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Posts Tagged ‘Alexandria VA’

Distant Communique

Posted in Literature/ Books, Painting, Quote, Recent Paintings, tagged , , , , , , on June 9, 2021| 1 Comment »

GC Myers- Distant Communique 2021

How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul.

― Frances Hodgson Burnett, A Little Princess

The new painting at the top, Distant Communique, is included in my current solo exhibit at the Principle Gallery. I think I want to let it stand with the words above from the author Frances Hodgson Burnett, best known for her beloved book The Secret Garden.

A language without words. That’s very much what art is. It implies a common knowledge or understanding of how things are and transmitting it from one being to another with gesture and nuance.

We’ve all experienced it, I am sure. A knowing glance across a room. A nod to someone that speaks volumes. The tilt of a head. The evasion or linking of eyes that reveals so much more than the sometimes clumsiness of words.

It’s with this innate understanding, this intuition, we sometimes recognize kindred spirits without a word. The same goes for those we would be better off avoiding.

There’s more to be said on this but that seems somewhat contradictory to the message. Let me just leave it as it is and you might better understand what I am getting at with the painting.

GC Myers- Distant Communique-Principle Gallery 2021 Catalog Page

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Dropping Clues/ Dolphins

Posted in Event, Music, tagged , , , , , , , on June 6, 2021| 2 Comments »

GC Myers-Dropping Clues 2021

There is always a pleasure in unravelling a mystery, in catching at the gossamer clue which will guide to certainty.

― Elizabeth Gaskell, Mary Barton, 1848

We all have questions and we all want answers, don’t we? For many of us, it’s just the nature of who and what we are, this need to figure out the mystery of all things. As a result, we sometimes see clues in the mundane and the innocuous.

The color of the sky. The patterns of the stars. The way the light shifts and filters through the trees. The moon’s path and its effect on things here. The way a path winds.

Answers seldom, if ever, come.

Maybe that’s a good thing. Maybe we need this mystery hanging in front of us like a carrot tempting a mule. We might be even more dangerous to ourselves, if that’s possible, if we definitively knew our origins, our true limits and possibilities. I sometimes think we all have a bit of nihilism tucked away in our genetic codes, one that wants us to burn down the whole shooting match once truth is revealed and there’s no longer any way of wrapping reality in mystery and supposition.

Who knows?

Not me, surely. I am just here for the mystery. Plus, I heard there’d be cake.

Anyway, those are some thoughts inspired by the new painting shown at the top, Dropping Clues, part of my solo show now hanging at the Principle Gallery. I thought this was also match up with an old song from a late singer/songwriter that many of you probably don’t know, Fred Neil. Neil was a highly regarded folk singer in the 1960’s, one of the bigger stars of NYC’s Village folk scene. He is best know for his song, Everybody’s Talkin’, made popular in the film Midnight Cowboy as sung by Harry Nilsson. Most people, myself included, assumed Nilsson wrote the song but it was Fred Neil.

His other popular song is the one I am sharing today, Dolphins. It’s a moody musing on our existence that, in part, reflected Neil’s own fascination with dolphins. He became interested with dolphins in the 60’s and in 1970 was one of the founders of the Dolphin Research Project. From that point on, his life was more or less devoted to watching dolphins. He performed his music only occasionally through the last thirty years of his life, until his death in 2001 at age 65.

This song has been covered by a host of notable performers and has been used in many soundtracks for movies and television. It’s a good song to have on when you’re trying to figure out the mystery.

M

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To the Calling Moon

Posted in Event, In the Studio, Literature/ Books, Music, Painting, Recent Paintings, tagged , , , , , , on June 4, 2021| 2 Comments »

GC Myers- To the Calling Moon 2021

Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

― James Joyce, Ulysses

Well, the opening for my annual solo show at the Principle Gallery is tonight. And I am here in the studio, absent again this year.

