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The Center Found

Posted in Literature/ Books, Quote, Recent Paintings, tagged , , , , , , on July 12, 2021| Leave a Comment »

9921088 The Center Found sm

“The Center Found“- Now at the West End Gallery

Imagination sees the complete reality, – it is where past, present and future meet… Imagination is limited neither to the reality which is apparent – nor to one place. It lives everywhere. It is at a centre and feels the vibrations of all the circles within which east and west are virtually included. Imagination is the life of mental freedom. It realizes what everything is in its many aspects… Imagination does not uplift: we don’t want to be uplifted, we want to be more completely aware.

― Kahlil Gibran

I came across the passage above from writer Kahlil Gibran (1883-1931) and felt it matched up well with my interpretation of the new painting at the top, The Center Found. I see it as it being about the Red Tree’s awareness of the many worlds surrounding it and its place and purpose within those intersecting worlds.

As Gibran points, out, that comes with the mental freedom of imagination which allows the Red Tree here to see the possibility of these worlds existing.

So perhaps the Red Tree in some of its many iterations could be a symbol for ones imagination. I can see that being true in this piece and in many others and could easily live with that interpretation since it links imagination with awareness.

Gibran is certainly right that we want to be more completely aware. I am not sure that I completely agree that we don’t want to be uplifted in a spiritual sense. I might be taking liberties here but I think he means we don’t want to be uplifted by others, that our uplifting is dependent on our own actions and understandings.

But I understand his point that without awareness, there is little possibility of being truly uplifted. And I would like to think that in this painting the Red Tree has found that center of awareness, that it feels the intersections of all the worlds around it.

And is then uplifted.

The Center Found is part of my new annual exhibit, Through the Trees, which opens Friday, July 16, at the West End Gallery in Corning, NY. There is an opening reception from 4-7 PM Friday. The show is currently hanging and available for previews. Thank you!

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Nocte Bleu

Posted in Favorite Things, Music, Painting, tagged , , , , , , , on July 11, 2021| Leave a Comment »

GC Myers- Nocte Bleu sm

“Nocte Bleu” – At the West End Gallery

Almost without exception, blue refers to the domain of abstraction and immateriality.

–Wassily Kandinsky

Though the Red Tree and the color red play a large part in my body of work, I am a confessed addict of the color blue. I have written in the past about instances of painting with blue where I almost feel an intoxication after hours of having my face inches from it for several hours at a time. I often have to consciously refrain from using the color at times for fear I will fall into an uncontrollable spiral where all my work is nothing but blue.

That might not be so bad, now that I think about it.

But I do let my addiction off the leash periodically, especially for my shows where there is generally at least a handful of what I would call blue pieces. The piece shown here, Nocte Bleu, is an example. It’s a new 10″ by 20″ painting on aluminum panel that is included in Through the Trees, my annual solo show at the West End Gallery that opens this coming Friday.

I almost felt guilty painting this piece, it gave me such pleasure. And it continued even after the process was done. It was one of those pieces that kept me peeking at it while it was in the studio. Just something in it that satisfied a need within me.

I understand that this doesn’t describe the painting or process or help you understand it in any way. But that’s the way it is with us addicts. Sometimes you just got to have the good stuff, the real blue.

For this Sunday morning music I am going to a favorite piece, a sort of obscure song from jazz horn player Richard Boulger and his 2008 LP Blues Twilight. Blues– see? He knows. The song is Miss Sarah, one that I have played here awhile back. I think it’s a great song to kick off a Sunday morning. Try it on for size.

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Gifts

Posted in Painting, Quote, tagged , , , , , , , on July 6, 2021| 3 Comments »

9921076 To the Limit sm

“To the Limit“- Part of the upcoming West End Gallery show

The purpose of life is to discover your gift.
The work of life is to develop it.
The meaning of life is to give your gift away.

— Dr. David Viscott

I wasn’t going to write about this today but I came across a tweet yesterday from a well known law professor who I highly respect using the quote above. Well, he used the shorter version– The meaning of life is to find your gift. The purpose of life is to give it away— which cuts out the developmental stage in the middle.

