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In the Rhythm of the World– At West End Gallery

Our minds must have relaxation: rested, they will rise up better and keener. Just as we must not force fertile fields (for uninterrupted production will quickly exhaust them), so continual labor will break the power of our minds. They will recover their strength, however, after they have had a little freedom and relaxation.

–Seneca the Younger, On Tranquility of the Mind



Just a reminder that today is the last day to visit the West End Gallery in Corning, NY before they go on a short winter break from January 5 through January 20.

Everyone needs a little break, as Seneca pointed out in the passage above from about two thousand years ago, in order to recharge one’s batteries and regain some vigor. I have kind of been on a hiatus myself for the last couple of months, barely lifting a brush during that time. I had been feeling a bit beaten down and had lost a bit of pep in my step.

Just a feeling of blah. I don’t know if blah itself is a real thing but if you’ve felt it, you know what I mean.

But I believe I am emerging slowly from it. I have just finished some of a group of small pieces for the upcoming Little Gems show that opens on February 7 at the West End Gallery. It was awkward at first, but momentum grew with each small painting. The urge to pick up the brushes and see paint on a surface has returned and seems to grow with each passing day. 

It has been very beneficial to me that the Little Gems show has always fallen at this time of the year when I am ebbing low. The small scale of the paintings allows me to work on things that I might otherwise put off, to explore new themes and possibilities. To learn and attempt new things. To sometimes fail then take the lesson learned from failing and make something better.

Though it is work, it is most invigorating, not depleting at all. Like priming a pump. 

Or fertilizing a field– maybe that’s the more apt description?

I don’t know about that, but it feels good to feel the giddiness of creating something new again, to feel that there is something ready to come out once again. It has been absent for the last month or two and has been sorely missed. From going through this cycle many times before, I knew it would come eventually. It seemed to take a little longer this year and the wait became excruciating.

But it is close to being back in full and I am excited.

I may be taking a short break here on the blog for the next couple of weeks to more deeply reengage with this newly recovered rhythm. While I was on my short hiatus from painting my work here on the blog continued and it might be that I need a break. Might need to fertilize the field?

Maybe. We’ll see how it goes.

If you get a chance today, stop into the West End Gallery before they go on break. Hope they can fully recharge their batteries.

Here’s an absolute favorite Beatles song. I don’t know when I last shared it but it feels like it needs to go with this post. This is Tomorrow Never Knows.



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Soul Sacrifice

A New Cornucopia– At West End Gallery



I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I’ve long ceased perhaps to have faith in them, yet from old habit one’s heart prizes them.

~Fyodor Dostoyevsky, The Brothers Karamazov



I wrote one thing already this morning but after reading it, decided against posting it. It just felt too negative, too cynical, and I didn’t really want to go that way this morning. There’s enough negativity and cynicism in our public discourse without me adding to it. 

Instead, much as the character Ivan Karamazov states in the passage above–which is but a small part of a wonderful long paragraph–let’s focus on more positive aspects of this life. Though we are often disillusioned, disappointed, disgusted, and left feeling hopeless by the actions of men, this is a life worth living.

Perhaps by recognizing the intrinsic beauty in those things of this life not defined by monetary wealth or political power, we can better appreciate the value of contentment and caring. 

Maybe then we can begin to see a movement away from self-serving attitudes and toward those of self-sacrifice and service to others.

That probably sounds implausible but for this morning I am willing to embrace it. 

Here’s an iconic performance of Soul Sacrifice by Carlos Santana from the 1969 Woodstock festival. In a concert that featured remarkable and legendary performances, this remains a standout. Carlos Santana was only 22 at the time and his drummer, Michael Shrieve, had just turned 20.

Age is, after all is said and done, just a number. And whatever your age, as the late great bluesman John Lee Hooker said: If can’t dig this, you got a hole in your soul– and that ain’t good.



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Hermitage— At the West End Gallery


I have just three things to teach: simplicity, patience, compassion. These three are your greatest treasures.
Lao Tzu



Trying to get the new year kicked off in the right way with the words above from Lao Tzu, the Chinese philosopher and father of Taoism. I am not a big fan of resolutions but do believe in reminders. It never hurts to be nudged to the fact that those three things– simplicity, patience and compassion— are the basis for a satisfying and peaceful life. All three are critical in maintaining our balance amidst the machinations of the outer world.

I tend to believe that the three are inextricably connected, each providing sustenance and direction for the other two.

But like all great treasures, they are sometimes difficult to obtain and keep. I know that I sometimes feel like I am close to that mother lode of all three virtues, only to find that I have lost most of it.

Lost my patience with everything and everyone.

Lost any sense of simplicity through overthinking and overcomplicating things.

And worst of all, lost most of my compassion for others.

In such moments, I am penniless in the spiritual sense. And I can feel the darkness of this. 