Last year, though it felt strange in not being there, it felt necessary. Had to be done but it didn’t feel good to not be able to meet with people to talk and get some feedback about my work. But with another year of distant isolation under my belt, this year’s absence doesn’t feel any better.

In fact, it feels worse.

There’s a feeling of disconnectedness, as though I am way out of whatever loop there is surrounding my work.  Like I am some sort satellite like the moon in the new painting above from this show, To the Calling Moon. I am periodically visible but distant and not there most of the time. There’s more to be said about this analogy but I really don’t feel like going into right now.

This sense of isolation is accompanied by a sharp anxiety from the thought that what little control I had over how my work is perceived is even more diminished. I can’t be there as an advocate and explainer for my work, don’t get a chance to personally see and feel people’s reaction to it. To read faces and body language. It’s never quite the same getting second-hand feedback in that it’s impossible for others to fill in the nuances that I sometimes notice.

But the show must go on, even if without me again this year. I am very pleased on an emotional level with this show and hope that those who make their way to the gallery for this show tonight or later feel that way as well. It’s a show of ponderance as To the Calling Moon can attest.

I think this painting is a good choice for today. Like me, it’s a bit blue. Normally, I put myself in the role of the Red Tree in my work but in this case, I may be that moon– distant and silent.

The title of this year’s solo exhibit, my 22nd at the Principle Gallery, is Between Here and There. It opens tonight, June 4, 2021 at their King Street gallery in Alexandria, VA. You can view the show catalog by clicking here. 

Below is a favorite song of mine from Neko Case that seems perfect for this morning, both in subject and tone. Thanks so much.

 

GC Myers- To the Calling Moon Principle Gallery 2021 Catalog page

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Crossroads of the World

Posted in Biographical, Event, Literature/ Books, Painting, Philosophy, Recent Paintings, tagged , , , , , on June 3, 2021| Leave a Comment »

GC Myers- Crossroads of the World 2021

It was a pity that there was no radar to guide one across the trackless seas of life. Every man had to find his own way, steered by some secret compass of the soul. And sometimes, late or early, the compass lost its power and spun aimlessly on its bearings.

—Arthur C. Clarke, Glide Path

Trackless seas of life.

Clarke’s words above certainly resonate with me. We go through our lives pretty much on our own, with little guidance. Oh, folks will tell you how to live your life but they generally have little more insight than yourself. They usually just want you to adhere to their own perceptions, their own idea of how the world should look. And that’s okay. They are as free to do so as you and I are free to not follow their advice.

But for the most part, we stumble and fumble along on our own, following the bearings of that secret compass of the soul that Clarke mentions.

We all follow our own compass, even if we don’t fully realize it. We subconsciously set courses that we don’t yet recognize for some vaguely defined destinations that are just the inkling of an idea in our imagination.

Along the way, we often seem out of place and lost, as though that compass has indeed lost its power and is spinning on its bearings. We then often recalibrate and give up on that first course we had set and set out for some new destination, one that is often within sight and attainable.

But sometimes, after we creep for what seems like ages through the darkness, row endlessly through the doldrums, and hold on through stormy seas with a shaken compass that we find hard to trust, we somehow, wonder of wonder, find ourselves at our destination, now fully realized.

What a strange thing and wondrous thing.

GC Myers- Crossroads of the World in situ Principle Gallery 2021And that is what I see in the painting at the top, Crossroads of the World. It is, of course, part of my solo show that opens tomorrow, Friday June 4, at the Principle Gallery in Alexandria, VA.

The sun here represents that secret compass of the soul. Its rays light the way forward but its direction is forever wavering and sometimes its face is obscured by clouds of all sorts and sizes, some of our own making.

And the crossroads where the paths cross symbolize the crossroads we come to each day as we make our way toward our destination. Every day is a new crossroad, new choices and paths to be considered and made. Some paths take us into the dark of the forest and some lead us out into the clearing, where we can see ahead for what seems like forever.

