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Posts Tagged ‘Principle Gallery’

Here’s an update for upcoming events on my schedule for the next couple of months:

First, on August 5, I will be giving a Gallery Talk at the West End Gallery in conjunction with my show, Self Determination, that is currently hanging there. The talk begins at 1 PM and generally runs about an hour, give or take. As is now tradition, one of my paintings will be given away to one of those in attendance, along with several other surprises that are currently in the works. This is normally a brisk hour of questions and answers with some laughs along with some serious moments. If you have questions about the whats, whys and hows of my work, this is a great way to have them answered. Plus, you might cart off a piece for yourself!

Then the following month, on Saturday, September 16th, I take the Gallery Talk on the road down to the Principle Gallery in Alexandria, VA. This is the 15th year for this annual talk and, like the West End talks, features a drawing for one of my paintings along with some other surprises. There is generally some fun and a few revelations. I am always surprised at how much I learn from these talks myself from the input and insight provided by the audience. This talk starts at 1 PM and goes to around to 2 with the drawing at the end of the talk.

Sunny Point on Keuka Lake

And in late September, I will again be leading a painting workshop at Red Barn at the lovely Sunny Point location on beautiful and tranquil Keuka Lake in NY’s beautiful Finger Lakes region for the Yates County Arts Council. The past two years doing this have been an unexpected pleasure for me and I think this year’s edition will be a couple of days of fun, good conversation and, hopefully, some useful instruction. The dates should be finalized this week and details will be forthcoming. Most likely, this two day workshop will take place in the last week of September. Enrollment is limited to 8 or 9 attendees so, if you are interested, don’t hesitate in getting in touch with Kris at YCAC  to get your name on the list.

Hope you make it to one of the talks or to the workshop. I think it could be a lot of fun.

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My Buddy Chase in front of the work

Back in the studio after Friday’s opening of Truth and Belief at the Principle Gallery. Without hyperbole, I am saying it was a good show and a good trip. As smooth and easy and satisfying as any of the previous 17 shows there. Just plain good. Good crowd. Good conversations with good people. Good feelings about the work.

So when we left yesterday, I can honestly say I felt pretty good about the whole thing. Still do, which is new territory for me. Usually by this morning I am filled with second thoughts about things I could have done differently, words I could have said differently and so on. But for now, I am standing pat with the whole of what happened.

It was good.

I have to send out heartfelt thank yous to everyone at the Principle Gallery. They are a very special group of people. Affectionate thanks to Michele, Clint, Pam, Pierre and Haley for their friendship and encouragement. There’s so much I could say but I think they know how we feel about them.

Plus super thanks to my canine friends, Ash and Chase, who always brighten my visits with their high energy.

I think this show was as honest and transparent an expression of what I hope to be as an artist and a person as I could have mustered. I don’t feel like I am masked behind the work, that I am presenting a facade that misrepresents me. I am hoping that means I am closing in on some elusive and unconscious goal. Can’t say I will ever truly reach it. Might not even know if I do. But for now, the mask feels like its off.

For this week’s music, I have chose a song that sort of fits with that last sentiment.  It’s This Masquerade written and performed by the late great Leon Russell. It is probably best known for the George Benson version that was a huge hit across all of the charts. But I like this version from Leon alone with his piano.

Enjoy. Have a good day.

 

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I ran this blog entry back in early March but wanted to run it again as we got closer to the opening of Truth and Belief, my solo show opening tomorrow at the Principle Gallery. I wanted to show this painting in its final form with the band of Indian yellow that now surrounds the central image. It was shown without this but I thought that this really added a bold kick to the piece that needed to be shown.

We have to balance the lineality of the known universe with the nonlineality of the unknown universe.

Carlos Castaneda
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I am calling this new painting Balance (Known/Unknown).  It is a 14″ by 32″ canvas and will have a slightly different edge detail that I will show at a later date. [It is shown with it here.]

