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Posts Tagged ‘Claude DeBussy’

GC Myers- Reverie sm

Reverie“- Coming to the West End Gallery



There are certain half-dreaming moods of mind in which we naturally steal away from noise and glare, and seek some quiet haunt where we may indulge our reveries and build our air castles undisturbed.

-Washington Irving, A Colloquy in Westminster Abbey



I am not sure if this new painting, Reverie, is the quiet haunt or the air castle here.

Maybe both.

It certainly has the feel and atmosphere of a daydream to me or maybe a meditative state. It has a sense of calm stillness that is often a goal for me in my work– and in my mind.

I would write more but I am in the final hours of preparation of work for my upcoming show before delivering it to the West End Gallery tomorrow so that the gallery can be hung and ready before next Friday’s opening. As much as I would like nothing more than to spend an hour lost in Reverie, there is still much more for me to do.

So, in lieu of writing I will let a piece of music do the talking, one whose title I poached for this painting. The piece of music, Reverie, is from composer Claude Debussy and is performed here by the pianist Lang Lang. For those of you not familiar with Lang Lang, he is a rock star among the classical set.

While a child of three in China, his first exposure to western classical music came in the form of Tom and Jerry cartoon that featured Liszt’s Hungarian Rhapsody. It set his future in motion. Trained at the Curtis Institute of Music in Philadelphia, Lang Lang became one of the most celebrated classical musicians of this generation.

I like his playing here. It definitely sets the scene for a short reverie before I get to work.



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“What geomancy reads what the windblown sand writes on the desert rock? I read there that all things live by a generous power and dance to a mighty tune; or I read there all things are scattered and hurled, that our every arabesque and grand jeté is a frantic variation on our one free fall.”

― Annie Dillard, An American Childhood



I have a lot to do this morning as I prep several new small pieces for delivery to the West End Gallery later today. I enjoy working on the small works. There’s something about their compact nature and the challenge of trying to make a larger statement in such a limited space. I know I have previously used the comparison of these small pieces to a haiku, a lot being said with few words or in a small space.

The piece shown here is one such new small piece and I think it achieves that goal. I really like its atmosphere. I had another title– The Sun Worshipper— but felt it was too direct yet didn’t capture the feeling of this piece. Instead, I went with a word for the title that was more open to interpretation. I call it Arabesque.

It’s a word that can be interpreted in many ways. It is a dance move– in ballet where the dancer stand on one leg with the other extended backwards. I could see that here.

It is also an ornamental element in architecture with patterns of rhythmic linework often used in Moorish structures. I could see the Red Tree here as being in that fashion.

It also applies to a musical composition that, like the architectural arabesque, uses rhythmic repetition and ornamentation of the melody. I can also see that here.

Plus, there’s the connotation of warmth that comes with the word arabesque. It has the feel of the sand, the wind, and heat of the desert.  I see those things here, as well.

So, Arabesque it is.

Here’s an example of a musical arabesque from guitarist Roxane Elfasci performing Arabesque #1 from Claude Debussy.

Enjoy and have a good day.



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We’re in the midst of mad, chaotic times and my thought was to play something calming here on this Sunday morning. We could all use a breather.

And for music that soothes, you can’t get much better than Claude Debussy and Clair de Lune. Here is a wonderful performance from contemporary classical guitarist Roxane Elfasci who beautifully captures all the nuance and sensitivity of the composition.

The painting shown is from a few years back and carries the title of this piece of music. I look at it and can immediately sense the melody and flow of the music. There is something calming in the atmosphere and quietness of this painting. For me, this piece of music and it serve a definite purpose in these disturbed days.

Give a listen and relax a bit. Have a good day.

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Maybe it’s a morning for daydreaming. There’s a sharp crispness in the air this morning that reminds me of autumn mornings, gloriously cool and bright. But we’re lingering in July with the gauzy summer days of August still before us, so there is still a bit of time before those fall mornings arrive. So I’ll daydream of those days ahead.

I guess this leads me to today’s musical selection. I thought I’d carry on the daydreaming theme with a classical piece from Claude Debussy. It is titled Reverie which is just another way of saying daydream.  I chose this version from Eugene Ormandy and the Philadelphia Orchestra because it features a nice slideshow of Maxfield Parrish paintings, all of which easily fall into the category of daydreams.

Give a look and a listen. Let your mind float for a bit and have a good day.


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GC Myers- Clair  de Lune smI was going to take a day off from the blog.  After all, it’s the final day in the studio for the work in my solo show, Native Voice,  that will be heading down to the Principle Gallery in Alexandria tomorrow.  This is always both a day filled with stress and great relief.  There is still much to do on this day but in what seems like an instant it is suddenly done and I let out a great sigh of satisfaction in that the task has been completed, which is always easier when I feel good about the work that I am doing and that is the case with this show.

So the idea of taking the day off on this busy day was appealing.  But I wanted to really show this piece, a 24″ by 30″ canvas that I call Clair de Lune after the famous DeBussy piece.  I was searching for a title for this painting and was stuck, wanting to steer it away from references to the blue hues in it, when this song came up on the Pandora station to which I was listening.  It was a version by pianist Michael Dulin.  As the music played , I could almost see it meshing with the colors of this painting, the calming tones of the music resting easily in the blues and greens of it.

It just felt right. It fit.  So give a listen and take a look.  Maybe you’ll see what I saw.  Now it’s back to work for me– much to do before I travel tomorrow.

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