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Posts Tagged ‘Principle Gallery’

Got a lot to get done this morning but thought I’d pass along a reminder that my 20th annual exhibit at the Principle Gallery is still hanging in the Alexandria, VA gallery. It’s a show that from which I took a lot of pleasure and if you’re in the area, please stop in to take a look.

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“Life is like a tattoo: we have a certain space available and that’s it. The more we fill it with negative elements, the less space will be left for the positive ones. Shape your life like a work of art as you would do with your tattoos, and keep the good in it.

Shape your dreams.”

Roberto Gemori

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At the opening at the Principle Gallery on Friday, as I was speaking with some folks, I noticed a man standing just on the edge of the group, not part of it. That’s not unusual at openings. Sometimes at these things I get to tell stories about the work and people often step up to listen in. After the group departed, this man moved up and said he had something he wanted my opinion on.

His name was Kevin Jobe who explained he was a police officer there in Alexandria and said he hoped I wouldn’t be offended. He was such an affable guy I couldn’t imagine what he could do that would offend me.

He proceeded to pull up his sleeve and, lo and behold, there was the image of a Red Tree painting on his bicep. The tattoo artist had done a great job replicating the trees and other elements of my work, using their own technique for creating texture in the field rows in the lower part of the tattoo, which I really liked. It had the impact of one of my paintings for me.

I was stunned and couldn’t take my eyes off of it. I felt a bit awestruck as well as deeply honored that someone chose that image to permanently engrave on their body. I mean, how do you respond to that?

I told Kevin that I thought it was awesome. And I do. And it is.

He explained that it was still a work in process and he asked for my opinion on how he should finish the sea and sky. Not knowing the tattoo medium too well, I hesitated. It was like looking at a painting that’s it’s at a point where I am afraid of screwing it up because I am not sure which is the next right move. We discussed the possibility of using a swirled pattern in the sky, as I sometimes use in my work. The painting here on the left, Energizing Light, from a few years back has a pattern in its sky ( and possibly in the water) that I think might translate well to the tattoo without crowding out the Red Tree.

Any suggestions from my tattoo knowledgeable friends out there?

I am still very much honored by Kevin’s action though I will point out that I did feel slightly uneasy afterwards. I mean, that’s permanent! It’s not like he had a t-shirt made or carved a red tree out of an old 2×4. That’s his skin and it will most likely, pending a thresher accident on the farm, be with him forever. I have to admit that I felt a little pressure to somehow live up to Kevin’s confidence in committing that image to his skin. I worried that just meeting me might have him doubting his decision.

Hopefully, I can live up to his confidence. Thank you, Kevin, for showing me your work in progress. I am honored and still awestruck. Can’t wait to see the finished product.

On the subject, here’s a little song from the Dropkick Murphys about a tattoo. And the Roberto Gemori from the quote at the top is a well known tattoo designer.

 

 

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One part of my show that opened Friday night (and continues to hang through the month and into July) at the Principle Gallery was the first public exhibition of the Multitudes series that consists of masses of faces. The response to these pieces was very strong, more than I had anticipated with a couple of the pieces finding new homes. I knew that the potential sales aspect of this series might take a bit of time at the start just to get viewers acclimated to the work. But  I wasn’t confronted by anyone who felt uneasy by them and that is a victory of sorts. At least, a good first step.

I was pleased with the way these pieces blended in with the more typical body of my work. I think that plays well into the idea that we are all prisms with multiple facets that are not visible to everyone at all times. While this work may not have been evident before, it was still there in place. As much a part of who I am as any other piece in the body of my work. Just a different aspect.

Below is a slideshow of the pieces at the show.

https://spark.adobe.com/video/zyiabQaWWtnmm

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Many, many thanks to everyone who came out to Friday’s opening reception for my current show, Red Tree 20: New Growth, at the Principle Gallery. It was great to see so many people, some new and some that I have known for many years now. I am so grateful that people take time from busy lives to come to these events and for the warmth with which I am greeted there.

They provide me with so much inspiration, something I describe as a feeling that there are sometimes hundreds of eyes looking over my shoulder when I am working alone in the studio. Now, that could sound a bit creepy, all these disembodied eyes peering over your shoulder, but let me reassure that it is actually quite comforting. Thanks for looking over my shoulder, folks, for all these years.

And a million or more thank you’s to Michele, Clint, Taylor, Owen and Pierre for making us feel like part of their family. The past twenty years of doing these shows seem to have flown by and I have to reckon that this is because of the friendship that has always been offered by Michele and her staff. They make it seem easy.

