A certain blue enters your soul. A certain red has an effect on your blood-pressure.
– Henri Matisse
Matisse certainly had it right.
For me, blue is the color of the soul and spirit and red the corporeal, the blood and body. Blue is the ethereal. Red is the carnal. I think that is why both colors play such a large part in my work. Actually, they play large parts in the work of most artists. They are two of the three primary colors for a good reason.
But in my work they often symbolize those two parts in us as individual humans– the body and the spirit, the carnal and the ethereal. Having the two come to terms within the picture and within myself is often part of my aim, something I usually don’t recognize until I am examining the painting after completion.
I think this new painting, a 16″ by 20″ canvas that is part of my new show at the Principle Gallery which opens next Friday, June 4. This piece is titled Invocation in Blue. I see it as dealing with that space between the spirit and the physical in each of us, about how we aspire to our higher aspects but are bound by our earthly desires.
Head in the stars, feet in the mud, figuratively speaking.
And that is sort of what I see here. The Red Tree aspires to the ethereal calm found in the endless blue of the night sky and the peaceful presence of the moon. But it is still rooted in the earth, still comforted and sustained by its earthly needs and desires. The patchwork of reds and purples seem almost like a quilt or comforter that mainly warms and protects but also restrains.
But even so, both of the worlds attached to each color have an appeal of their own. And in this piece, they dwell side by side, as they often do within some of us. It is a painting that has an acceptance of its place in the universe, that recognizes that we can and do exist in both the ethereal and the corporeal worlds. It is a painting of the peaceful balance that can exist between the two.
But, as always, that’s just my opinion. You might see it as something altogether different. And to that, I say, Good for you. That’s just as it should be.
Okay, here’s some music to accompany the painting. It’s also a great song to sip coffee by. It’s the great jazz piece Blue in Green. It is most often associated with Miles Davis. He is credited with writing it and his version is iconic. Brilliant. But I also like the version below from pianist Bill Evans who played on the Davis recording and was later revealed to be the true composer of the tune though he never received credit on the label or in royalties. It’s just a beautiful piece and I like to think it sums up the balance between the two worlds I discussed above.
It’s a dark, damp day here that seems to sap the color out of the forest around the studio. All grays and browns and pale washed out greens.
It’s Sunday morning and I want to play one of my all-time favorite songs, Nature Boy. It’s an extraordinary song from an unusual character by the name of 
Redtree Times 