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Posts Tagged ‘Arvo Pärt’

GC Myers- Symphony Serene sm



O Lord, my heart is not lifted up;
my eyes are not raised too high;
I do not occupy myself with things
too great and too marvelous for me.
But I have calmed and quieted my soul,
like a weaned child with its mother;
like a weaned child is my soul within me.

-Psalm 131, I Have Calmed and Quieted My Soul



The painting at the top is titled Symphony Serene and is, of course, from my solo show, Between Here and There,  opening this coming Friday, June 4, at the Principle Gallery. The preview for the show is available by clicking here which takes you to the gallery site.

I have a lot of fondness for this piece and others like it that are spare and inward reaching landscapes with the broken sky, short-hand term that I use for the mosaic-like construction of the skies in these paintings. I believe its the peaceful nature of these pieces that does it for me. There is a serenity achieved in both the end result of the final work and in the process of painting it.

I believe I have spoke of this in the past but painting pieces such as this often have a meditative effect, one where the mind feels as though it is running on a parallel track, completely apart from the conscious. While working on these, everything but the surface in front of me feels blocked out and far away. My mind moves endlessly in and out of the composition, constantly balancing and weighing each individual block of color in a way that creates its own rhythm.

I barely notice but I am constantly sitting then standing then pacing back and forth before the piece. Without thinking, I often walk backwards across the room with my eyes fixed on the painting, sometimes stumbling over other paintings or lightstands in the process. I barely notice and my eyes seldom leave the painting when I stumble. 

Time slips away in the blink of an eye during the process and I will sometimes only stop when the phone rings, breaking the trance that I have been under for five or six hours. It’s only when I stop that I notice the fatigue in my eyes from being so locked in on the surface of the painting. But its a wonderful fatigue, one brought about by being totally in a serene place for hours, a place that I am creating in my mind and on the surface of the painting.

It’s as close to absolute calm and quiet as I ever get.

I wish I could explain it better. 

For this Sunday morning music, I am linking this painting with a choral piece from a favorite composer Arvo Pärt. This is from his work Da Pacem Domine, which translates as Give peace, Lord. This piece below is based on Psalm 131, I Have Calmed and Quieted My Soul, which is shown above.

I am not a particularly religious person, as I have mentioned in the past. But there is something in certain sacred music of almost any religion that touches something in me, something more basal, more rawly attuned to the spirit than anything the liturgy and clerics of the churches have to offer. It reminds me of a book from the late 1970’s, The Dancing Wu Li Masters from Gary Zukav. He wrote about the similarities in the worlds of the spiritual and of physics. How theologians and religious scholars and theoretical physicists sometimes met and, stripped of the dogma of the theologians and the math of the physicists, spoke in very much the same terms about the same concepts. They found much common ground and agreement in concept and theory once they were far removed from the politics of their respective establishments.

I find that interesting. Anyway, here is Psalm 131 from Arvo Pärt as performed by the Estonian Philharmonic Chamber Choir. For me, it matches up well with my Symphony Serene and is a fine way to start off what looks to be a gray cool day here.



9921029 Symphony Serene Catalog pg

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GC Myers-  Symphony of Silence  2021



Out beyond ideas of wrongdoing
and rightdoing there is a field.
I’ll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

― Rumi, 13th century Persian poet



The new painting at the top, titled Symphony of Silence, is an 18″ by 36″ canvas. This weekend, it is headed down to the Principle Gallery as part of my solo show, Between Here and There, which opens June 4th.

I have written in the past about what I see as the connection between painting and music, how I see some of my pieces as simple songs and others as more intricate compositions. Perhaps symphonies or concertos.

This, in my eyes, is one that seems simple at a first glance. It is sparse and without great details. But the more I look at it, the more I see in it. How each element and color plays off the next and how they are fortified by each. It feels like there are rhythms and melodies running through it, from side to side as the terrain flows and up and down with rise of the moon.  There is inward and outward movement with the light of the stars and the undulation of the trail. The blocks that make up the night sky seem to swirl and rotate in all directions. The far mountains appear almost as sound waves. 

There is seemingly constant movement throughout the landscape and the skyscape. Almost a cacophony.

Almost.

It is silence.

Somehow the movements, the rhythms, and contrasts all run together at some point.

Harmony. Made up of the stars in motion countless lightyears away and the ancient wisdom contained in the stillness of the land and water. Always there but in silence. 

It is a simple piece but one that constantly shares something more than it lets on with a mere glance.

Here’s a piece of music to accompany it, a longtime favorite of mine and one that has played a large part in how I came to view my own work. It’s from composer Arvo Pärt and his composition Tabula Rasa. This is the second movement, fittingly titled Silentium. It feels right with this painting.



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