Here’s hoping for twenty more, god willing and the river don’t rise.

For this Sunday morning music, I think it would be a crime to not play a little Dr. John who passed on to the next dimension this past week at the age of 77. He had a unique style and voice. His song, Right Place Wrong Time, is one of those touchstone songs from my youth, the kind where you can remember specific moments in your life tied to the song. I was going to play that but opted for another of his more popular songs and a favorite of mine, Such a Night.

I chose the version below because it was part of a funny segment on the early 80’s television show, SCTV, the  show that featured an incredible cast from the Second City comedy troupe including John Candy, Rick Moranis, Andrea Martin, Martin Short, Catherine O’Hara, Eugene Levy and many more. This performance from Dr, John is from a show on SCTV called Polynesiantown, a send up of the movie Chinatown. It made me laugh years ago and when I saw this I decided that it would work this morning.

Give a listen and have a good day.

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GC Myers- Mantra 9

Going to keep this short and concise. My show Red Tree 20: New Growth opens this evening at the Principle Gallery in Alexandria, VA. The reception begins at 6:30 and runs until 9 PM.

If you can make it, please make sure to take a few minutes to speak with me or at least say hello. This part of the openings means a lot to me so if I look busy, catch my eye or speak with someone from the gallery and I will make sure I get to you. It’s my pleasure.

Hope to see you there!

GC Myers- Fire and Ice

GC Myers- To Have and To Hold

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If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.

-Emile Zola

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The show is hung in the gallery. I am relieved and anxious, same as always. It’s been twenty years of doing this, of sweating out–or maybe it’s bleeding out –work for my annual show at the Principle Gallery. It’s always hard but I don’t want to imply that it’s harder than any other job. Every job, every career has its good and bad parts.  You can only hope that the good parts far outweigh the bad.

I think my job does, most times.

I was asked this past week in an interview for a regional magazine how and why I came to be an artist. I think I said that I just wanted to have my voice heard in this life. I wish I had added that I wanted to do all I can to put out work that will hopefully live beyond the limitations of my own worldly life, as well. Just so someone somewhere someday will know that I existed and thought and felt. That I laughed and cried.

That I had a voice that needed to be heard at times.

Maybe that’s what Zola meant by living out loud– needing to be heard.

These kind of thoughts always populate my mind when my shows roll around because in so many ways, I feel exposed and vulnerable on those walls. Defenseless against all judgement and criticism.

But after so many shows, I am almost numb to these fears and doubts. I know my own voice now and trust that it is real. It’s all I have to offer of value and it is that that allows me to live out loud. Like Georgia O’Keeffe said: I have already settled it for myself so flattery and criticism go down the same drain and I am quite free. 

That said, I think this is a very strong group of work, one that carries my voice well enough to remind me that I truly exist.

Hope you can make it to the show. Whether you can or can’t, below is a slideshow preview of the show.

There is also a very nice article and interview at PrincipleArtTalk, the blog of the Principle Gallery, about this show and some of the new work. You can go to that article by clicking here.
Celebrating 20 Years of the Red Tree

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My show at the Principle Gallery is in place, adorning the walls of the Alexandria gallery. I got word yesterday in the form of a few images that really put to rest a lot of my apprehensions.

It looks good. Very good.

I go through a cycle with every show where I have peaks of excitement over the work as it builds in the studio. But near the end of prepping for every show or after the show has been delivered and is out of sight, I begin to second-guess my own judgement of the work. The excitement I once held turns to a fear that I have been seeing the work through magic goggles that give the work qualities that really aren’t there.

Thankfully, most of the time these fears have been unfounded. But even so, this year gave me an extremely high level of excitement for the work which translated to an even greater dread in the last week or so. Much of it has to do with the fact that this is the 20th solo show at the Principle Gallery, the significance of this being something I have written about here in recent weeks.

Add to that the inclusion of my new Multitudes series that consists of masses of faces, such as the piece, The Following, here on the right. This group of work makes up a significant part, almost 25%, of the show and is untested in the marketplace. But Michele and her great staff– Clint, Taylor and Owen– have done a masterful job of hanging this work, interspersing it with the other work in a way that shows it as an extension of the prior work and not an exception.

Plain and simple, it all really fits together well. And that bring back to me a level of excitement. But that just makes me wonder if I put my goggles back on.

I guess you’ll have to be the judge. You can borrow my goggles, if you want.

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The show is hung for previews and the opening for Red Tree 20: New Growth is this Friday, June 7, beginning at 6:30 and running to 9:00 PM. Hope to see you there!

Taylor in the Front Gallery

 

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