“The summer ended. Day by day, and taking its time, the summer ended. The noises in the street began to change, diminish, voices became fewer, the music sparse. Daily, blocks and blocks of children were spirited away. Grownups retreated from the streets, into the houses. Adolescents moved from the sidewalk to the stoop to the hallway to the stairs, and rooftops were abandoned. Such trees as there were allowed their leaves to fall – they fell unnoticed – seeming to promise, not without bitterness, to endure another year. At night, from a distance, the parks and playgrounds seemed inhabited by fireflies, and the night came sooner, inched in closer, fell with a greater weight. The sound of the alarm clock conquered the sound of the tambourine, the houses put on their winter faces. The houses stared down a bitter landscape, seeming, not without bitterness, to have resolved to endure another year.”
― James Baldwin, Just Above My Head
In this strangest of years, September has crept in without barely any notice for me. Much in the way August departed. I barely noticed the comings and goings, even though time seems to drag in these days of waiting for what might come next.
In doing so, I have neglected playing what might be my favorite song as I do every year at this time. The son is September Song, written by Kurt Weill and Maxwell Anderson for the 1938 Broadway show Knickerbocker Holiday. It was written in just a few hours after the show’s star, Walter Huston, requested that he have a solo song in the show.
Of course, in doing so, the composers had to account for Huston’s limited vocal range. The result though is a song that has become one of the great standards, covered by an incredibly wide range of artists. I have played versions from Willie Nelson, Bryan Ferry and Lou Reed along with the more well known jazz vocalists.
The song is just lovely in a most wistful way and these days we can all use something lovely and even wistful. Here’s such a version from the great Sarah Vaughan.
Have a good day.
Great Song. I didn’t know it was a Kurt Weill song and I’m even more surprised it written for Walter Huston who I would never associate with musicals!
The song I associate more with this season is Autumn Leaves (which could be a nice title for a painting!). Sarah Vaughan does that song too, but it’s not what I expected.
Her’s is a spectacular scat version of with a great guitar accompaniment by Joe Pass, but the tune is almost unrecognizable. I could have sworn she did a version that was similar to Patricia Barber’s.
Also, because I never tire of seeing it, I’ve included here my favorite Walter Huston scene!
That’s a really nice version of “Autumn Leaves” from Patricia Barber. The scat version with Joe Pass didn’t come up on your message but I did find it–nice! Joe Pass is always great as is Sarah. Also, your Walter Huston scene didn’t come up but I bet it was from “The Treasure of the Sierra Madre,” wasn’t it? Lot to like there. Some of my favorites from him were, besides “Treasure …” were his parts in “Dodsworth” and “The Devil and Daniel Webster.” He was great as a lead or in a character role. Just an awesome presence. Thanks for the Alice Munro story. Still haven’t had a chance to give a listen but I am looking forward to it. Take care!–g
Oops! The Barber Song got posted a second time by accident instead of the Walter Huston link