece without the memory of the process affecting my reaction. I began to see the rubbed out sky not as failure of paint but as an interesting texture, kind of like a rough woodcut underneath the paint. Each time I picked it, I did so with more and more affection, seeing it for what it was rather than what I hoped it might have been once in my mind. It was a different version of my normal melody, my normal song. Instead of being tainted by other versions, I now let this piece sing in its own voice.
And I liked it. The shift was complete.
It makes me wonder how many other things we view with a perspective tainted by our expectations and never allow that which we view to show itself for what it really is. I know that I have often failed to go beyond my own biases and expectations and have probably missed the true nature of many things. Therein lies the lesson…
A wonderful lesson!
Thanks, Melissa. Now if I can only keep this lesson in mind.
I was down at the Toyota dealership this morning, tending to a minor issue. While there, I was reading Annie Dillard’s “The Writing Life”. One of her observations seems relevant:
There is neither a proportional relationship, nor an inverse one, between [an artist’s] estimation of a work in progress and its actual quality. The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored or killed, but not indulged.
Gosh, I love Dillard. 😉
Well said…