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Archive for the ‘Photography’ Category

I don’t have much time but I wanted to share these images taken by the probe Voyager I way back in 1979. Hard to believe these are forty years old but I guess that’s a mere eyeblink in astronomical time. These are of the Great Red Spot on the planet Jupiter  with the one at the top having Europa, a moon of Jupiter, in front of it.

The bottom is a little more detailed view of the Great Red Spot. I wish I had the ability to paint in the way this image comes off. Whenever I stumble across these images, I am astounded at their abstract beauty.

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Want to keep it short this morning as I want to get right to work on a piece that is on the easel. And that desire to go right to the brushes is a good thing, an indicator that a groove is coming.

So, for this Sunday morning here are a couple of noir-ish photos to accompany one of  my favorite songs, Stolen Car, from the 1980 album ,The River, from Bruce Springsteen. The mood of this song, especially within its organ and piano lines, always moves me.

Good painting music.

Have a good Sunday…

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There is an exhibit currently hanging at the Rockwell Museum in Corning of photos from photographer Yousuf Karsh, who had an incredible ability to capture the essence of his subjects. Many of his shots of the celebrated figures of the 20th century are the best known images of those folks. I saw an exhibit of his work years ago and was really inspired by it. It played directly into a piece from my Exiles series at the time that I wrote about here back in 2008 that I am sharing again below.

The Karsh exhibit at the Rockwell Museum in Corning hangs until May 5.

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Blue GuitarThis is another of the paintings from the Exiles series, a piece titled Exiles: Blue Guitar. This was larger than the other paintings in the series and was the most intricate in design. It was the only piece to show a full body, more or less. The crimson sheets beneath the figure are certainly not typical of my work. Even the blue guitar was an anomaly. I think these things, in themselves, make this a distinctive painting and one that is perhaps the one piece I most regret letting go.

I remember painting this piece back in ’96 with great clarity. The face was based on a portrait of the Finnish composer Sibelius taken by Karshthe famed photographer. I had seen the photo at a wonderful and powerful exhibit of Karsh portraits at the MFA in Boston that knocked me out. Karsh had a knack for revealing the essence of his subjects in a single image.

I was immediately taken with the image of Sibelius’ face. It expressed bliss, but not joy. A painful bliss, perhaps an ecstasy tempered by the knowledge that the world is an imperfect one and that this moment of grace is a fleeting one, soon to be gone. It was exactly the expression I saw for my guitarist and one that I wanted the whole piece to convey.

This painting was the centerpiece of my first exhibit many years ago and remains vividly in my memory. Eventually, I went back in and darkened the background which made the guitarist pop even more. But the images of that change have been lost over the years which I greatly regret. This piece sold years ago and I now have no idea of where this painting ended up. I hope that whoever possesses this piece appreciates all that it represents and gives this sad, blissful guitarist a bit of attention now and then.

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Note: The opening for the for the 25th Anniversary exhibit at the Principle Gallery is next Friday, February 22. I mistakenly wrote here the other day that it was tonight because, well, I get confused and make mistakes sometimes. My apologies for any confusion. Hope you can make it to the show next week!

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Just a bit chilly this morning. Another -9 or -10° beginning to the day. The only consolation comes in knowing that it could be worse, like it is for some folks out in the Midwest. Everything seems to take longer in the cold so it has me running a little late. Thought it might be a good morning to run a post from a few years  back concerning the photography(painting?) of Teun Hocks. Take a look and if you’re in the colder regions, stay warm

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I came across these photos by Dutch artist Teun Hocks  (b. 1947) which reminded me very much of the work of Robert and Shana ParkeHarrison, which I have featured here twice before.  Actually, it was on this same day last year that I last featured them– perhaps I am looking for an alternate reality on this date as opposed to trying to relive in some way that morning twelve years ago [this post originally ran on September 11, 2013].  The ParkeHarrisons create elaborate but real backdrops against which they photograph their Everyman in allegorical scenes– there is no digital manipulation.  It is more like the worlds created in the earliest days of cinema when what was seen had to made real in some way, even the most fantastic scenes.

