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Posts Tagged ‘Rainer Maria Rilke’

GC Myers- To the Calling Moon  2021

To the Calling Moon“- Now at the Principle Gallery



I Am Much Too Alone in This World, Yet Not Alone

I am much too alone in this world, yet not alone
  enough
to truly consecrate the hour.
I am much too small in this world, yet not small
  enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.

I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everyday jug,
like my mother’s face,
like a ship that carried me along
through the deadliest storm.

–Rainer Maria Rilke ,  1875-1926



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So don’t be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don’t know what work they are accomplishing within you?

― Rainer Maria Rilke, Letters to a Young Poet



Funny how often the words of the poet Rilke mesh with the message I am seeing or hoping to see in a painting of mine. It’s certainly the case in this new smaller piece, Standing in Shadow, that is part of the Little Gems show at the West End Gallery that opens this Friday.

For me, the message I wanted to distill here was that we all live in the shadows of places, people, and events. Even the past and the future cast a shadow on our lives in the forms of regret and fear, among many others. 

In a way, we are shaped by shadows, depending on how we react to them. In the best case, we seek to step beyond them, to find a place in the light where the only shadows present are those we cast in our wake.

That is where the words of Rilke come into play. It is while we are in the shadows, that we must use those feelings that thrive within us there, the anxiety and pain and other deep emotions, to find a way forward.

To use the shadows as building blocks toward the light. 

I’ve discussed this here before, this idea that it is most often that our hardships form our character and that our creations ultimately– and hopefully– reflect that character. I’ve always thought that the appeal of my work was in the shadows that came through in my work. I am not talking about physical shadows though they sometimes are manifested as such in the work. It’s more in the underlying darkness, the acknowledgement that there is dark behind the light. That even the optimism and hope carried in the work is tempered with a wary eye cast toward the shadows.

Our hardships do, as Rilke points out, accomplish work within us. That’s not easy to see when you’re deep in the shadows. But once one recognizes that the shadows are the place where the deepest emotions are spawned, that one can use these feelings as a way to the light, that it is the place where creation is born, it becomes a less scary place. 

At least that’s how I am reading this, in both Rilke’s words and in this painting.

I could be wrong. Wouldn’t be the first time and it certainly won’t be the last.

Maybe you will see it differently with the benefit of your own shadows. That’s how it should be.

Have a good day.

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GC Myers- Canyon of Doubts



Creativity requires introspection, self-examination, and a willingness to take risks. Because of this, artists are perhaps more susceptible to self-doubt and despair than those who do not court the creative muses.

Eric Maisel



This painting below sits on a shelf directly in front of my desk. I was looking at it early this morning and wondered if I had put anything about it here on the blog. I came across the entry below from about four years ago which really spoke to the doubts I endure every year at this time as I begin to gear up for my annual shows.

This year is no different. Maybe even more pronounced, given the stress from the events of this past year. But I take some comfort in knowing that I have navigated through these canyons before and that takes off the edge. The doubts are still there but can’t box me in.

There is always a way through. 

Here’s what I put down about this four years back:

This new painting, 8″ by 10″ on panel, is called Canyon of Doubts. For me, it represents the navigation that takes place in the creative process as the artist tries to get past the formidable obstacles of self doubt. Doubt often throws up barriers that has the artist asking if they are good enough, if they have the talent, training, and drive to create true art that speaks for them to the world. Doubt makes them fear that they are out of place, that they don’t belong, that every other artist has more right to create than them.

Doubt keeps the artist seemingly boxed in with no apparent way forward.



Doubt is a pain too lonely to know that faith is his twin brother.

Kahlil Gibran



I’ve been trapped in that canyon many times. I’ve thought many times that there was no way out, that the fears posed by my doubts were the realities of who and what I was.

I have always felt alone with my doubts. Words of encouragement from others often felt hollow when I was lost in those canyons. They didn’t know how steep the walls of doubts seemed to me or how inadequate, how ill-prepared I felt in that moment.

The only option that seemed available to me was to trust that I could somehow fight my way out of those daunting canyons. It would mean mustering every bit of talent, every ounce of energy, and a sustained belief that I deserved to have my voice rise from out of  those canyons. It was matter of  either having the faith in my own value as human to find my way free or withering away in a canyon of doubts.



Your doubt can become a good quality if you train it. It must become knowing, it must become criticism.

Rainer Maria Rilke



I still find myself in those canyons. I still find myself periodically looking up at the walls that surround me and wonder if I am talented enough, strong enough, or even entitled to escape them.

But I now know that there is a path through them, one that is well worn with my own footprints from my past journeys in that shadowed place. I know that, even though it is lonely and seemingly unbearable in that moment, I don’t have to be trapped in that place of doubt.

