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Posts Tagged ‘Richard Boulger’

GC Myers- Nocte Bleu sm

Nocte Bleu” – At the West End Gallery

Almost without exception, blue refers to the domain of abstraction and immateriality.

–Wassily Kandinsky



Though the Red Tree and the color red play a large part in my body of work, I am a confessed addict of the color blue. I have written in the past about instances of painting with blue where I almost feel an intoxication after hours of having my face inches from it for several hours at a time. I often have to consciously refrain from using the color at times for fear I will fall into an uncontrollable spiral where all my work is nothing but blue.

That might not be so bad, now that I think about it.

But I do let my addiction off the leash periodically, especially for my shows where there is generally at least a handful of what I would call blue pieces. The piece shown here, Nocte Bleu, is an example. It’s a new 10″ by 20″ painting on aluminum panel that is included in Through the Trees, my annual solo show at the West End Gallery that opens this coming Friday.

I almost felt guilty painting this piece, it gave me such pleasure. And it continued even after the process was done. It was one of those pieces that kept me peeking at it while it was in the studio. Just something in it that satisfied a need within me.

I understand that this doesn’t describe the painting or process or help you understand it in any way. But that’s the way it is with us addicts. Sometimes you just got to have the good stuff, the real blue.

For this Sunday morning music I am going to a favorite piece, a sort of obscure song from jazz horn player Richard Boulger and his 2008 LP Blues Twilight. Blues– see? He knows. The song is Miss Sarah, one that I have played here awhile back. I think it’s a great song to kick off a Sunday morning. Try it on for size.



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GC Myers-  October Sky sm



I am currently in the midst of painting for my annual June show at the Principle Gallery and am in what I believe is a pretty good groove at the moment. I was thinking about how I view my work at these times, about how it is about how I am painting rather than what I am painting. It reminded me of this post from a few years ago that shows closeup details of the painting’s surface. These details are actually how I see my work most of the time, especially when in a groove. And probably as much as I see them as a whole. Made me think this post was worth revisiting.



I was looking for something to play this morning and put on this album, Blues Twilight, from jazz trumpet player Richard Boulger. I’ve played a couple of tracks from this album here over the years.

While the title track was playing I went over to over to a painting that hangs in my studio, the one shown above. It’s an experiment titled October Sky from a few years back that is a real favorite of mine. I showed it for only a short time before deciding that I wanted it hanging in the studio. I never really worked any further in the direction this piece was taking me. Part of that decision to not go further was purely selfish, wanting to keep something solely for myself, something that wasn’t subject to other people’s opinions.

A strictly personal piece. A part of the prism that doesn’t show.

I look at it every day but generally it is from a distance, taking it in as a whole. But his morning, while the album’s title track played I went and really looked hard at it, up close so that every bump and smear was obvious. And I liked what I was seeing, so much so that I grabbed my phone and began snapping little up close chunks of it.

It all very much felt like the music, like captured phrases or verses. Each had their own nuance, color and texture and they somehow blended into a harmonic coherence that made the piece feel complete.

It’s funny but sometimes when I am working hard and in a groove that takes over from conscious thought, I almost forget about those things that I myself like in my work because I don’t have to think about them in the process of creating the work. Looking at this painting this close made me appreciate the painting even more, made me think about it in a different way than the manner in which I now used to seeing it.

Guess it’s a good thing to stop every now and then and look at what you’ve done, up close and personal.

Here’s Blues Twilight from Richard Boulger. Enjoy the music and take a look at the snips, if you so wish. But definitely have a good day.





GC Myers- October Sky detailGC Myers- October Sky detail20180415_07492420180415_07490820180415_07485920180415_072615



 

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I was going back through some old things on this site and came across this piece of music that I shared here several years ago. Listening to it took my mind far way from the subject I had intended to write about this morning.

So far, in fact, that I can’t even recall that original thought stream. It must not have been too important.

So, forget what I was going to say and, if you’re so inclined, give a listen to that piece of music. It’s called Miss Sarah off the album Blues Twilight from jazz trumpeter Richard Boulger.

Maybe it will distract you from something you intended on doing, as well.

PS: The painting at the top is a fave of mine, Pause in the Moonlight, which is at the West End Gallery.

 

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 I was looking for something to play this morning and put on this album, Blues Twilight, from jazz trumpet player Richard Boulger. I’ve played a couple of tracks from this album here over the years.

