Sometimes your work physically goes to far distant places, such as those paintings that have went to embassies in Nepal, Uganda and Kuwait that I wrote about yesterday. But sometimes your work travels in ways that you can’t predict.
An online acquaintance forwarded the above image to me yesterday. It was a strange sensation, seeing this mass of what looked to be 25 of my paintings looking out at me. It took me a few seconds to figure out that I was looking at an art class that had reproduced one of my paintings.
Doing a little research, I discovered that this was an event called Art on Tap that is operated by Otterspace Arts in Claremont, California, east of Los Angeles. Every several weeks, they hold this event at a local microbrewery, Claremont Craft Ales, where all attendees are instructed in how to paint works that have been selected by online voting. They have recently chosen to make copies of paintings from Edward Hopper, Georgia O’Keefe, Vincent Van Gogh and Claude Monet. And me.
Even though I am pretty sure most of those in attendance had never heard of me or my work before, I was still really flattered by this. I know that this has taken place on a more local level, at kids classes in my area and one for adults at an Arts Council in the Finger Lakes, but it was gratifying to see my work’s imagery moving outward in this way. I recognized at an early stage in this journey that creating images that are instantly recognizable as yours is one of the most important , and most difficult, steps in establishing yourself as an artist. And seeing this photo made me think I was almost there.
I also liked their Facebook ads for the event. I would like to think that there is a Sasquatch somewhere enjoying my work. At the bottom is the original image. I hope they enjoyed painting this painting and hope that it hangs with pride in their homes.



I don’t even have words for how funny and deilghtful this is. And really, the variation in the paintings is interesting. One thing it certainly could be studied for is the natural variation in the way people saw your original painting: which elements carried the most meaning for each individual.
One thing, in looking at the 80 or so photos of this event that they had on their Facebook page, was seeing how they thought the painting was put together, how they translated the image into their own process. They had a determined end but took a slightly different path than I did in creating the original, which made their pieces unique and of themselves. Interesting. Plus there was beer…
On Thursday, September 25, 2014, Redtree Times wrote: >
This is incredible, Gary! Thank you for sharing this! Jesse Gardner Assistant Director
West End Gallery 12 West Market St. Corning, NY 14830 (607) 936-2011
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Thank you for supporting the arts!
Thanks, Jesse!
Oh I love this! What a tribute. I’m sure, like parents and children, you could never pick a favorite among your children.
That is so true.
On Fri, Sep 26, 2014 at 7:38 AM, Redtree Times wrote:
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Awesome!
Yeah, it was a pretty strange feeling , seeing that sea of paintings at first. But not a bad one.
On Fri, Sep 26, 2014 at 7:47 AM, Redtree Times wrote:
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