The Carlos Castaneda quote above just reached out to me when I was looking at this piece. The Red Tree here seems to be standing at the edge of the known, the terrestrial world that is defined here with earthy color, solid forms, and dark lines– the lineal universe.  Beyond it the non-lineal universe beckons, represented by a nebulous sky and a sun that acts as an unblinking eye.

It all is very much a metaphor for the purpose of art and that is to act as an intermediary between the known and the unknown, the go-between for that which is of our five senses and those things that go  far beyond those senses.

Things that we feel in an emotional sense.

And that is what art often does, putting the deep feeling of that which we cannot see onto those things that we do see.  It makes the intangible tangible.

That said, I like this new piece and have been enjoying my time with it. Every day I find a new angle within it that gives me pause, that excites me, and sets me thinking. And that is all I hope for in my work.

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There is also a nice article on this week’s edition of Technique Tuesday on the blog of the Principle Gallery, Principlearttalk. This article has to do with the history and use of stylization in art using my work as a contemporary example. It’s a good read.  You can go to this article by clicking on the Technique Tuesday image above or by clicking here.

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“As I Wander”- 12″ x 6″ on canvas

Getting ready for Friday’s opening of “Truth and Belief,” my solo show at the Principle Gallery. As I wrote the other day, I was a little anxious in the first day or so after delivering the show. My confidence lagged a bit.

Thankfully, that has passed and I am actually feeling very good about this show.  From a superstitious standpoint, I don’t know if that’s a good or bad thing but I am truly convinced that this is a good and strong body of work. And from a few images the gallery shared with me yesterday as they were hanging the show that feeling is reinforced.

It has that feeling of rightness that I try to describe so often. And that’s a good thing.

Truth and Belief opens Friday, June 2, at the Principle Gallery in Old Town Alexandria, VA. The opening reception begins at 6:30 and runs until 9 PM. I hope you can make it. If you do, please feel free to introduce yourself or ask questions. It’s my pleasure to be there at your service.

I put together a short video/slideshow of the paintings in the show. It’s a simple and short glimpse of each piece that I hope gives an idea of how the show fits together. Take a look…

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This is a painting that is part of my Truth and Belief show that begins this Friday, June 2 at the Principle Gallery in Alexandria. It is 16″ by 20″ on panel and is titled Called Home.

This was one of the first paintings started for this show many months ago, actually back into 2016. It was also one of the last pieces finished in just the last couple of weeks. The two blocks of color, the graded blue-green of the sky and the dark red of the foreground, that make up the bulk of the picture were in place and in my mind the piece felt complete, already communicating emotion.

The interaction between the two large elements and their textures and colors already satisfied me. It was very much like a lot of my earlier work that solely relied on these factors.

I set it aside many months ago and would look at it day after day. I was hesitant to move beyond where it was by adding anything, fearing that it would alter the strong feeling it already emitted for me. I wanted to add elements that would complement that feeling and make it more apparent and accessible for the casual viewer.

I thought about going to my default icon, the Red Tree, that has a variety of meanings in itself.  But it just didn’t seem right for this piece. I settled on one of the Red Roof structures but a taller and more angular version, one that would seem to be trying to break the grip of gravity and reach upward toward infinity. The Red Chair and the path pulled a narrative together for me, one that very much falls in line with how I was seeing the painting in its early stages.

The new elements actually seem to fortify that feeling for me and now when I look at this painting, where I once only fixated on the sky and the foreground, I now see the unity of all the elements in pushing forward an emotional feeling that resonates for me.

It’s all I can hope for in my work…

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I thought for this Memorial Day a replay of the post from this day last year was appropriate and says exactly what I wanted to express this morning. We are living in strange times with a leader with little if any impulse control and a need to achieve his desired outcome regardless of the means needed to do so. I am of the opinion that if push comes to shove ( and with his knack for alienating and shoving, it’s a real possibility) he would not hesitate to spend the lives of  many of our soldiers to protect his interests. And there is a building doubt as to whether his interests are our interests.