All fine and dandy. However, he attributed it to Pablo Picasso. Things immediately stirred my interest because I like Picasso and he has actually said some very noteworthy things that end up as oft used quotations. But this just didn’t sound right.

So, off to Quote Investigator and, sure enough, there it was. No evidence of Picasso ever saying this nor Billy Shakespeare — I can call him that as we go way back– who is also often given credit for this quip.

No, it turns out that the first evidence in print came from a radio/TV psychiatrist who was very popular in the 1980’s and early 90’s, Dr. David Viscott. He died in 1996 at the age of 58. I don’t really remember him but he was pretty well known  for his fast diagnoses of callers problems and his in depth discussions on the required pharmacology. He even entered popular culture with his voice being the inspiration for the cartoon psychiatrist Dr. Marvin Monroe, who appeared regularly on the first seven seasons of The Simpsons. 

The earliest mention of the same sort of sentiment but in different, more specific words comes from an 1843 essay titled Gifts from Ralph Waldo Emerson:

Rings and jewels are not gifts, but apologies for gifts. The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a stone; the painter, his picture; the girl, a handkerchief of her own sewing.

Perhaps Emerson was the David Viscott or Dr. Marvin Monroe of his era? His advice is very much the same though it is a bit dated with females, half the population, being relegated to sewing handkerchiefs. Thankfully, today females populate every field of endeavor and can do much more than sew hankies. I don’t want to offend any hankie sewers out there but how many hankies do we really need?

But the idea of giving of yourself, to share what you do best with those you love as well as the rest of the world, is the idea here. The idea that thought, effort, and time have went into a gift make them all the more precious. Even now, as I sit here, I have several gifts within sight that have been given to me over the years. Each is precious to me for just those reasons.

The tragedy is that so many of us never find that gift or overlook it when it is right in front us. Or even more tragically, that for whatever reasons, we never try to follow the hints to our gift that we do recognize. 

So, now that we’ve cleared up the origins of the advice at the top, get out there and do something that you love and share it with friends or family or the rest of the world.

It’ll make your day as well as that of someone else.

The painting at the top, To the Limit, is a new piece that is included in my upcoming show, Through the Trees, that opens next Friday, July 16th, at the West End Gallery in Corning. I used this painting for this post because the blowing tree often represents for me self-sacrifice and the giving of all to an effort. I guess that would make for a splendid gift.

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The I Am Here

Posted in Event, Influences, tagged , , on July 5, 2021| Leave a Comment »

Kandinsky I Am Here

The above quote is from Wassily Kandinsky and concisely captures what might be the primary motive for my work. I think, for me, it was a matter of finding that thing, that outlet that gave me voice, that allowed me to honestly feel as though I had a place in this world. That I had worth. That I had thoughts deserving to be heard. That I was, indeed, here. 

That need to validate my existence is still the primary driver behind my work. It is that search for adequacy that gives my work its expression and differentiates it from others. I’ve never said this before but I think that is what many people who respond to my work see in the paintings- their own need to be heard. They see themselves as part of the work and they are saying, “I am here.” 

Hmmm…

— Redtree Times , December, 2008

I am in the final days of prep for my upcoming West End Gallery show and, as is the case with many previous shows at this point, the whole process of what I do becomes an abstract thing. Standing in the midst of the group of new paintings in various stages of readiness scattered around my studio, they sometimes feel almost unintelligibly foreign to me at this point. I look at them and though I know they are part and parcel of who I am, they suddenly seem not mine anymore and I find myself wondering how I got to this point.

What does it mean and why do I do this thing that seems so alien to me now?

And there is never a response that fully answers my questions. But I always come back to some words I strung together years ago in 2008, back in the early days of this blog. Shown above, they are my reaction to a quote from Wassily Kandinsky, an artist whose musings on the spiritual elements of art often strike a chord within me.

It always comes down to a need to have one’s voice heard, to have one’s existence validated in some way. That’s a universal desire. We all want to be heard, to not be overlooked or brushed aside.

