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Posts Tagged ‘Quote’

The painting above is The Sea, Watched from artist Jamie Wyeth. I came across the quote from Wyeth that is  below the image and it really struck a nerve with me, especially in the moment.

Being back in the studio after the Gallery Talk at the Principle Gallery, I am conflicted by two desires. One is to just be bone lazy and do nothing, to simply enjoy the good feelings generated by the talk and my own sense of my work at the moment. The other is to dig back in with even greater fervor, to move the goalposts ahead and begin the next step towards reaching those goals. What exactly those goals are is yet to be determined but I do know they are there.

I do feel that I do have to move forward, to not be lazy and rest on the work that is out there at this point. Part of that comes from doing these talks and getting real feedback on what I have done. I don’t want to come before these folks next year and have nothing new, no advancement in the body of the work, to point to.

That is the one of the addictive parts of this painting thing– a fear of falling short.

But sometimes the lazy part is appealing. I look at the work so far and I feel good about it. I tell myself to take it easy. Relax. Coast for a while. That would certainly be easy to do.

But part of me knows that’s the wrong way to go. If for some reason my career ended today, I can’t say I would be satisfied with what I have done. I don’t feel that my story is completely told yet, that the work hasn’t yet revealed all that it has to yield.

So, I dig back in.

I was asked after the talk the other day if I planned to retire and I laughed. First, I said I couldn’t because all of the paintings I have given away at these talk represented my retirement funds. But I said I couldn’t imagine not doing this to the day I either die or become incapacitated in a way that would prevent me from picking up a brush and making a mark.

Realistically, I figure I have a good twenty five years in which to be productive. And if I am fortunate and take care of myself, maybe thirty. I notice more and more older artists working into their 90’s and beyond, producing new work that are exclamation points on long careers.

That would be good. But it won’t happen if one lets laziness creep too much into the equation. Fortunately for me, the credo, “Live to work, work to live,” is not a scary or depressing idea.

So, that being said, I’ve got a lot of work to do. Have a great day.

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Creative scientists and saints expect revelation and do not fear it. Neither do children. But as we grow up and we are hurt, we learned not to trust.

― Madeleine L’Engle

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This new painting is called Found Truth. It is a larger piece, 36″ by 36″ on canvas, and is part of the group of new work that will be traveling with me on Saturday down to the Principle Gallery for my Gallery Talk there.

This is a painting that very much speaks to me personally. Its scale and the initial impression it makes whenever my eyes look its way give it a sense of strength, of bold statement. And I think that is exactly what it is for me– a statement piece.

Maybe that is why I see it having a title that deals with the idea of the revelation of truth. It could the revelation of one’s inner truth or any number of other truths that make up our reality. Or maybe it is all of them because perhaps all truths are part of one larger truth.

I don’t really know. I’m still waiting for that moment of revelation.

I’m no saint so maybe I am a creative scientist, as Madeleine L’Engle writes above, because I do not fear it and do expect it. Oh, there are days when I revert to a more closed off stance, stepping back from that mound where the Red Tree stands, that spot where I have been completely exposed and vulnerable. The problem is that in order to receive revelation you have to make yourself vulnerable. In this open state you are susceptible to being hurt but, more importantly, you are in position to recognize and accept revelation.

That place of vulnerability is a spot many of us avoid, certainly as L’Engle points out, because of being hurt once or maybe many times before and the distrust this has fostered in us. None of us wants to be hurt and exposing yourself to the world creates that possibility.

So we harden our attitudes and our hearts, closing ourselves off. But in the process we also pull back from the light that nurtures us, that feeds our growth. The light that reveals the truth that we once sought and expected.

That’s how I see this painting, the Red Tree being exposed and vulnerable atop that mound. The clouds represent the perils of being there but beyond them is the light of self revelation– the reward of persevering one’s own vulnerability.

This all somehow makes sense in the small space of my mind. Hope you see it somewhat the same way in your own.

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Reminder:

Gallery Talk at the Principle Gallery in Alexandria, VA this Saturday, September 22 at 1 PM.

Painting(s?) Giveaway, Prizes, Good Conversation, Some Stories and Some Laughs.