I’ve traveled this path and there is indeed a way out.

It takes time and effort and devotion. It takes the belief in yourself, forged from past experience, that you will make the right decisions and not be trapped in those walls. It’s in having the faith that when take a wrong turn, when you make a mistake, that you will recognize it and get quickly back to the path that sets you free.

At the moment, I may well be in that canyon still but I have the moon guiding me and its light shows me where the canyon ends.

And then I will be free once more.



Have a good day.

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And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.

― Rainer Maria Rilke, Letters of Rainer Maria Rilke, 1892-1910



Gosh, I wish Rilke was sending me letters. I always seem to find something in his collected letters that speaks directly to me, something that helps me better understand my own place in the world.

Give me his letters and the Peanuts comic strip and I am all set for advice on how to live my life.

Rilke’s words above on the New Year speak loudly this year. Let us look at 2021 as a clean slate, a tabula rasa, that that is filled with new potential. The time ahead may be filled with hard work and stressful times but we should use every available minute of it in attempting to make 2021 far better than its predecessor. 

I know that these words can sound like empty platitudes but I truly hope they ring true this year and that we don’t waste the gift of time we are given.

Have a happy and quiet New Year’s Eve. Stay safe and perhaps next year at this time, we can truly celebrate the end of a wonderful year.

For those of you who don’t buy into my hopeful look forward and plan on partying your brains out tonight, here’s a song from Wynonie Harris, the great blues shouter who many consider the father of rock and roll. His style, his stage moves and provocative hip gyrations were swiped and adapted by Elvis, who some thought was the G-rated version of Wynonie Harris. His stuff really rocks and this song, Don’t Roll Those Bloodshot Eyes at Me, reminds me of the best work of Louis Prima, which is pretty high praise.

So, enjoy and bid goodbye to 2020 tonight in whatever way you see fit. May we all have a happy New Year in 2021.



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*********************

The film Jojo Rabbit premiered on HBO over the weekend, which made me very happy. It hits a lot of sweet spots for me.

A great cast and a script filled with a beguiling mix of dark satire and tragic poignancy. Strong visuals. Big laughs and plenty of tears. Ridiculous (but still scary) Nazis.

Hitler eating a unicorn.

Yeah, you read that right.

There’s even some poetry from Rainer Maria Rilke as the film ends, a snippet from his poem Go to the Limits of Your Longing, which is shown at the top. Words that seem applicable to this time, for sure.

It also uses its soundtrack brilliantly. It begins with the Beatles singing their German version of I Want to Hold Your Hand over archival clips of Hitler’s adoring fans at huge nationalistic rallies that are chilling in their magnitude and fervor. Images from the infamous Nuremberg rally always puts a knot in my stomach. The film ends with the German performance from David Bowie of his always rousing Heroes.

Filmmaker Taika Waititi also makes brilliant use of the song Everybody’s Gotta Live. It’s a song from 1972 from a band of that era, Love, that is very underappreciated. Led by the late Arthur Lee, it was an interesting group, a multiracial group that dabbled in folk rock and psychedelia a la the Byrds. Their 1967 release, Forever Changes, is on the Rolling Stone’s list of the 500 Greatest Rock Albums and was added to the Library of Congress’s National Recording Registry in 2011.

Even so, I am sure most of us haven’t heard much of their work. But it shines in Jojo Rabbit and is certainly worth examining further.

Here’s a video with the lyrics and images from the film just to give you taste. If you get a chance to see the film, I recommend it highly. But be forewarned, that it is art and, as such, is a subjective thing. What I love may not move you at all.

Take a look and give a listen then have a good day. We all deserve one.

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*****************************

“You know that great pause that comes upon things before the dusk, even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness.”

H.G. Wells , The Time Machine

*****************************

The painting shown here, about 15″ x 24″ on paper, is titled Working to Stillness. It is included in my upcoming solo exhibit, From a Distance, that opens next Friday, July 17, at the West End Gallery.

I debated quite a bit over the title. I had read a letter of advice from the poet Rainer Maria Rilke that spoke of the great movements of activity that take place within us when we are still, sometimes resulting in great works at a later time. That made me think of making the title this painting Working From Stillness rather than To.

But I thought of the stillness that comes at the end of those days of great activity, of toil both physical and mental. When the tasks have been completed and set aside for the day, there is a sense of relief and satisfaction that sets upon the body and mind. Stillness arrives.

It’s a good feeling for me and one that I look forward to most days. I often think of my days as working to this stillness.

