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Posts Tagged ‘Exhibition’

Let the New Day Begin- at the West End Gallery Now

The work for this year’s edition of my annual solo show, Moments and Color, is now hanging in the West End Gallery, all ready for the opening this coming Friday, July 12. I put together a video slideshow of the work from the show which is below.

This was an interesting project, in that it was hard setting the lineup for the images in this video. I couldn’t frontload the video with what I might consider the best pieces because I couldn’t rank them. There’s great consistency across the board that made deciding difficult. Each time I tried to move a piece up or down in the lineup, it didn’t seem to make a difference in the quality or feel of the video. I think you could watch this backwards and would get the same visceral experience from it.

And I like that. That consistency has always been a point of pride for me. I like to think that every piece, from the smallest and simplest up to the largest and most complicated, has the same level of consideration and effort.  After all, big or small, they all represent me out in the world and to skimp on one in effort or any other way diminishes them all.

This show has a lot of facets, a lot of familiar and new looks, but it just hangs together well. It’s a show that gives me a lot of satisfaction on a number of levels. Please take a look at the video and if you’re in the Corning area, please stop in for the opening on Friday, from 5-7:30 PM. I look forward to seeing you there!

 

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I want to live alone in the desert
I want to be like Georgia O’Keeffe
I want to live on the Upper East Side
And never go down in the street

Splendid Isolation
I don’t need no one
Splendid Isolation

–Warren Zevon, Splendid Isolation

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Over the next several days I will be showing paintings from my upcoming show, Moments and Color, that opens Friday, July 12, at the West End Gallery. Today is a piece called Pondering Solitude, a 24″ by 24″ canvas, that was a favorite of mine during its time here in the studio.

Like much of my work, I can’t exactly put my finger on any one thing in this painting that makes it hit the mark for me. Maybe it’s something as simple as the color combinations or the way the light flows within the composition. Or just the simplicity of it as a whole. Or the feeling of warm solitude it emotes.

Again, I don’t know. That probably sounds strange to some of you. After all, I painted it so shouldn’t I know the entire what and why of a piece I have created? You would think so, wouldn’t you?

Oddly enough, in my best work–or at least what I feel is my best work– I have no answers. And that makes sense to me because the work is for me a way to get enough clarity to understand enough to be able to ask questions. Then, hopefully, answers emerge.

It’s hard to find answers when you don’t really know the questions.

And that is kind of the story of this piece. I see it as the Red Tree feeling a need for clarity and light, answers to questions that it can’t articulate, and finding solace in the light and warmth of its solitude.

There is more likely than not more to say here but I think I am leaving it at that for now.

I used some lyrics from the song Splendid Isolation from the late Warren Zevon above. Here is the song.

 

 

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My show at the Principle Gallery is in place, adorning the walls of the Alexandria gallery. I got word yesterday in the form of a few images that really put to rest a lot of my apprehensions.

It looks good. Very good.

I go through a cycle with every show where I have peaks of excitement over the work as it builds in the studio. But near the end of prepping for every show or after the show has been delivered and is out of sight, I begin to second-guess my own judgement of the work. The excitement I once held turns to a fear that I have been seeing the work through magic goggles that give the work qualities that really aren’t there.

Thankfully, most of the time these fears have been unfounded. But even so, this year gave me an extremely high level of excitement for the work which translated to an even greater dread in the last week or so. Much of it has to do with the fact that this is the 20th solo show at the Principle Gallery, the significance of this being something I have written about here in recent weeks.

Add to that the inclusion of my new Multitudes series that consists of masses of faces, such as the piece, The Following, here on the right. This group of work makes up a significant part, almost 25%, of the show and is untested in the marketplace. But Michele and her great staff– Clint, Taylor and Owen– have done a masterful job of hanging this work, interspersing it with the other work in a way that shows it as an extension of the prior work and not an exception.

Plain and simple, it all really fits together well. And that bring back to me a level of excitement. But that just makes me wonder if I put my goggles back on.

I guess you’ll have to be the judge. You can borrow my goggles, if you want.

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The show is hung for previews and the opening for Red Tree 20: New Growth is this Friday, June 7, beginning at 6:30 and running to 9:00 PM. Hope to see you there!

Taylor in the Front Gallery

 

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GC Myers- Delicate Balance  smMy solo exhibit, Into the Common Ground, opens at the Kada Gallery in Erie this Friday, December 5th.  While much of my work centers on the unique voice of the individual, the theme of this show is about finding those common bonds and experiences that we share with others.

Actually, I’ve always thought that my work succeeds when it communicates as a mix of those two things– individual expression of a common theme or emotion.  Art for me is communication, about reaching out and finding validation in my own humanity through contact with others.  I  feel that art should be expansive, not exclusive or reserved for wealthy insiders.  While art is often an inward search, it should always be reaching out to engage the world.

And maybe that is what I see here in this new painting, Delicate Balance.  Creating work that reaches out and finds common ground is a sometimes delicate balance.  It comes down to identifying what is really at the base of what you are or hope to be as a human and pushing aside those negative feelings– envy, greed and hate among many other negatives– that cloud your judgement.

Its not always an easy thing to accomplish.  That bridge across to others can be sometime wobbly.  But when it does happen, that simple crossing seems like the 8th wonder of the world. A miracle.

 

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GC Myers- Chaos and Order smIn its simplest terms, this painting is about all that we don’t know, individually and collectively.

I call this 20″ by 24″ canvas Chaos and Order.  In it, the Red Tree dwells in a land that is apparently in order, a clean landscape of neat rows in the fields and a clear path that takes one through it.  It is seemingly the master of its domain, possessing knowledge of all things within its reach.

Yet, by merely looking into the night sky and seeing the great patterns of chaos written upon it, the Red Tree realizes the limits and boundaries of its knowledge.  It tries to make it fit into some sort of orderliness, something that it can understand on its limited terms but the patterns are too great and come at it like the cacophony of a thousand different languages being spoken at once.

What is the message here?  That we are small and weak before the power of the universe?

Yes and No.  Yes, without knowledge, with only a fear of what lays in that chaos, we are weak and small.  But I don’t think that is the message I see here.   It is that we are merely searchers, still learning the secrets and languages hidden right before our eyes.   The great chaos we see before us might be daunting but we will always try to make order from it in order to find our place within it.  That is simply who we are.

This is another painting that will be at my show, Into the Common Ground, at the Kada Gallery in Erie, PA,  opening December 5.

 

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