I great sense of liberation from this piece, that we are free to ultimately follow our own desires, our own longings. But there is as well as a sense of satisfaction that comes from making your own way, for following through on those desires. For persevering through all the detours and setbacks to finally end up in that place that was a tiny half-baked fragment of an idea when it first appeared in your hopes so long ago.

I guess that sounds like a lot to pull out of a painting but, hey, it’s how I see it at this point in time and space, at this crossroads that I was led to by own secret compass of the soul.

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Song of Joy

Posted in Event, Favorite Things, Music, Painting, Quote, Recent Paintings, tagged , , , , , , on June 2, 2021| 2 Comments »

GC Myers- Song of Joy 2021

The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

― Rabindranath Tagore

Titled Song of Joy, this 18″ by 24″ painting on masonite panel is included in my annual solo exhibit Between Here and There, opening Friday, June 4, at the Principle Gallery.

This piece really struck me in a powerful way while it was in the studio. There is something in the brightness and clarity of the colors that just feels joyful to me. And the orange sun rising adds a sense of forward-looking hope to this joy. Even the shapes of the rich green forms in the foreground had a happy, joyful feeling.

It might be one of the more optimistic paintings I have done in some time. There is a positivity that I think reflects the thought above from the great Nobel Prize winning poet/writer Rabindranath Tagore. There is real joy to be found in the recognition that we are all filled from the same stream of life, that the lifeforce of all living things and the atoms of which we are all comprised are from that stream.

This sense of unity, this joyfulness in simply being, also makes the natural sorrows of this world, the inescapable realities of our lifetimes, somewhat easier to absorb. It is, after all, simply part of the stream’s flow. And for all of the joy and brightness of this painting, it has an underlying darkness showing through.

By its very nature, it is brightness built on darkness. It’s something I always want and seek in my work, this sense of visible darkness which contrasts and heightens the light.

Joy in life despite the its hardships.

And in this painting, that is the source of the Red Tree’s Song of Joy.

Here’s a song that sort of expresses this type of joy. It’s Feelin’ Good Again from Robert Earl Keen. It’s a favorite song that I’ve played it here before. It always reminds me of my dad and his bar buddies, many who he had known most of his life. I remember stopping at the bar with him on a number of times on Saturday mornings, a quick pitstop on the way to the horse track, and how all these guys would be so happy in seeing one another, laughing and shouting. It might have been as close to real joy as I ever saw in my dad. This song always feels like it’s a song of joy he would understand.

9921063 Song of Joy Catalog page

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In Rhapsody

Posted in Event, Favorite Things, Influences, Music, Painting, Quote, Recent Paintings, Television, tagged , , , , , , , , on June 1, 2021| 2 Comments »

GC Myers- In Rhapsody 2021

My soul is a hidden orchestra; I know not what instruments, what fiddlestrings and harps, drums and tamboura I sound and clash inside myself. All I hear is the symphony.

― Fernando Pessoa, The Book of Disquiet

The idea of a union between music and painting has long been a theme in my work. I think my new solo show, Between Here and There, at the Principle Gallery in Alexandria probably explores that idea more than most of my prior shows.

The painting above might be the best example of this. It is titled In Rhapsody and is 24″ by 30″ on canvas. I see all sorts of musical equivalencies or analogies in it. I see the Red Tree here as a conductor of sorts, standing in a sort of spotlight of brightness amidst an orchestra composed of the landscape and the skies and the mountains as he pushes them to a loud crescendo. Something very Beethoven-like or Wagnerian to that, probably due to the influence of Bugs Bunny cartoons in my childhood. I most likely know more about Warner Brothers’ cartoons than I do about classical music but that doesn’t dampen my appreciation for either.

Or I see whole painting as a musical score, the layers of the landscape moving back into the picture plane as movements in a musical piece, each with their own emotional content and inflection that leads to the next, with which it blends and meshes into a building harmony. It builds more and more as the layers move deeper culminating in the movement from land and water up into the red-violet of the sky. The sky here feels like the crescendo here for me.

Everything builds to the drama contained in the color and clouds of that sky.

