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Posts Tagged ‘Video’

Here’s a short video preview of most of the new work that will be coming with me for my Gallery Talk this coming Saturday, September 22, at the Principle Gallery in Alexandria, VA. It begins at 1 PM.

This is my 16th year doing this Talk which began with the first King Street Arts Festival in Alexandria, which has grown into a pretty large outdoor art show. I view these talks as a chance to get to really talk with folks who are interested in art and what I might be doing with my own work. It allows me to go into a little more depth about some things, giving background details and telling some stories.

The feedback that comes from these talks is invaluable to me. Outside of this blog, my shows and talks are my only chance to get out of the secure bubble of my studio and really see how people interact with my work. It is normally very motivating for me when I get back in the studio.

Plus, these talks give me a chance to express my gratitude to the people who have followed and supported my work over the years. Part of that comes for me in giving away a painting (or two— you’ll have to come to see what the actual number is) such as the painting shown here, Deep Focus. And there are some other goodies that will be given away that I think are pretty neat.

So, if you’re interested, come for the Gallery Talk on Saturday. There will be new paintings, a drawing for a painting, some giveaways, some refreshments, good conversation, a few stories and generally some good laughs.

Hope you can make it.

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Just a short video preview of some of the work from my show, The Rising, that opens this coming Friday, July 13, at the West End Gallery in Corning.

One of the paintings not included in the video is this painting on the right, Generosity’s Bounty. At 24″ by 12″ on canvas, it’s a painting that really jumped off the easel with its warmth and the depth and richness of its layered colors.

The feeling I get from it fulfills its title.
https://spark.adobe.com/video/nmupmpDR3al5f/embed

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Thought for this Sunday I’d share a painting from my upcoming solo show, The Rising, which opens July 13 at the West End Gallery.

I think this piece, a 24″ by 24″ canvas titled Never Alone, represents the theme of this show very well. The rising moon and the angular, colorful  shapes of the light of the sky creates an almost cathedral-like presence. The two Red Roof houses may be separated physically– and perhaps these days idealistically– yet they seem connected by that which is rising above them.

I’ve lived with this painting for a few months now here in the studio and it never ceases to give me pause when my eyes fall on it. I find great tranquility and comfort in it.

The song for this Sunday’s musical selection is fittingly a version of The Rising, the song written by Bruce Springsteen in the aftermath of 9/11. The lyrics describe the thoughts of a firefighter as he ascends one of the towers after being hit by a jetliner.

Can’t see nothing in front of me
Can’t see nothing coming up behind
I make my way through this darkness
I can’t feel nothing but this chain that binds me
Lost track of how far I’ve gone
How far I’ve gone, how high I’ve climbed
On my back’s a sixty pound stone
On my shoulder a half mile line

It progresses to depict the darkness that descends upon him and his subsequent resurrection in spirit with a chorus that is triumphant rather than grim. It is a grand portrayal of the selflessly heroic.

In the years since, it has become more symbolic and uplifting as it celebrates a rising of virtue to overcome impending darkness. It’s a song that definitely is right for the time and one that played a large part in my choice of title for this show. I can see it in the painting above.

This version is performed by Sting from the 2009 Kennedy Center Honors. Give a listen and have a great Sunday.

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Well, I made delivery yesterday to the Principle Gallery of the paintings for my show, Haven. This exhibit opens Friday, June 1 at the Alexandria gallery with a reception that runs from 6:30 until 9 PM.

I guess I should say that it feels good to have the work in place but that wouldn’t be completely honest. While there is satisfaction in the simple completion of a large task I know from past experience that I will do little more than worry for the next several days. And the fact that this is my nineteenth solo show at the Principle Gallery and that I feel this may be among the most cohesive and strong group of work of these shows does absolutely nothing to stem the worry I feel.

In fact, this good feeling about the work, sensing that this work is as true to whatever vision and voice I possess, that makes me worry more than ever. To have it not connect with others, to have it feel distant and obscure on the wall, would have me questioning my own judgement about what I do. While I know that to base anything on the results of one show is foolish, it still makes a mark and creates a wound that makes you a little less willing to fully show yourself for fear of opening that wound again.

But hopefully this worry is baseless. For now, I will live with my worry and the belief that the work in this show ranks among the best that I have done. Time, as is always the case, will tell.

One of the paintings in the show is shown at the top. It is titled To the Siren’s Song and is 16″ by 20″ on canvas. It’s a piece I already miss having in the studio, one that constantly pulled my eye toward it in the months leading up to the show. The painting itself became a kind of siren to me and there is a perceptible void in its absence. For me, there is a blending of colors and forms,  of representation and abstraction, that I find compelling.

But that’s just me.