While the title track was playing I went over to over to a painting that hangs in my studio, the one shown above. It’s an experiment titled October Sky from a few years back that is a real favorite of mine. I showed it for only a short time before deciding that I wanted it hanging in the studio. I never really worked any further in the direction this piece was taking me. Part of that decision to not go further was purely selfish, wanting to keep something solely for myself, something that wasn’t subject to other people’s opinions.

A strictly personal piece. A part of the prism that doesn’t show.

I look at it every day but generally it is from a distance, taking it in as a whole. But his morning, while the album’s title track played I went  and really looked hard at it, up close so that every bump and smear was obvious. And I liked what I was seeing, so much so that I grabbed my phone and began snapping little up close chunks of it.

It all very much felt like the music, like captured phrases or verses.  Each had their own nuance, color and texture and they somehow blended into a harmonic coherence that made the piece feel complete.

It’s funny but sometimes when I am working hard and in a groove that takes over from conscious thought, I almost forget about those things that I myself like in my work because I don’t have to think about them in the process of creating the work. Looking at this painting this close made me appreciate the painting even more, made me think about it in a different way than the manner in which I now used to seeing it.

Guess it’s a good thing to stop every now and then and look at what you’ve done, up close and personal.

Here’s Blues Twilight from Richard Boulger. Enjoy the music and take a look at the snips, if you so wish. But definitely have a good day.


GC Myers- October Sky detail
GC Myers- October Sky detail GC Myers- October Sky detail GC Myers- October Sky detail GC Myers- October Sky detail GC Myers- October Sky detailGC Myers- October Sky detail

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Well, the work for the Truth and Belief show is delivered to the Principle Gallery and I can try to let out a big sigh of relief. I say try because I still have to endure the week until the show opens this coming Friday.

I’ve documented these feelings before on this blog from past shows, about how any confidence that may have grown as I was finishing the work for the show suddenly disappears once it is delivered.

It’s no different this for this year’s show. I walked in the studio early this morning and, without the reassurance from the show’s paintings that were now out of my sight, felt absolutely lousy. The big ball of anxiety was sitting directly on my gut.

I began to wonder if it was too late to become a backhoe operator. Or when the next person asks what I do and I tell them I’m a painter and they ask how much it would cost to get their bedrooms painted, I should give them a price.

But I know the routine, know it’s just part of the pattern. I’ve been experienced these same thoughts many times before and there is something in me that recognizes that I have put in the effort and been true to myself with this work.  It is a real thing.

It will work out in the long run.

Besides, I can’t really do anything else. Don’t want to do anything else. Actually, I don’t even look at what I do anymore as having been a choice. It’s just what I am now and there’s no changing that.

And that thought will carry me through the week. Oh, I’ll still feel like crap and lose every ounce of confidence I have ever known. But that’s okay because I know I will soon be back to work, being who I am meant to be.

Okay, enough of that and on to this week’s Sunday morning music. I hear that it’s Memorial Day weekend and I wanted to feature a combination of image and song that kind of fit the spirit of the holiday.  Not picnics and fireworks but the remembering part.  So many brave people have given their lives with the belief that they were defending our common values.  In these fractured times I think it’s important that we use the memory of their sacrifice as an opportunity to examine what those true values might be and how we can find common ground within them.

The painting above is from the show and is a 9″ by 12″ canvas titled So Well Remembered. The music is a short piece from trumpeter Richard Boulger titled For Souls Past. It’s a stark and lovely tune. Both have the feeling of memory that the day requires.

Have a great day…

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Blues Twilight Cover Richard BoulgerMost  mornings in the studio I will click on to the Pandora site for a little music while I write the blog.  Normally I will choose the  Chet Baker channel which is a blend of his music along with many others in a wide variety of jazz styles.  I find that it’s a great sound to drive my thoughts without overpowering them, energetic and moody at once.  Being able to step in and out of the music while I am thinking make it a great soundtrack to work by in the morning.

Listening to this has exposed me to a lot of artists and their music that were unknown to me beforehand.  Can’t say I know much about jazz or its history, primarily a few of the better known tracks from the legends.  But I try to keep an open mind and don’t turn myself off to it because of my own lack of knowledge, an attitude I hope a lot of folks who say they know nothing about art will maintain as well.  Try it on– maybe it will fit you better than you might think.

So, for this week’s Sunday music I chose a piece from a musician that was totally unknown to me not too long ago, Richard Boulger.  His horn work is beautiful and his compositions flow really well.  I heard this piece one morning and was totally taken by it and now find myself listening to it once or twice a day now while I paint.  It just fits me well.

Here’s Miss Sarah from Boulger’s 2008 album Blues Twilight.  Hope you’ll enjoy it and have a great Sunday.

 

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