My work is my means to that end, the I am here. It’s the only way I know how to find it. But while it helps me exist in this world, I want it to do a bit more. My hope is that it serves as a reminder, a symbol, for those who see it that their own voice, their own existence, is equally distinct and valued.

This thought brings the work back into focus, back from feeling alien to me. Some semblance of meaning and purpose is regained. It’s like a weight has been lifted and I can move forward, to do what I need to do to once more express the I am here I have been seeking.

My annual solo show, Through the Trees, opens Friday, July16, at the West End Gallery in Corning, NY.

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Standing Proud

Posted in Opinion, Painting, Philosophy, Quote, Recent Paintings, tagged , , , , , , on June 7, 2021| 1 Comment »

GC Myers- Standing Proud 2021

I find I am much prouder of the victory I obtain over myself, when, in the very ardor of dispute, I make myself submit to my adversary’s force of reason, than I am pleased with the victory I obtain over him through his weakness.

― Michel de Montaigne (1533-1592) The Complete Essays

At the top is Standing Proud, a new painting that is included in my solo show, Between Here and There, at the Principle Gallery that opened this past Friday.

I hesitated in using the word proud in the title for this painting. The word itself has connotations of boastfulness and certainty for me. I am not a fan of either. I see both as being more on the vanity end of the pride spectrum, more about caring what other people think or how they affect others.

Like the thought above from Montaigne, the 16th century French philosopher, I see the more desirable form of pride as coming more from overcoming conflicts and barriers that exist within ourselves. Triumph that comes from being what and who we truly know we are without caring what others think. Or without trying to place ourselves above any others in any way.

For me, pride often accompanies perseverance. Staying true to yourself over time, overcoming the obstacles that arise naturally, and resisting the temptation to abandon principles and beliefs– these are some of the building blocks of authentic pride.

Of course, these are just words and thoughts. We all wish ourselves to be the best us we can be. But life provides us with great challenges and we sometimes come up short. But maybe pride can be found in recognizing that momentary shortcoming and our will to overcome it.

Pride is ultimately the triumph of our self.

Well, that’s my two cents worth of muddled Monday morning philosophy. At two cents, it might be overpriced…

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Crossroads of the World

Posted in Biographical, Event, Literature/ Books, Painting, Philosophy, Recent Paintings, tagged , , , , , on June 3, 2021| Leave a Comment »

GC Myers- Crossroads of the World 2021

It was a pity that there was no radar to guide one across the trackless seas of life. Every man had to find his own way, steered by some secret compass of the soul. And sometimes, late or early, the compass lost its power and spun aimlessly on its bearings.

—Arthur C. Clarke, Glide Path

Trackless seas of life.

Clarke’s words above certainly resonate with me. We go through our lives pretty much on our own, with little guidance. Oh, folks will tell you how to live your life but they generally have little more insight than yourself. They usually just want you to adhere to their own perceptions, their own idea of how the world should look. And that’s okay. They are as free to do so as you and I are free to not follow their advice.

But for the most part, we stumble and fumble along on our own, following the bearings of that secret compass of the soul that Clarke mentions.

We all follow our own compass, even if we don’t fully realize it. We subconsciously set courses that we don’t yet recognize for some vaguely defined destinations that are just the inkling of an idea in our imagination.

Along the way, we often seem out of place and lost, as though that compass has indeed lost its power and is spinning on its bearings. We then often recalibrate and give up on that first course we had set and set out for some new destination, one that is often within sight and attainable.

But sometimes, after we creep for what seems like ages through the darkness, row endlessly through the doldrums, and hold on through stormy seas with a shaken compass that we find hard to trust, we somehow, wonder of wonder, find ourselves at our destination, now fully realized.

What a strange thing and wondrous thing.

GC Myers- Crossroads of the World in situ Principle Gallery 2021And that is what I see in the painting at the top, Crossroads of the World. It is, of course, part of my solo show that opens tomorrow, Friday June 4, at the Principle Gallery in Alexandria, VA.

