“Exultation“- Hanging Now at the West End Gallery
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”
The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.
A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames.
Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid.
Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
― Annie Dillard, Pilgrim at Tinker Creek
I’ve been wanting to share this passage from Annie Dillard for some time. When looking for something to partner with the new painting at the top, Exultation, it came to mind.
I see this painting as being about the appreciation for the wonder of the moment in this place. Our whole existence as a species has been a miracle of sorts, taking eons and ages for the conditions of this planet to adjust to a point where we might survive and even thrive.
It is a precious and precarious existence.
As Annie Dillard makes clear, the mark made by humans is but a blip in the time-lapse film of this planet’s history. And each of us, from the greatest figures in history to the most humble among us, is no more than a fleck of dust whirling as background noise.
Our time was always going to be limited in the grand scheme of things. It took, as I say, a miraculous concoction of conditions to create the delicate environment required to sustain us. But that environment is equally as fragile. We may well be shortening our own screen time in that film of this planet’s lifetime.
But in our best of times, as few as they may have been or will be, it has been place of great beauty and abundance. A place that allows us at those moments to sense a seeming harmony between the earth, sea, sky, and all that is beyond this world.
Perhaps our tenuous existence on this planet’s timeline makes those rare days even more precious. Times to exult.
Exultation is a 24″ by 36″ painting on canvas now hanging at the West End Gallery. It is included in my solo show there, Through the Trees, which opens tomorrow, Friday, July 16. There is an opening reception from 4-7 PM Friday at the gallery.
Nothing in this world is hidden forever. The gold which has lain for centuries unsuspected in the ground, reveals itself one day on the surface. Sand turns traitor, and betrays the footstep that has passed over it; water gives back to the tell-tale surface the body that has been drowned. Fire itself leaves the confession, in ashes, of the substance consumed in it. Hate breaks its prison-secrecy in the thoughts, through the doorway of the eyes; and Love finds the Judas who betrayed it by a kiss. Look where we will, the inevitable law of revelation is one of the laws of nature: the lasting preservation of a secret is a miracle which the world has never yet seen.
And that is what I see in the painting at the top, Crossroads of the World. It is, of course, part of my solo show that opens tomorrow, Friday June 4, at the Principle Gallery in Alexandria, VA.
Redtree Times 