For me, it has an ethereal, timeless quality that reminds me of a fine piece of music, one that moves people in any time in which it is played. Music and art are emotion-based and while everything in this world is forever changing and the circumstances might be completely different for generations of listeners or viewers, our emotional responses remain very much the same. We coo in love and rage in hate, we laugh in joy, we cry in despair, and so on.

Our emotions are fields of constancy and music and art work their magic in those fields. I hope this piece does that, as well. Of course, this is simply how I personally see and feel the piece and that doesn’t amount to much more than small hill of beans when you get right down to it. How this painting or any other piece of mine works it way into the future is well beyond my control. It has to prove itself.

Below, is an example of a piece of music that I think fits well with In Rhapsody. It is a section from Beethoven‘s famous 5th Symphony, one that builds to crescendo beautifully. The video is a composed of a graphical score with multiple colors and forms that is fascinating to watch as it scrolls along with the music. I thought it was also interesting how the colors of its beginning screen match so well with the painting as you can see in the image below the video.

My annual solo show, Between Here and There, opens this Friday, June 4, at the Principle Gallery at their King Street location in Alexandria, VA. Unfortunately, I will not be in attendance this year. We are hoping for some sort of event, a gallery talk, later in the year as circumstances allow. You can see the show catalog here. Thank you!

GC Myers- In Rhapsody Principle Gallery 2021 Catalog page

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Full Moon Fever

Posted in At the Movies, Event, Music, Painting, Recent Paintings, tagged , , , , , , , , on May 26, 2021| Leave a Comment »

GC Myers- Full Moon Fever smHere is another new piece from my solo show at the Principle Gallery that opens next week, on June 4th. This is another of the interior scenes showing a room in the aftermath of some sort of to-do.

Myself, I don’t know exactly what took place and can only imagine.

I think that’s the point of these paintings, to give an endpoint where the viewer has to use their own imagination as to what has occurred. A final paragraph for a short story that gives you the results but not how it got to this point. It can be as vibrant and wild as your imagination allows.

This painting, a 10″ by 20″ canvas, is titled Full Moon Fever. My own story for what has happened is that this is a cabin where Larry Talbot tried to hide from the moon, to no avail. Larry Talbot was the name of Lon Chaney’s character in the original 1941 werewolf movie, The Wolf Man.

Now, that’s my take. Your own story may not line up with this at all and that’s means you’re using your imagination. That is usually a good thing so long as you realize it’s your imagination and not reality. Wild imaginings that folks perceive as reality are not a good thing as we have all seen in way too many instances in recent times.

I borrowed the title of this painting from a Tom Petty album that bore the same name, Full Moon Fever. Here’s Free Fallin’ from that album to honor the memory of Larry Talbot’s howling freefall that came under every full moon.

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Between Here and There

Posted in Event, Quote, Recent Paintings, tagged , , , , , , , , on May 25, 2021| Leave a Comment »

GC Myers- Between Here and There

If the path be beautiful, let us not ask where it leads.

― Anatole France

The new painting above is the title piece for my new show, Between Here and There, which opens next Friday, June 4 at the Principle Gallery. It is 22″ high by 28″wide in size and is painted on linen.

Like many of my paintings, its meaning lies in a moment captured in a symbolic journey. That moment when one stops to look both ahead and behind and to also savor the moment of pause.

I have sometimes this journey as being like a labyrinth whose twists and turns sometimes gives you glimpses of your far destination even though there is so much more of the pattern to be traveled before reaching it. Soon, you might be at a point where your desired objective seems a million miles away though it seemed so close not so long ago.

The way I see this piece is that the closer Red Tree is at such a moment and sees itself at a future time on that distant hilltop, with an even better view forward into the distance and back into the past. It sees itself there as being a fuller being, wiser and more attuned to the world, than it sees itself here.

That is its desired destination.

But between here and there are obstacles to overcome, hills and mountains to climb and rivers and seas to cross. Battles to be waged and wounds to be healed. People to be found and people to be lost.