I think that is why this Memorial Day takes on special significance. We must remember the horror of war that brought about this holiday and not gloss it over. It was not meant for glorification of war. It was a day of grieving and remembrance of souls taken much too early. Give it a thought today.

Memorial Day weekend.  It’s become the symbolic starting point for summer, a time of barbecues and partying.  Fireworks. In those rare instances when we do take the time to consider the day, many of us tend to think of it in terms of patriotism and nationalism.

But it was created from the loss and sorrow of a civil war that ripped this country and many families apart.  It was meant to alleviate the grief of the many families who suffered the ultimate loss, to let them know that the nation shared their sorrow in the memory of fallen family members.

In the nearby Woodlawn National Cemetery, where my mother, along with both my grandfathers and several uncles, is buried, there is a section that contains the nearly 3000 graves of Confederate soldiers who died in the Civil War in the Elmira, NY prison camp.  Whenever I look at those stones and think of those men of the south, I always think about their families who may not have even known that their sons were suffering in a cold Northern prison.  They were mothers, wives or children who would never see or hug their sons and husbands and fathers again. People whose loss forever left a hole in their lives.

And this sacrifice was for what?  An idea, the preservation of an ideology that probably didn’t affect their day to day lives in the first place? The financial interests of the planters and plantation owners, the wealthy ruling class?

Why are we so easily stirred to war, so willing to sacrifice our own kin and their futures?

There are no easy answers.  Maybe that’s why the holiday has transformed into what it is today– it’s too terrible an image to bear when we look in that mirror and ask those questions.

So for this Sunday’s music on a Memorial Day weekend, I thought I’d play a song that asks for peace on earth with the hope that fewer families in the future will have to see this earth absorb the blood of their sons and daughters.  I know that sounds like a pipedream, a world without war.  But I have to ask  myself: Why not peace?

Here’s U2 and Peace on Earth.  Have a great Sunday and a great holiday.

NOTE: The image here on the left is a new painting, The Kinship, that is part of my show that opens this coming Friday, June 2, at the Principle Gallery.  There is a sense of remembrance in this piece for me that jibes with the real spirit of this day.

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Well, the work for the Truth and Belief show is delivered to the Principle Gallery and I can try to let out a big sigh of relief. I say try because I still have to endure the week until the show opens this coming Friday.

I’ve documented these feelings before on this blog from past shows, about how any confidence that may have grown as I was finishing the work for the show suddenly disappears once it is delivered.

It’s no different this for this year’s show. I walked in the studio early this morning and, without the reassurance from the show’s paintings that were now out of my sight, felt absolutely lousy. The big ball of anxiety was sitting directly on my gut.

I began to wonder if it was too late to become a backhoe operator. Or when the next person asks what I do and I tell them I’m a painter and they ask how much it would cost to get their bedrooms painted, I should give them a price.

But I know the routine, know it’s just part of the pattern. I’ve been experienced these same thoughts many times before and there is something in me that recognizes that I have put in the effort and been true to myself with this work.  It is a real thing.

It will work out in the long run.

Besides, I can’t really do anything else. Don’t want to do anything else. Actually, I don’t even look at what I do anymore as having been a choice. It’s just what I am now and there’s no changing that.

And that thought will carry me through the week. Oh, I’ll still feel like crap and lose every ounce of confidence I have ever known. But that’s okay because I know I will soon be back to work, being who I am meant to be.

Okay, enough of that and on to this week’s Sunday morning music. I hear that it’s Memorial Day weekend and I wanted to feature a combination of image and song that kind of fit the spirit of the holiday.  Not picnics and fireworks but the remembering part.  So many brave people have given their lives with the belief that they were defending our common values.  In these fractured times I think it’s important that we use the memory of their sacrifice as an opportunity to examine what those true values might be and how we can find common ground within them.

The painting above is from the show and is a 9″ by 12″ canvas titled So Well Remembered. The music is a short piece from trumpeter Richard Boulger titled For Souls Past. It’s a stark and lovely tune. Both have the feeling of memory that the day requires.

Have a great day…

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