 

 

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Art has no other purpose than to brush aside… the conventional and accepted generalities, in short everything that veils reality from us, in order to bring us face to face with reality itself.

–Henri Bergson

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This is another new painting, 16″ by 20″ on canvas, that is part of the group of work going with me to Alexandria on Saturday for my Gallery Talk (begins at 1 PM!) at the Principle Gallery. I call it The Moon’s Revelation and I have spent a lot of time over the past few weeks looking at it, both taking pleasure in it and questioning what I was seeing in it.

What purpose, if any, does it hold?

The question of purpose is a big theme for me lately. My own purpose and that of my work. The purpose of truth. Of institutions and laws. I can’t say if I have found answers any of these questions. But I still believe that there are clues leading to my own purpose somewhere in this piece and others.

They just have to be revealed, in the way the moon brings the colors of the fields to light in this painting.

Time , as always, shall be the revelator.

 

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Baziotes

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.Each painting has its own way of evolving. When the painting is finished, the subject reveals itself.

–William Baziotes
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William Baziotes is another painter you probably don’t know. He had a relatively short life, dying at age 51 in 1963 from lung cancer. His work has garnered a following over the years with some of his work approaching the million dollar pricetag at auction yet his name most likely is not known to but a few.
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He was born in Pittsburgh and worked throughout his career in NYC. He started as an abstract expressionist but transitioned into primitivism and automatism, which is attempting to paint completely detached from conscious thought. I like that idea but don’t think one can ever fully separate the mind and the work.
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There’s a lot I like in his work, especially the quality and complexity of his color. As for the quote above, it’s a thought that I firmly believe. Sometimes, even when starting with a goal in mind, you have no idea what a painting is truly about until the final stroke has been placed and you step back. Only then does it reveal what it has to say. Sometimes it is quite different than you thought it might be while working on it.
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And that is sometimes a welcome revelation.
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I have finally chose the painting that will be given away at this coming Saturday’s Gallery Talk at the Principle Gallery. It is called Deep Focus and is 18″ by 18″ on canvas. It has been around for several years now and each time it returns from a gallery I am surprised because it is a real favorite of mine, hitting the mark for me on so many points. I think you can see my feelings for this painting in the post below that I wrote when it was first painted.

So, if you would like to have a chance ( decent odds, too!) at taking this favorite of mine home with you, come on out to the Principle Gallery  in historic and beautiful Alexandria, VA this coming Saturday, September 15, for my annual Gallery Talk that begins at 1 PM. There will be some other surprises as well.

Hope to see you there!

Meditation brings wisdom; lack of mediation leaves ignorance. Know well what leads you forward and what hold you back, and choose the path that leads to wisdom.

–Buddha

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This new piece, 18″ by 18″ on canvas, is titled Deep Focus. This was one of those pieces that just seemed to fall out with very little inner wrangling or consternation. Once I started, it was off and running with what seemed very little assistance from me.

It was immediately clear that this painting was going to be about focus, about looking deeper and deeper into the canvas. Built from the bottom, each layer pushed the eye further inward. About halfway into this I began to think of the title for this as being AutoFocus, just for the ease with which it was emerging. But I finally opted for Deep Focus because of the depth I was seeing in the picture and the way everything seemed to gravitate toward the central point of the sun that is peeking over the distant hill.

This piece seems to have a very meditative quality, a placid feeling that goes well with the ease of the piece. Or at least, the ease that I felt in its creation. Sitting here now, taking it in, its construction seems simple, almost naive. Yet there is a feeling of opulence that I think comes from the colors and curves of the landscape that sheds this naivete and gives it a feeling of deeper knowledge. Or a way to deeper knowledge. Far from naive.

Years ago, I had a hard time trusting the validity of pieces that fell so easily from my hand, believing that  struggle must be part of making a painting come alive. I was almost embarrassed by the ease with which some pieces came. But over time, I have come to believe that it is this effortless work that is the goal, the work that is true and has the authenticity that I seek. This piece is a testament to the trust in my intuition that has come with time.

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To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind – this is a choice which is possible for all of us; and surely it is a good haven to sail for.