Moments of elation and moments of utter despair. Sometimes, the despair so dark and hopeless that the journey seems at an end.

But then, like a twist in the maze, the objective you so desire comes back into view and you stop to take it in. And in this moment as you look forward then look back at all that you have endured, you savor once more this pause.

You are what you are and one day you may be what you desire to be. It may be dark now but tomorrow offers the possibility of light. You remember then that this is how the journey goes, that the trek between here and there is never easy.

Nothing worth having ever is.

That’s my take on it. Your own may and probably should be different. We are, after all, unique creatures.

 

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Symphony of Silence

Posted in Favorite Things, Music, Painting, Poetry, tagged , , , , , , , on May 19, 2021| 1 Comment »

GC Myers- Symphony of Silence 2021

Out beyond ideas of wrongdoing
and rightdoing there is a field.
I’ll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

― Rumi, 13th century Persian poet

The new painting at the top, titled Symphony of Silence, is an 18″ by 36″ canvas. This weekend, it is headed down to the Principle Gallery as part of my solo show, Between Here and There, which opens June 4th.

I have written in the past about what I see as the connection between painting and music, how I see some of my pieces as simple songs and others as more intricate compositions. Perhaps symphonies or concertos.

This, in my eyes, is one that seems simple at a first glance. It is sparse and without great details. But the more I look at it, the more I see in it. How each element and color plays off the next and how they are fortified by each. It feels like there are rhythms and melodies running through it, from side to side as the terrain flows and up and down with rise of the moon.  There is inward and outward movement with the light of the stars and the undulation of the trail. The blocks that make up the night sky seem to swirl and rotate in all directions. The far mountains appear almost as sound waves. 

There is seemingly constant movement throughout the landscape and the skyscape. Almost a cacophony.

Almost.

It is silence.

Somehow the movements, the rhythms, and contrasts all run together at some point.

Harmony. Made up of the stars in motion countless lightyears away and the ancient wisdom contained in the stillness of the land and water. Always there but in silence. 

It is a simple piece but one that constantly shares something more than it lets on with a mere glance.

Here’s a piece of music to accompany it, a longtime favorite of mine and one that has played a large part in how I came to view my own work. It’s from composer Arvo Pärt and his composition Tabula Rasa. This is the second movement, fittingly titled Silentium. It feels right with this painting.

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Una Semper

Posted in Event, Music, Painting, Recent Paintings, tagged , , , , , , , on May 16, 2021| 4 Comments »

GC Myers- Una Semper 2021

The title of this new 20″ by 30″ painting is Una Semper which translates from the Latin as Always One. It’s part of the group that will soon be heading down to the Principle Gallery for my annual solo show there. This year’s show is called Between Here and There and opens June 4.

This would be what I would call one of my Baucis and Philemon pieces based on the Greek myth that I have documented here on a number of occasions. I have done a number of iterations on this theme over the past decade or so and they remain among my favorite pieces to paint. There something in the dynamic of the two trees intertwining and pushing upward that stirs a feeling within me.

For some reason, the pair tends to bring most any composition to a satisfying fulfillment. These pieces always feel complete and self-contained. And I like that.

This piece has these elements and has a brightness and pop that is really appealing to my own sensibilities. It just seems alive which is a big deal for me.

I thought I’d pair this new piece with this week’s Sunday Morning musical selection. which is from the 2005 album, Devils & Dust from Bruce Springsteen. It was his third acoustic album, and like the other two, Nebraska and The Ghost of Tom Joad, remains a favorite of mine with memorable songs throughout, including the title track.  This song is titled All I’m Thinkin’ About and features a falsetto over a driving melody. I am always surprised at how effective his falsetto is in his songs. This is one of those songs that always grabs my attention when it comes on while I am working.

Okay, got to get going because there is still lots to be done as I prep for this show. No rest for the wicked as they like to say. I would like to believe it’s the other way around — no rest for the righteous— but that might just be quibbling.

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