Teun Hooks Untitled- Man on IceTeun Hocks works in very much the same vein except that he creates a painted backdrop against which he photographs himself as the sometimes comical but deadpan Everyman.   Think Buster Keaton here.  He then creates oversize  gelatin silver prints on which he paints in oils, treating his original photo as an underpainting.  The result is a beautiful image with a painterly feel that is  imbued with both humor and pathos.  You can’t but help feel some sort of connection with Hooks’ character as he faces a sometimes puzzling reality.  Don’t we all?

I’m showing just a handful of the work of this prolific artist here as well as a YouTube video showing a larger group.  Hope you’ll enjoy this on this day.

Teun Hocks

Teun Hocks Baggage

Teun Hocks Untitled-Man Sleeping with Weight

Teun Hocks CrossroadsTeun Hocks Prairie

Teun Hocks Music

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We are into the month of October and it’s very dark and gray here this morning which has me thinking of Halloween. I thought that since I was in that mood I would run a post from back in 2010 about some macabre images from France in the 1860’s. Guitarist Brian May of the band Queen spent decades researching and assembling the most complete collection of these stereoscopic plates, which he published in a book a few years back. I’ve added a few images and a video featuring some of the plates as well.

I came across these photographic oddities and thought they would be fitting in this week that ends with Halloween.  The stereoscope was invented in Paris in 1850 and became a worldwide sensation over the next decade.  In 1861, a series of 72 of these stereoscopic photos were printed anonymously in Paris that consisted of macabre scenes of Satan and various aspects of Hell.  Called Les Diableries, these plates were a drastic turn away from the often mundane photos seen in early stereoscopes and were quite the sensation in 1860’s Paris.

The photos remained anonymous in that time because they were viewed as politically satiric of the French government of the time, the Second Empire under Napoleon III.  To openly chide the Emperor at that time could bring dire consequences but the images circulated freely, nonetheless.  I think they are a remarkable set of images from that time and I can imagine how they must have resonated in the minds of people who weren’t exposed to the mind-boggling array of imagery that we often experience in a single day in our time.

 

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The British photographer Alfred G. Buckham (1879-1956) was one of the pioneers of aerial photography. Already a photographer, his career as an aerial photographer began with the outbreak of WW I.

He became the first head of aerial reconnaissance for the Royal Navy and later translated that to a private career of daring and wondrous shots taken from small planes, often with him standing perilously on the plane with one leg tethered to it. He was involved in 9 plane crashes and it was only in the ninth that he was seriously injured, having afterward to breathe for the rest of his life through a tube in his throat after a tracheotomy.

This shot at the top of the page taken by Buckham from above Edinburgh, Scotland around 1920 is one of my favorite photos. I urge you to check out the website devoted to the career and work of Alfred Buckham. Interesting stuff.

I thought I’d accompany this photo with a track from the album Skala from musician Mathias Eick that is titled, of course, Edinburgh. Another track, Oslo, was featured here several weeks ago. Not all the tracks are titled after European cities, in case you were wondering.

I think this composition fits the photo very well, with a gliding beat that I can imagine aligns itself well with swooping over the Scottish landscape in a small plane in 1920. Give a closer look and a listen and have a good Sunday.

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“Not only is the Universe stranger than we think, it is stranger than we can think.”

― Werner HeisenbergAcross the Frontiers

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I stumbled across this photo the other day and I have come back several times to look at it. It’s the image of a mosquito’s foot at 800x magnification and there’s a strange organic beauty and weird delicacy to it that draws me in.

The complexity of the individual elements in its design is fascinating. The reddish grabby claws have a certain elegance but I can only think that if a mosquito were the size of a housecat they could latch on to you with those claws and you would never be able to merely swat them off.

Thankfully, I have yet to come across such a mosquito.

I can only think that if something so common as a mosquito can seem so alien, even if beautiful, imagine how strange the truly alien might be. As the physicist Heisenberg points out, are we even capable of imagining such strangeness?

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