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GC Myers- And Dusk Dissolves sm

And Dusk Dissolves“–Now at the West End Gallery



It was that hour that turns seafarers’ longings homeward- the hour that makes their hearts grow tender upon the day they bid sweet friends farewell…

― Dante Alighieri, Purgatorio



Dante had it right– dusk is that hour of recollection, some warm and some less so. As I age I see this more clearly, most likely as a result of simply having more to look back on than look forward to at this stage in my life.

Don’t jump too hardly on that last line. I feel there is still a tremendous amount of living ahead for me and others my age or older. It’s just math– the ratio of time lived to the expected or hoped for time left in one’s life– says that the greater part of our life is behind us for people of my age and older. 

And I believe dusk does often remind us of this fact. It’s a time when we sometimes pause to look back on the day, to reckon what we have done and not done during that time and to measure what lies ahead for the next day.

And sometimes this recollection extends back further than the day that just passed due to the moment in which it takes place. Maybe it’s the warmth and color of the sunset. Maybe it’s the way the landscape around us changes in the setting light, as colors deepen and contrast to the narrowing light. Whatever it might be in that moment, something triggers flashes of distant memories.

Words spoken and unspoken. Maybe just a glance from a face you remember or the most innocuous detail from some moment that didn’t seem important when you saw it so long ago.

Sometimes these moments are full and make sense. Sometimes they are fragments that seem insignificant. Yet they remain in place in our memory.

And as that moment of recollection passes and we move to settling in for the night and looking ahead to the coming day, these recalled moments dissolve, much like the setting sunlight melts into darkness.

There’s a wealth of recollections to pull from as one ages and maybe I see that in the depth and richness of the colors here. Maybe every stroke of color in that sky is a fleeting and flashing moment from my memory. I don’t know.

It makes me think of when my dad was in his final years suffering from dementia. His memory was spotty at best and often large segments of it were absent. I remember one instance when he was disturbed and asked me with great seriousness to tell him if I knew who his mother was. I went to a photo of her from her college yearbook (Potsdam 1918!) and explained in great detail her history. He listened to me more intently than any other time I can remember in my life, like he needed to know this and wanted to inscribe it deep into memory.

Looking back on that moment now, I can only imagine him as the Red Tree looking back and, instead of the richness of individual colors in that sky of memory, he is seeing a hazy grayness with occasional peeks of color. A recognizable tree or hillside whose color has faded to almost gray. And the distant deeply colored mountain that might have been his mother was not even visible.

Makes me appreciate every moment, every fleck of color, every drop of light, every insignificant recollection that remains with the hope that my dusk never fully dissolves.



This painting, And Dusk Dissolves, is 30″ by 48″ on canvas and is part of my current solo show, Through the Trees, at the West End Gallery in Corning, NY. It will be on display until the end of August.

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"New World Passage"-- At the West End Gallery



We don’t receive wisdom we must discover it for ourselves.

― Marcel Proust



This painting, New World Passage, was one of those paintings that started as an idea quite some time ago. Late last autumn, in fact.

It was started with forest trees and dark rolls of land that dominate the foreground, creating almost a fence through which one would look forward. I loved the first efforts on it with the rich blues and magenta having a gemlike feel. The process at that point was all about painting the negative space, trying to balance colors and forms in the narrow slots between the trees to create something more than mere background.

It was at this stage that I ran out of steam. Actually, it was more fear than fatigue. I felt this was a deserving piece, one that was filled with some great unknown and still unseen potential at that point. I just didn’t feel up to moving forward on it out of the fear that my desire to see it finished would cause me to be hasty in my decisions which could easily drain it of all possibility.

It could sink dully back to earth instead of following the life arc I imagined for it. My thinking was that by not trying to finish it, its potential would always be there. Unfulfilled, of course. But there.

So, it sat for months and months. I kept telling myself that I would just finish it one of these days  and would count it among the pieces allotted for my annual show at the Principle Gallery. I missed that deadline, putting it off and saying that it was okay, I would just move it to the West End show. But as the months passed and the West End Gallery show came into form, this painting still sat unfinished in the studio. Its presence was almost aggravating because it served as a reminder of my cowardice and uncertainty.

It taunted me up until the final day that I had allotted for painting before moving on to final touches and framing for this show. I felt time constrained and anxious but made the decision that on that day, this painting would either live or die. I still wasn’t sure where it was going behind that fence line of trees but I dove in.

At first, the small amount of sky was going to be pale to let the deep tones shine off of the lighter background. But after doing a bit, I hated the look. It actually felt like it was sapping away the vibrance of the trees’ colors. I amped up the color, going to the Indian Yellow with hints of red and orange through it that has been my friend and companion for decades now. 

It felt right. It pushed the blues and purples and magentas up further. I added the house as destination, an end point to which the path headed.

