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Archive for the ‘Process’ Category


This is my busiest point of my year. It is the short turnaround period between my two annual shows, the one currently hanging at the Principle Gallery and the one at the West End Gallery that opens this year on Friday, July 12. I try to have much of the work for the West End show ready before the Principle Gallery show but there is still a lot of painting to be done. As a result, every day between the two shows is packed.

It’s crazy busy but in some ways it is my favorite time of my year. The work comes in large bursts of energy and there is little time to think about it or worry about it or do much of anything else. It just comes out.

Of course, there are days when it all seems to crash a bit. Like the other day when nothing seemed to work for me. I couldn’t get the clean color I wanted and my hands seemed to belong to someone else for awhile as I lost my touch with the brush. It was frustrating all the way around that day and it made me panic a bit. But the next day everything was back to normal and the work was back at full roar. Even the work from the ugly day before was rehabilitated.

All this being said, my original intent was to say that I was much too busy to write anything today and would instead just play a video of a song. Maybe one that could get my motor running this morning.

So here it is, She’s Drunk All the Time, from Tim Timebomb and Friends. Actually, Tim Timebomb is Tim Armstrong who formed the L.A. ska punk band Rancid in the 90’s. His bandmates here are from the Interrupters who had a song that I featured on this blog last month. It’s a fun, high energy song that is a good kickoff to what I hope will be a fruitful day.

Hope yours is as well.

 

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Sometimes I start paintings and somewhere along the way the piece loses its momentum. Or I lose the thread that was initially carrying me along when I started  or I just lose interest in it. The piece above on the left (sorry for the poor image!) might well be an example of all three of these things.

I started this piece a couple of years back and it seemed to just run into a brick wall. I felt like I had painted myself into a corner and didn’t see it going anywhere forward. There was a lot that I like in it. The sky, for instance, and the color of the field. But the way they came together didn’t speak to me and I felt like doing anymore would render an acceptable painting but that would be about it– acceptable.

And who wants to just do acceptable work? That’s not much of an aspiration, especially when so much of my work depends on creating my own interest and excitement in the work.

I thought there should be more to this painting than what it was showing but just couldn’t see it. So it sat. And sat and sat for month after month. I would pick it up periodically and examine it but it still had nothing to say to me as it was. It was irritating.

Then the other day I decided I was going to simply paint over it. Black it out of existence. It wouldn’t bug me anymore, at least. But the idea of blacking it out made me think about altering the whole idea of the painting. Maybe I could save that sky and incorporate it into something different.

So it moved from a landscape to a seascape. And it seems to have worked as I am pleased with the result thus far.

There is a sense of the scale and power of open water in this piece, maybe more than I have portrayed in past similarly themed paintings. I am not a sailor in any way, never been on a small boat out of sight of land but that feeling of the immensity of the ocean is one that I can easily imagine. There must be both a thrill and a terror in it. And that’s what I am getting– fear and exhilaration– from this piece as the small sailboat teeters on on the curl of a large wave.

That dichotomy of emotion, the yin/yang thing of fear and exhilaration in this case, is something often try to find in my work. And it seems to be strong here. So, maybe the years that piece spent being shuffled around my studio before its transformation were worth it.

I’ll be looking at this one for a bit longer…

 

 

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