This piece captures that feeling for me. It has great warmth and an abundance of strength. I think I used the term muscularity when I was talking about it when I delivered the show to the gallery yesterday. It has that kind of physicality to it. I don’t know how to really describe what I mean by that but it sounds right. Maybe it comes from what I see as the strength of the colors and forms in this piece.

Whatever the case, it’s a piece that has great and undeniable presence in its setting. Maybe that’s the part that speaks most to me in these times where we all feel a need to have our voices heard. This one demands that its voice be heard.

Even in its stillness.

 

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**************************

“Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away… and this shows that the space around you is beginning to grow vast…. be happy about your growth, in which of course you can’t take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don’t torment them with your doubts and don’t frighten them with your faith or joy, which they wouldn’t be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn’t necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust…. and don’t expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.”

― Rainer Maria Rilke, Letters to a Young Poet

**************************

I have always felt a companionship of sorts with the words of the Bohemian-Austrian poet Rainer Maria Rilke (1875-1926). I find the themes in his poetry and writings often echoing in the feelings and sensations of my own life.

Perhaps the piece of writing with which I feel the most connected is a series of letters he wrote between 1902 and 1908 to a young Army officer who was conflicted about the choice between pursuing a career either a military officer or a poet. The officer, Franz Xaver Kappus, released them as a book, Letters to a Young Poet, in 1929, three years after Rilke’s death from leukemia at the age of fifty one.

There is so much tremendous advice and guidance in his words that apply to anyone seeking a creative life. I have been mentoring a young artist as part of a program with a local arts organization and I only wish I could pass on a tiny fraction of Rilke’s advice to this artist. I had a very enjoyable talk with him the other day and while I believe there was some good advice given, it certainly didn’t approach the depth and breadth of that given by Rilke.

Take the bit at the top of the page, speaking of how to deal with the artist’s journey and growth. He describes the solitary nature of this journey, one that creates changes that sometimes take the artist mentally beyond and away from those people around him. That is the natural course for the artistic journey. In order to grow, the artist must be willing to seek and travel to places internally to which they cannot fully take or even properly describe to those around them.

This inner journey can be both a testing and a blessing. Finding common ground in which to live in this world with those around the artist is an important step in coping with this inner journey.

I didn’t mention that to the person I was mentoring. Maybe next time.

The painting at the top is from 2004 and is titled, appropriately, Common Ground. I definitely see the wise words from Rilke in this painting.

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GC Myers- Canyon of DoubtsCreativity requires introspection, self-examination, and a willingness to take risks. Because of this, artists are perhaps more susceptible to self-doubt and despair than those who do not court the creative muses.

Eric Maisel

*************

This new painting, 8″ by 10″ on panel, is called Canyon of Doubts. For me, it represents the navigation that takes place in the creative process as the artist tries to get past the formidable obstacles of self doubt.  Doubt often throws up barriers that has the artist asking if they are good enough, if they have the talent, training, and drive to create true art that speaks for them to the world. Doubt makes them fear that they are out of place, that they don’t belong, that every other artist has more right to create than them.

Doubt keeps the artist seemingly boxed in with no apparent way forward.

__

Doubt is a pain too lonely to know that faith is his twin brother.

Kahlil Gibran

*************

I’ve been trapped in that canyon many times. I’ve thought many times that there was no way out, that the fears posed by my doubts were the realities of who and what I was.

I have always felt alone with my doubts.  Words of encouragement from others often felt hollow when I was lost in those canyons.  They didn’t know how steep the walls of doubts seemed to me or how inadequate, how ill-prepared I felt in that moment.

The only option that seemed available to me was to trust that I could somehow fight my way out of those daunting canyons. It would mean mustering every bit of talent, every ounce of energy, and a sustained belief that I deserved to have my voice rise from out of  those canyons. It was matter of  either having the faith in my own value as human to find my way free or withering away in a canyon of doubts.

__

Your doubt can become a good quality if you train it. It must become knowing, it must become criticism.

Rainer Maria Rilke

*************

I still find myself in those canyons. I still find myself periodically looking up at the walls that surround me and wonder if I am talented enough, strong enough, or even entitled to escape them.

But I now know that there is a path through them, one that is well worn with my own footprints from my past journeys in that shadowed place.  I know that, even though it is lonely and seemingly unbearable in that moment, I don’t have to be trapped in that place of doubt.

I’ve traveled this path and there is indeed a way out.

It takes time and effort and devotion.  It takes the belief in yourself, forged from past experience, that you will make the right decisions and not be trapped in those walls.  It’s in having the faith that when take a wrong turn, when you make a mistake, that you will recognize it and get quickly back to the path that sets you free.

At the moment, I may well be in that canyon still but I have the moon guiding me and its light shows me where the canyon ends.

And then I will be free once more.

__

Read Full Post »

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