Then I added the sun.

I wanted it there as compositional balance but the pale light one that I began with did nothing for the painting. It made the whole thing, even with the vibrant colors, feel bland. I wanted something that made it feel like this was path leading to something unknown, a trail to a strange new place.

Thus, the red sun.

It felt right immediately. No warming up to its presence was needed. It made everything come together. It felt like passing through the common known– just a few trees, fields and hills– to suddenly find yourself in a world you don’t completely recognize or understand. It looks familiar but it feels different., like you are sensing things at a higher level of awareness or comprehension.

I liked it. I liked it a lot. It has the life I had felt it might possess. I was glad that I waited because I don’t think this end point was yet there when I first thought about finishing it. It– and I– wasn’t ready to move on to a new world yet.



New World Passage is an 18″ by 24″ painting on panel that is part of Through the Trees, my new solo exhibit at the West End Gallery in Corning, NY. The show opens this Friday, July 16, with an opening reception from 4-7 PM but you can see it beforehand. 

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GC Myers- Moment RevealedNothing in this world is hidden forever. The gold which has lain for centuries unsuspected in the ground, reveals itself one day on the surface. Sand turns traitor, and betrays the footstep that has passed over it; water gives back to the tell-tale surface the body that has been drowned. Fire itself leaves the confession, in ashes, of the substance consumed in it. Hate breaks its prison-secrecy in the thoughts, through the doorway of the eyes; and Love finds the Judas who betrayed it by a kiss. Look where we will, the inevitable law of revelation is one of the laws of nature: the lasting preservation of a secret is a miracle which the world has never yet seen.

― Wilkie Collins, No Name



This is another new painting from my solo show at the West End Gallery that opens Friday, July 16. It is 10″ by 20″ on aluminum panel and is titled Moment Revealed.

It’s not the biggest piece but it has a lot of power, at least for me.

In the eyes of Wilkie Collins‘ narrator in his 1862 novel, No Name, the inevitable law of revelation is one of the immutable laws of nature. I believe that as well, though I think there are instances of personal secrets remaining hidden during the lifetimes of those folks involved. But in the long term, I believe that all secrets are subject to revelation if there is someone interested enough to do the detective work.

That sounds like I am talking solely about personal  indiscretions and crimes but it also applies on a grander scale, to the big secrets and questions that the universe poses for us simple humans. They seem like unsolvable riddles to us now but given enough time and interest, the revelation of their truth and answers will become clear to us.

Will that happen soon? In my lifetime or in the lifetime of some reader out there?

Unlikely. However, maybe only one or two secrets coming to light– if we can survive long enough as a species– will change all of our perspectives on our existence.

That certainly happens on a smaller, more personal scale. Sometimes, a simple revelation can change everything in your world. Sometimes for the better and sometimes not so much. I would like to think that this painting refers to one such moment, one where the truth is suddenly right there in front of you. So much that seemed cloudy with uncertainty becomes crystal clear in that moment and the path forward is sharply defined.

One’s purpose and place in the world seems to make sense in that moment.

And that is a good moment, no doubt.



Moment Revealed is part of my new annual exhibit, Through the Trees, opening Friday, July 16, at the West End Gallery in Corning, NY. There is an opening reception that I will be attending from 4-7 PM Friday. The show is currently hanging and available for previews. Thank you!

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9921088 The Center Found sm

The Center Found“- Now at the West End Gallery



Imagination sees the complete reality, – it is where past, present and future meet… Imagination is limited neither to the reality which is apparent – nor to one place. It lives everywhere. It is at a centre and feels the vibrations of all the circles within which east and west are virtually included. Imagination is the life of mental freedom. It realizes what everything is in its many aspects… Imagination does not uplift: we don’t want to be uplifted, we want to be more completely aware.

― Kahlil Gibran



I came across the passage above from writer Kahlil Gibran (1883-1931) and felt it matched up well with my interpretation of the new painting at the top, The Center Found. I see it as it being about the Red Tree’s awareness of the many worlds surrounding it and its place and purpose within those intersecting worlds.

As Gibran points, out, that comes with the mental freedom of imagination which allows the Red Tree here to see the possibility of these worlds existing.

So perhaps the Red Tree in some of its many iterations could be a symbol for ones imagination. I can see that being true in this piece and in many others and could easily live with that interpretation since it links imagination with awareness.

Gibran is certainly right that we want to be more completely aware. I am not sure that I completely agree that we don’t want to be uplifted in a spiritual sense. I might be taking liberties here but I think he means we don’t want to be uplifted by others, that our uplifting is dependent on our own actions and understandings.

But I understand his point that without awareness, there is little possibility of being truly uplifted. And I would like to think that in this painting the Red Tree has found that center of awareness, that it feels the intersections of all the worlds around it.

And is then uplifted.



