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I came across some very interesting allegorical  photos  on the PhotoBotos.com site.  They are the work of a young  photographer from Budapest, Hungary by the name of Sarolta Ban, who digitally manipulates images of basically everyday items into thought-provoking scenes.  Her work reminds me very much, in tone and substance, to that of  Robert and Shana ParkeHarrison, who created the fantastic photos of the book The Architect’s Brother, which I featured here on the blog this past year. 

 The primary difference is that the ParkeHarrison work is not digitally manipulated.  They instead physically create the scenes and photograph them.  For some, especially photography purists, this is an important distinction.  But I am definitely willing to look past that and simply admire Ban’s beautiful work.  For me, it comes down to how her imagery affects me and makes me react.  And for me, her work has a dreamlike quality, filled with a quiet magic.  Peaceful but ponderous.  Just good stuff.

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One of the blogs that I subscribe to is Photobotos.com which promises to deliver one amzing photo per day from photographers around the globe.  It pretty much keeps this promise consistently.  The photo shown here definitely falls in that category and was posted yesterday and really caught my eye.  It was a great  shot,  composed beautifully with  deep color and expressiveness.  It was shot by photographer Romain Mattei while traveling in Malaysia.  Mattei’s story, below,  of how the shot came about really adds something to this photo.  He writes:

I was spending the day in Kuala Lumpur without any plan of what to visit or to see. I was just going straight with only a map not to be lost. I make an amazing encounter purely by luck in a place where there were no tourists at all. A monkey and two cats were chilling on a chair in a patio. The two cats appeared to be pets but I wasn’t sure about the monkey. They were slipping and then playing together before the playful monkey pushed one of two sleeping cats out of the chair for fun. The cat lied down in order to keep on with its nap and this is when the monkey started to massage him. 

To me, it was a massage because he was really focused on doing it well on the back and the tail but of course if he would find a flea, he wouldn’t refuse a little snack. The cat was really enjoying and I was shooting the scene with my 100mm f/2.8 macro lens, which allowed me to be quite close to the scene. The two animals were not shy at all, the monkey was doing his job and the cat was even posing for the pictures. 

I took a whole series of pictures, it was too unique not to burn my Memory Card. I shot this one wide open in order to get the monkey a bit blurry but not too much so that the massage scene would be very recognizable. Like this, the focus point would be on the cat and the shot would be more eye-catching stressing the cat’s eyes looking right at me. 

Also, I didn’t want to center the cat’s face in order to strengthen the composition and I chose to place the cat on the picture following the thirds rule. The monkey was more or less in the center, but being blurry it didn’t affect the composition, not catching the attention that much. 

I left the right side empty, apart from the monkey’s tail in order not to overload the whole composition. 

I felt extremely lucky to witness this scene. After the monkey finished his massage/skin care, he went away and while I was shooting the cat completely relaxed, he came from a side and stole two bills in my pocket. I couldn’t believe it, I chased him to get my money back (maybe I should have left it to him as a reward for such a photographic moment) and while I was about to take my bills back from his hand, he put his hand behind his back like a little child!! He only wanted to play and then he gave the bills back to me himself. An extraordinary animal, so smart!

 

 

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There’s a wonderful site to which I  subscribe , PhotoBotos.com, which blogs a remarkable photo each day.  From all parts of the world, most are spectacular shots and I always look forward to seeing what each new day’s offering will be.  Today’s was not a disappointment.  Called Soulside Journey, it is a shot of epic feel taken in the Cerce Valley of the French Alps by photographer Alexandre Deschaumes.  Just an amazing sight.

It made me want to see more of Deschaumes’ work and to learn a bit more about him.  Doing just a bit of research, I discover that he is a self-taught photographer who has been gaining acclaim in recent years for his stunning and emotionally charged shots of natural landscapes.  There is a nice online interview on the site Photography Office  that has Mr. Deschaumes stating: I find my inspiration in my hope and fears, through a simple mix of elegant curves , line and color harmony

I could very much sum up my own artistic philosophy in this simple sentence.  It makes me empathize very much with Mr. Deschaumes artistic vision and journey.  Going to his own site , which is filled with a vast number of his imagery, it’s easy to find many that speak to some of those same deep inner emotions that I seek in my own work.  Just plain good stuff.

I also found the lovely high-def film shown below from filmmaker Mathieu Le Lay that shows Deschaumes at work in the wild, trotting among some beautifully shot settings.  Gorgeous color.  Worth a look on a Sunday morning…

Alexandre Deschaumes – The Quest for Inspiration | Demo 2011 from Mathieu Le Lay on Vimeo.

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Ahmet Ertug is an Istanbul based  photographer who began his career as an architect.  This interest in architecture has led him to a renowned career photographing the great buildings of the world.  He works in a very large format that produces huge fine prints that are spectacular.  He shoots the interiors of these buildings in natural light with exposures that often run 2-4 minutes in length, capturing the  beauty of the building as it naturally appears.  Grand and beautiful.

 He has produced a number of limited edition volumes of his work that are hand bound.  One of these is Temples of Knowledge.  It features his exquisite photos of the great historic libraries of the Western world.  For those of you into bookshelf porn, excited by the beauty of the library, his photos are a marvel.

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This photo caught my eye recently.  It’s a shot of a Romanian piper, most likely a shepherd, taken around 1906.  It was taken by Augustus Francis Sherman, a registry clerk who worked at Ellis Island, the primary processing point for immigrants coming to America around the turn of the early 20th century.  Sherman was an amateur photographer who would sometimes document those would-be immigrants who were detained at the facility as the officials determined whether they would be allowed to enter the country.  Sherman would ask the detainees to don the clothing of their native country so he might document them during their time at the Ellis Island,which might be hours, days or even weeks.   Some of these subjects made it through and others were deported.

Seeing this photo and others taken by Sherman made me wonder about these folks as they posed in their native garb.  If they made it through the  immigrationprocess, how did they make their way in America and where is their family now?  This Romanian man with the flute– what became of him?  What was his new occupation? Was this perhaps the last time he ever wore the clothing of his earlier life?  And what became of this group of Cossacks, shown to the right?  I wonder how their new life here differed from that one they left behind, where they donned such large knives.  Are their descendants aware of these photos?

As I said, some of these portayed by Sherman did not make it into America, at least at that time.  Some had physical ailments or mental illness and some, like the young German man with the multiple tattoos shown to the left, came as illegal stowaways and were immediately deported back to their native land.  I wonder how many of these deportees came back and tried again?

Sherman’s photos have been the subject of a number of exhibits over the years.  Though he was untrained, he had an ability to see the individual humanity that was sometimes lost in the masses that were paraded before him.  He was able to capture the pride and dignity in his subjects at a time when they were under great stress as they awaited the decisions on their futures here.  I find them fascinating, both as a documentation of the many diverse  peoples who built this country and the innate human drama in the process.

Though provoking.

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