The sun here represents that secret compass of the soul. Its rays light the way forward but its direction is forever wavering and sometimes its face is obscured by clouds of all sorts and sizes, some of our own making.

And the crossroads where the paths cross symbolize the crossroads we come to each day as we make our way toward our destination. Every day is a new crossroad, new choices and paths to be considered and made. Some paths take us into the dark of the forest and some lead us out into the clearing, where we can see ahead for what seems like forever.

I great sense of liberation from this piece, that we are free to ultimately follow our own desires, our own longings. But there is as well as a sense of satisfaction that comes from making your own way, for following through on those desires. For persevering through all the detours and setbacks to finally end up in that place that was a tiny half-baked fragment of an idea when it first appeared in your hopes so long ago.

I guess that sounds like a lot to pull out of a painting but, hey, it’s how I see it at this point in time and space, at this crossroads that I was led to by own secret compass of the soul.

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Invocation in Blue

Posted in Event, Favorite Things, Music, Painting, Quote, Recent Paintings, tagged , , , , , , , , on May 27, 2021| 1 Comment »

GC Myers- Invocation in Blue sm

A certain blue enters your soul. A certain red has an effect on your blood-pressure.

– Henri Matisse

Matisse certainly had it right.

For me, blue is the color of the soul and spirit and red the corporeal, the blood and body. Blue is the ethereal. Red is the carnal. I think that is why both colors play such a large part in my work. Actually, they play large parts in the work of most artists. They are two of the three primary colors for a good reason.

But in my work they often symbolize those two parts in us as individual humans– the body and the spirit, the carnal and the ethereal. Having the two come to terms within the picture and within myself is often part of my aim, something I usually don’t recognize until I am examining the painting after completion.

I think this new painting, a 16″ by 20″ canvas that is part of my new show at the Principle Gallery which opens next Friday, June 4. This piece is titled Invocation in Blue. I see it as dealing with that space between the spirit and the physical in each of us, about how we aspire to our higher aspects but are bound by our earthly desires.

Head in the stars, feet in the mud, figuratively speaking.

And that is sort of what I see here. The Red Tree aspires to the ethereal calm found in the endless blue of the night sky and the peaceful presence of the moon. But it is still rooted in the earth, still comforted and sustained by its earthly needs and desires. The patchwork of reds and purples seem almost like a quilt or comforter that mainly warms and protects but also restrains.

But even so, both of the worlds attached to each color have an appeal of their own. And in this piece, they dwell side by side, as they often do within some of us. It is a painting that has an acceptance of its place in the universe, that recognizes that we can and do exist in both the ethereal and the corporeal worlds. It is a painting of the peaceful balance that can exist between the two.

But, as always, that’s just my opinion. You might see it as something altogether different. And to that, I say, Good for you. That’s just as it should be.

Okay, here’s some music to accompany the painting. It’s also a great song to sip coffee by. It’s the great jazz piece Blue in Green. It is most often associated with Miles Davis. He is credited with writing it and his version is iconic. Brilliant. But I also like the version below from pianist Bill Evans who played on the Davis recording and was later revealed to be the true composer of the tune though he never received credit on the label or in royalties. It’s just a beautiful piece and I like to think it sums up the balance between the two worlds I discussed above.

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Between Here and There

Posted in Event, Quote, Recent Paintings, tagged , , , , , , , , on May 25, 2021| Leave a Comment »

GC Myers- Between Here and There

If the path be beautiful, let us not ask where it leads.

― Anatole France

The new painting above is the title piece for my new show, Between Here and There, which opens next Friday, June 4 at the Principle Gallery. It is 22″ high by 28″wide in size and is painted on linen.

Like many of my paintings, its meaning lies in a moment captured in a symbolic journey. That moment when one stops to look both ahead and behind and to also savor the moment of pause.

I have sometimes this journey as being like a labyrinth whose twists and turns sometimes gives you glimpses of your far destination even though there is so much more of the pattern to be traveled before reaching it. Soon, you might be at a point where your desired objective seems a million miles away though it seemed so close not so long ago.