The Center Found is part of my new annual exhibit, Through the Trees, which opens Friday, July 16, at the West End Gallery in Corning, NY. There is an opening reception from 4-7 PM Friday. The show is currently hanging and available for previews. Thank you!



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9921042 Dispersing Darkness sm

Dispersing Darkness“- At West End Gallery



People will do anything, no matter how absurd, in order to avoid facing their own souls. One does not become enlightened by imagining figures of light, but by making the darkness conscious.

Carl Jung, Psychology and Alchemy



Well, the show is out at the West End Gallery and will be fully hung today well in advance of next Friday’s opening reception, which runs from 4-7 PM.

There is, as always, a sense of relief in having the show out of the studio but this relief is forever accompanied by a feeling of anxiety in how the work might be perceived.

I know what I see in the work, what feelings and meanings I derive from it. It is created to satisfy and reflect my emotional needs. But how others experience it is always a crapshoot because one never knows what others are seeing of themselves in the work or what they desire to see.

Some folks want things I cannot offer and I have always been okay with that. I do what I do and put it out there, warts and all.

Some folks want nothing but optimism and light. While I understand this desire and attempt to keep my work optimistic and forward looking, I have always embraced a darker undertone in my work. I think it’s because I believe we are all delicately balanced between the opposing forces of dark and light.

The world is also balanced in this way in my opinion. It’s in that area of equilibrium between the two forces that harmony and beauty appear.

I think this is what I am seeing in the new painting above, Dispersing Darkness. We sometimes get out of balance and darkness becomes dominant. The key at these moments comes in knowing that this is only a temporary condition and  patiently waiting it out until light once more comes to push away the excess darkness.

Like the crow on the peak of the roof in this piece.

I see this piece in an optimistic, hopeful way but, as always, that is just my take. You will see what you need to see in it, no doubt.

As it should be.

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GC Myers- Reverie sm

Reverie“- Coming to the West End Gallery



There are certain half-dreaming moods of mind in which we naturally steal away from noise and glare, and seek some quiet haunt where we may indulge our reveries and build our air castles undisturbed.

-Washington Irving, A Colloquy in Westminster Abbey



I am not sure if this new painting, Reverie, is the quiet haunt or the air castle here.

Maybe both.

It certainly has the feel and atmosphere of a daydream to me or maybe a meditative state. It has a sense of calm stillness that is often a goal for me in my work– and in my mind.

I would write more but I am in the final hours of preparation of work for my upcoming show before delivering it to the West End Gallery tomorrow so that the gallery can be hung and ready before next Friday’s opening. As much as I would like nothing more than to spend an hour lost in Reverie, there is still much more for me to do.

So, in lieu of writing I will let a piece of music do the talking, one whose title I poached for this painting. The piece of music, Reverie, is from composer Claude Debussy and is performed here by the pianist Lang Lang. For those of you not familiar with Lang Lang, he is a rock star among the classical set.

While a child of three in China, his first exposure to western classical music came in the form of Tom and Jerry cartoon that featured Liszt’s Hungarian Rhapsody. It set his future in motion. Trained at the Curtis Institute of Music in Philadelphia, Lang Lang became one of the most celebrated classical musicians of this generation.

I like his playing here. It definitely sets the scene for a short reverie before I get to work.



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9921076 To the Limit sm

To the Limit“- Part of the upcoming West End Gallery show



The purpose of life is to discover your gift.
The work of life is to develop it.
The meaning of life is to give your gift away.

— Dr. David Viscott



I wasn’t going to write about this today but I came across a tweet yesterday from a well known law professor who I highly respect using the quote above. Well, he used the shorter version– The meaning of life is to find your gift. The purpose of life is to give it away— which cuts out the developmental stage in the middle.

All fine and dandy. However, he attributed it to Pablo Picasso. Things immediately stirred my interest because I like Picasso and he has actually said some very noteworthy things that end up as oft used quotations. But this just didn’t sound right.

So, off to Quote Investigator and, sure enough, there it was. No evidence of Picasso ever saying this nor Billy Shakespeare — I can call him that as we go way back– who is also often given credit for this quip.

No, it turns out that the first evidence in print came from a radio/TV psychiatrist who was very popular in the 1980’s and early 90’s, Dr. David Viscott. He died in 1996 at the age of 58. I don’t really remember him but he was pretty well known  for his fast diagnoses of callers problems and his in depth discussions on the required pharmacology. He even entered popular culture with his voice being the inspiration for the cartoon psychiatrist Dr. Marvin Monroe, who appeared regularly on the first seven seasons of The Simpsons

The earliest mention of the same sort of sentiment but in different, more specific words comes from an 1843 essay titled Gifts from Ralph Waldo Emerson:

Rings and jewels are not gifts, but apologies for gifts. The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a stone; the painter, his picture; the girl, a handkerchief of her own sewing.