-Henry Van Dyke

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This is a new painting that is part of a group of new work that will be going down to Alexandria with me next Saturday for my annual Gallery Talk at the Principle Gallery. I call this 16″ by 20″ painting Striving on the Wind.

I really enjoy painting these pieces with sailboats even though I must confess that I know practically nothing about sailing or boats in general. But the nature of the compositions with the bands of horizontal color  and the lure of the wide open sky along with the captured movement of the boats on the waves and in the sails makes it a tremendously appealing subject. Billowing sails on the waves under a big sky is a thing of beauty, even to this landlubber.

Plus, these pieces come with the inherent concept of the journey, the idea that there is an intended goal toward which the boat is headed. They have a built in sense of purpose. I can only imagine that sailing to a far destination is an act of total purpose, requiring the sailor’s complete focus and unwavering attention to keep the boat on course and afloat.

A sinking boat has lost its purpose.

And that sense of purpose is important to me, something I have always wanted to recognize in my own life. I think it must be equally important to many other folks out there. And I think that symbolism comes through in these pieces. Hopefully, the words at the top from author Henry Van Dyke align with that sense of purpose.

As he said: surely it is a good haven to sail for.

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Striving on the Wind, along with a number of other new paintings, will be at the Principle Gallery next Saturday, September 15,  where I will be giving a Gallery Talk beginning at 1 PM. As is now tradition, there will be a drawing where one of my paintings will be awarded to someone in attendance along with some other neat prizes and plenty of good conversation. Hope to see you there!

 

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Truth has no continuity. It is the mind that wants to make the experience which it calls truth continuous, and such a mind shall not know truth. Truth is always new; it is to see the same smile, and see that smile newly, to see the same person, and see that person anew, to see the waving palms anew, to meet life anew. 

― Jiddu Krishnamurti, The Book of Life: Daily Meditations with Krishnamurti

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I was looking for some words to put with this new painting that is part of a group of work that is going with me to my Gallery Talk at the Principle Gallery next Saturday, September 15. I came across the words above from the late Indian philosopher Jiddu Krishnamurti and at first kind of scoffed at the idea that truth has no continuity. I immediately thought that truth, above all things, has continuity. It’s this idea that truth is some sort of nebulous form, always changing and never set, that has us in the situation we now face as a nation.

I believed that truth- especially objective, fact-based truth- was a straight unwavering line running from its inception until the end of time.

But the truth he describes is a different sort of truth. It’s a subjective truth based on our perceptions. How we see the world around us. To see truth, especially these subjective truths, as something set in concrete closes off the mind. We begin to look at the world with blind eyes and a mind filled with the truths of yesterday. We fail to see the beauty and freshness of the renewed truth that is before us in every present moment.

We may have seen yesterday’s sunrise and that has its own truth, its own set of conditions. Today’s may seem to have the same truth but it is always different, slightly changed. The same goes for each of us. We were one person yesterday but in some small and almost imperceptible way  we have changed. We may feel a bit older. A bit wiser. A bit happier or sadder or any number of different things. But we are not the same today as we were yesterday.

Our truth has changed.

And there is something wonderful in that. Oh, I know we would often like things, our truths of the past, to remain the same as we remember them. There’s reassurance in those static touchstones that clutter our memories. But today is a new truth under a new sky and a newly changed sun. The world is freshened and made new. It has a new truth of its own and it is our task, our hope and our joy to discover it anew.

I find that thought to be a fine basis for this painting, an 18″ by 36″ canvas that I call The Freshening. Winter is a perfect example of this idea of constant renewal. The falling snow creates a new truth, alters our perceptions of the world we see. It creates a new truth. And its melting creates yet another revelation of truth. As does the rising of the new day’s sun.

Maybe that seems a naive way of looking at the world in these complex times where truth means something different to so many different people. But there are simple truths  that make up our existence and looking at them in a simplified manner might not be such a bad thing.

Like looking at the world in the first light of day after a snowfall– freshened and new.

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My Gallery Talk at the Principle Gallery in Alexandria takes place on Saturday, September 15, beginning at 1 PM. There will be a painting giveaway, some other prizes, surprises, good conversation and puppets. Lots of puppets. Okay, that last part isn’t true. But you won’t know for sure unless you come.

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