For this Sunday morning music I have chosen a song that I think fits into the blend of this painting. It is from the late singer/songwriter Tim Buckley who passed away at the all too early age of 28 back in 1975. Most of you are more likely to know the work of his son, Jeff Buckley, who also tragically died an early death at age 30 back in 1997. But Tim Buckley was as highly regarded in his time and his work has played a large influence on may other artists. This song is one of his better known and has been covered by a number of artists over the past half century. Fittingly for this painting, it is titled Song of the Siren. This video is from The Monkees TV show in 1968.

Have a good Sunday.

 

 

 

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“You stumble into the forest and wend through the pines that finally open up, and there–before you, above you, around you–a sea of granite soars straight off the talus, stunning for its colors and sheer bulk; and terrible for the emptiness that sets in your gut as your eyes pan up its titanic corners and towers…

We were over 2500 feet up the wall now, into the really prime stuff. Here the exposure is so enormous, and your perspective so distorted, that the horizontal world becomes incomprehensible. You’re a granite astronaut, dangling in a kind of space/time warp. And if there is any place where you will understand why men and women climb mountains, it is here in these breezy dihedrals, high in the sky.”

– John Long, Nose In A Day, First person to climb El Capitan in single day, 1975

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It’s a really busy morning but I did find time to watch a film on the record breaking climb up the face of El Capitan in Yosemite that took place in October of last year. Climbers Brad Gobright and Jim Reynolds scaled the granite icon, once considered an impossible climb, in a mind boggling 2 hours 19 minutes and 44 seconds. To give you an idea of the speed we’re dealing with, most climbers, who must be very experienced just to make such an attempt, spend 3-4 days on the wall before reaching the summit.

Pictures don’t do justice to the sense of awe El Capitan inspires. The idea of someone walking up to its formidable base and basically just climbing up it seems ridiculous. The imagery in the film brings a sense of scale, with the climbers appearing like mites running along the back of a huge hairless beast. It also gives you an idea of how many people are on the face of this monolith at any given time even though it appears completely devoid of life from a distance. I had to laugh to see these two men as they seemingly fly by traffic on the wall.

Take a look. There is something very mesmerizing, even centering, in this short film. Not a bad way to start your own busy Saturday.

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When you think of painting as painting it is rather absurd. The real world is before us – glorious sunlight and activity and fresh air, and high speed motor cars and television, all the animation – a world apart from a little square of canvas that you smear paint on.

–Wayne Thiebaud

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These words from the great contemporary painter Wayne Thiebaud ring completely true for me. I have talked and written many times before about those moments in the studio when I suddenly find the whole idea of painting, of smearing paint on some surface, completely absurd. The whole idea of making these two-dimensional things that represent inner feelings about the outer world seems suddenly abstract and, to be honest, a little ridiculous.

It’s a little like waking up one day to find yourself standing in your yard with a forked stick in your hand. You began by thinking it was a divining rod that would mysteriously lead you to something valuable but in that moment you realize you’re just a fool standing in your yard with a stick.

Believe me, there are days when I feel like a fool standing in a room with a stick in my hands. Of course, my stick has bristles with paint on them but it might as well just be a stick in those moments.

But somehow that feeling passes and I find myself immersed back in my own little world and that stick returns to being a divining rod.

Wayne Thiebaud has long been a favorite of mine.  Most people associate his name with his paintings of  cakes, ice cream and confections with their bold colors and beautiful thick brushstrokes. They are wonderful but for me, his most striking work are his landscapes, often set from a high perspective.  They have such great color and their compositions feel as much like abstraction as they do realism.

Just plain good stuff.

I always feel inspired by this work, moving me to try to find that same balance in my own work.

Here’s a video of his confectionery works, which is, as I said, his more popular work. I haven’t found video with his landscapes but this is still a good intro to his best known work.

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One of my favorite paintings is the one above, a depiction of the biblical Tower of Babel painted by Pieter Brueghel the Elder, the Flemish painter around 1563. It is probably the image that jumps to mind for many folks when they think about that tower. It is an iconic image.

But it also spurred many generations of other artists to render their own vision of how they thought the tower may have appeared. I am fascinated by the hundreds of different, yet in many ways similar, ways in which the Tower of Babel has been depicted and have scanned over numerous iterations.

All are captivating to me, filled with all sorts of compositional possibilities that always seem to have me on the verge of painting my own tower. I may have already attempted and haven’t even realized it, like the characters in Close Encounters of the Third Kind who are compelled to by their visions of Devil’s Tower to recreate that landmark in whatever is at hand, such as the mashed potatoes in the case of the Richard Dreyfuss character.

Here are just a handful of other paintings of the Tower of Babel along with a short video I came across that contains a few more.

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