Perhaps Emerson was the David Viscott or Dr. Marvin Monroe of his era? His advice is very much the same though it is a bit dated with females, half the population, being relegated to sewing handkerchiefs. Thankfully, today females populate every field of endeavor and can do much more than sew hankies. I don’t want to offend any hankie sewers out there but how many hankies do we really need?

But the idea of giving of yourself, to share what you do best with those you love as well as the rest of the world, is the idea here. The idea that thought, effort, and time have went into a gift make them all the more precious. Even now, as I sit here, I have several gifts within sight that have been given to me over the years. Each is precious to me for just those reasons.

The tragedy is that so many of us never find that gift or overlook it when it is right in front us. Or even more tragically, that for whatever reasons, we never try to follow the hints to our gift that we do recognize. 

So, now that we’ve cleared up the origins of the advice at the top, get out there and do something that you love and share it with friends or family or the rest of the world.

It’ll make your day as well as that of someone else.



The painting at the top, To the Limit, is a new piece that is included in my upcoming show, Through the Trees, that opens next Friday, July 16th, at the West End Gallery in Corning. I used this painting for this post because the blowing tree often represents for me self-sacrifice and the giving of all to an effort. I guess that would make for a splendid gift.

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GC Myers--Facing Mystery 2021



Faith and love are apt to be spasmodic in the best minds: Men live on the brink of mysteries and harmonies into which they never enter, and with their hand on the door-latch they die outside.

–Ralph Waldo Emerson, Letter to Thomas Carlyle, March 1838



I think that the words above from Emerson to Scottish philosopher Thomas Carlyle perfectly fit the vibe I get from the painting above, Facing Mystery, another new painting now hanging at the Principle Gallery.

So often we avoid following the paths of both those mysteries and aspirations that haunt us. We often face, or worse yet, create barriers– here it is a forest of red that seems dark and deep– that we use as an excuse for staying in our safe and consistent space.

Close to home or as Emerson put it, with their hand on the door-latch.

It’s understandable. I don’t fault anyone for wanting to stay in their own safe and secure comfort zone. I might be a prime example of that right now, sequestered in my own dark forest, panicked sometimes at the thought of venturing outside it. Luckily for me, mysteries and aspirations as well as the harmonies to which Emerson refers are close at hand here.

For the most part. But even as I rationalize my own safe existence, I know there are more mysteries and harmonies, with answers and depths to be added to my being, out there to be found if I can only shake free of my own door-latch.

That might be the existential question here: Are we willing to face and follow the real mystery of our lives?

I don’t have an answer for myself yet.

I am hopeful and feel willing but find myself still holding onto that door-latch of that simple little house.



Facing Mystery is part of Between Here and There, my current solo exhibition at the Principle Gallery in Alexandria, VA. The show, my 22nd annual at the Principle Gallery, opened June 4th and hangs there until the end of this month.

ΩΩΩΩΩΩ



GC Myers- Facing Mystery Principle Gallery 2021 Catalog page

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GCMyers-- La Bella Vita sm

“La Bella Vita”– Now at the Principle Gallery-16″ x 40″ on canvas



You wanna fly, you got to give up the shit that weighs you down.

Toni Morrison, Song of Solomon



Came across this new song from Jon Batiste yesterday and immediately knew that I would be using it this week’s Sunday morning music. It’s called Freedom and it celebrates the joy that comes in movement and dance.

Myself, I’m way too self-conscious to be a dancer but I certainly recognize the joy found in it in others, those who dance without any self-consciousness or restraint. But while I may envy them, I also take a little of their joy and freedom for myself.

There’s an infectious quality to that kind of freedom of expression. The good kind of infectious.

Give a listen. It might make you feel like getting up and moving a little. And that’s always a good thing.



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GC Myers- Distant Communique 2021



How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul.

Frances Hodgson Burnett, A Little Princess



The new painting at the top, Distant Communique, is included in my current solo exhibit at the Principle Gallery. I think I want to let it stand with the words above from the author Frances Hodgson Burnett, best known for her beloved book The Secret Garden.

A language without words. That’s very much what art is. It implies a common knowledge or understanding of how things are and transmitting it from one being to another with gesture and nuance.

We’ve all experienced it, I am sure. A knowing glance across a room. A nod to someone that speaks volumes. The tilt of a head. The evasion or linking of eyes that reveals so much more than the sometimes clumsiness of words.

It’s with this innate understanding, this intuition, we sometimes recognize kindred spirits without a word. The same goes for those we would be better off avoiding.

There’s more to be said on this but that seems somewhat contradictory to the message. Let me just leave it as it is and you might better understand what I am getting at with the painting.



GC Myers- Distant Communique-Principle Gallery 2021 Catalog Page

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