The way I see this piece is that the closer Red Tree is at such a moment and sees itself at a future time on that distant hilltop, with an even better view forward into the distance and back into the past. It sees itself there as being a fuller being, wiser and more attuned to the world, than it sees itself here.

That is its desired destination.

But between here and there are obstacles to overcome, hills and mountains to climb and rivers and seas to cross. Battles to be waged and wounds to be healed. People to be found and people to be lost.

Moments of elation and moments of utter despair. Sometimes, the despair so dark and hopeless that the journey seems at an end.

But then, like a twist in the maze, the objective you so desire comes back into view and you stop to take it in. And in this moment as you look forward then look back at all that you have endured, you savor once more this pause.

You are what you are and one day you may be what you desire to be. It may be dark now but tomorrow offers the possibility of light. You remember then that this is how the journey goes, that the trek between here and there is never easy.

Nothing worth having ever is.

That’s my take on it. Your own may and probably should be different. We are, after all, unique creatures.

 

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Cezanne on Feeling

Posted in Painting, Quote, Video, tagged , , , , on May 21, 2021| 2 Comments »

Cezanne- The Kitchen Table 1888-1890

Paul Cézanne– The Kitchen Table, 1888-1890

An art which isn’t based on feeling isn’t an art at all… feeling is the principle, the beginning and the end; craft, objective, technique – all these are in the middle.

-Paul Cézanne

Since I am a little short on time this morning as I am in the final days of wrapping up my approaching Principle Gallery show before delivery later this weekend, I thought I’d share a thought from Paul Cézanne that pretty much sums up my view on art, that feeling and emotion is the primary driver behind all art.

Here’s a short video of some of of Cezanne’s better known works for you to examine for their levels of feeling.

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Harmonia Aeternam

Posted in Event, Literature/ Books, Painting, Quote, Recent Paintings, tagged , , , , , , , on May 10, 2021| 1 Comment »

GC Myers- Harmonia Aeternam

There are seconds, they come only five or six at a time, and you suddenly feel the presence of eternal harmony, fully achieved. It is nothing earthly; not that it’s heavenly, but man cannot endure it in his earthly state. One must change physically or die. The feeling is clear and indisputable. As if you suddenly sense the whole of nature and suddenly say: yes, this is true. God, when he was creating the world, said at the end of each day of creation: ‘Yes, this is true, this is good.’ This . . . this is not tenderheartedness, but simply joy. You don’t forgive anything, because there is no longer anything to forgive. You don’t really love — oh, what is here is higher than love! What’s most frightening is that it’s so terribly clear, and there’s such joy. If it were longer than five seconds — the soul couldn’t endure it and would vanish. In those five seconds I live my life through, and for them I would give my whole life, because it’s worth it. To endure ten seconds one would have to change physically . . . .

― Fyodor Dostoyevsky, Demons

I think I understand what Dostoyevsky was describing in the words above. I imagine –well, hope– that most of you have experienced those fleeting seconds where the harmony of everything suddenly becomes evident to you.

All the things that make up the world, the universe, all the planes of existence, and yourself in that rare moment seem to be just where they should be in relation to all other things. It is as though everything is comprised of floating, constantly shifting plates that periodically find themselves in a position where the perfection of eternity is achieved and revealed to the watchful few.

For a few glorious seconds.

Then the plates resume their shifting and harmony seems, at best, just out of reach. Or, in the case of the other extreme, nowhere to be found as the plates shift to a point of chaos and dangerous imbalance.

Maybe that rare moment of eternal harmony –as I know it– is what I am seeing in this new painting that is headed to the Principle Gallery for my annual solo show, Between Here and There, which opens June 4. It has a feeling of great harmony for me, of things being in alignment, in place. And of the Red Tree as a central figure being aware of the unity of time and place in which it finds itself.

I believe I have experienced episodes of those four or five seconds of clarity and I see it in this piece. I am calling this new 24″ by 36″ painting Harmonia Aeternam. I chose the Latin translation for Eternal Harmony because I felt this piece deserved a weightier title.

It’s strong enough to handle it.

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