But if even a tiny iota of these three things remains, if my pocketbook for them is not totally empty, then there is hope. It seems that this is a treasure that builds quickly through an odd quirk: not through hoarding but through being generous in sharing this wealth with others.

Expending all three compounds their value in a way that would make the greediest hedge fund manager envious. 

Well, maybe not that guy.

Anyway, after what felt like a bleak end to the last year, I find myself a bit short on all three things. A bit spiritually impoverished. What better time to begin to rebuild one’s treasure with the clean slate of a new year?

I’m game. What do I have to lose?

Here’s song that feels like it might fit the theme here. It’s about seeking simplicity, about cutting out all the detritus and clutter and finding one’s own little nirvana. This has been a favorite for over 50 years. Here’s the late John Prine and his Spanish Pipedream.



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This Will Be Our Year?

Dr. Seuss– Incidental Music for a New Year’s Eve Party


Welcome to yet another new year. Let’s call this one something different.

Maybe something like 2025? 

Yeah, that should work. 2025 it is.

How will it be in this newly named 2025?

Damned if I know.

Six hours in so far and I haven’t heard anything too bad so maybe it will be okay, right? Of course, that’s not much of a sample size.

I mean, we’re twenty-five years into the 21st century and it has lost that new century smell and feels pretty worn around the edges, maybe even showing a bit of rust in places. It seems as though there’s enough to judge it on already but I am not sure how people will judge this century when the 22nd comes around. Maybe it will be the best century ever. I have my doubts about that, imagining future historians uttering a lot of WTFs and continuously face palming in disbelief at the stupidity they’re looking back on, at least in this first quarter of the century.

Then again, there might not even be historians then.

Who knows?

So, we’re only six hours into this new year, this 2025 and everything about it is yet to be written.

It is all up for grabs at this moment. 

That being the case, I say let’s take it now while they’re snoozing and claim it as our own. Make them take it from us.

Possession is, after all, 9/10th of the law.

I say it’s settled– this will be our year.

So, Happy New Year. Remember, it’s ours. Let’s hold onto it, okay?

Funny how prescient the Zombies were back in 1968. How did they know that 2025 was going to be our year?



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Peanuts Dec 31 1974Peanuts Dec 31 1983Peanuts Dec 31 1980



And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.

― Rainer Maria Rilke, Letters of Rainer Maria Rilke, 1892-1910



I felt that the last day of the year deserved a post. But I am not feeling very peppy this morning, if peppy is even a real term, and my brain didn’t feel like serving up anything new.  As a result, I am kind of turning to the archives for today’s post. It’s from four years back but it holds up because of a great song. some minor editing, and the addition of three Peanuts strips in place of the big bloodshot eye that adorned the original. Each of the three strips ran on this date in their respective years. I think the center one with Lucy and Linus best fits my feeling today.

Just glad to still be here today. And tomorrow, if the lord’s willin’ and the creek don’t rise, as the old saying goes. See you on the other side, in the year 2025.

Sounds kind of science-fiction-y, doesn’t it? I don’t know if that’s good or bad but it doesn’t sound good at first blush. We shall see,



Gosh, I wish Rilke was sending me letters. I always seem to find something in his collected letters that speaks directly to me, something that helps me better understand my own place in the world.

Give me his letters and a Peanuts comic strip and I am all set for perspective and advice on how to live my life.

Rilke’s words above on the New Year speak loudly this year. Let us look at the coming new year as a clean slate, a tabula rasa, that that is filled with new potential. The time ahead may be filled with hard work and stressful times but we should use every available minute of it in attempting to make this new year far better than its predecessor.

I know that these words can sound like empty platitudes but I truly hope they ring true this year and that we don’t waste the gift of time we are given.

Have a happy and quiet New Year’s Eve. Stay safe and perhaps next year at this time, we can truly celebrate the end of a wonderful year.

For those of you who don’t buy into my hopeful look forward and plan on partying your brains out tonight, here’s a song from Wynonie Harris, the great blues shouter who many consider the father of rock and roll. His style and his stage moves, including provocative hip gyrations, were swiped and adapted by Elvis, who some thought was the G-rated version of Wynonie Harris. His stuff really rocks and this song, Don’t Roll Those Bloodshot Eyes at Me, reminds me of the best work of Louis Prima, which is pretty high praise.

So, enjoy and bid goodbye to 2024 tonight in whatever way you see fit. May we do the necessary work so we all have a happy New Year in 2025.



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Character

Watchful-Presence-GC Myers

Watchful Presence-– At Principle Gallery



Perhaps a man’s character is like a tree and his reputation like its shadow. The shadow is what we think of it; the tree is the real thing.

Abraham Lincoln, Washington in Lincoln’s Time (1896)



Sadly, Jimmy Carter passed away yesterday at the age of 100

He was indisputably a man of character.

Honest, principled, compassionate, unselfish, and highly intelligent. I could probably add any number of other positive attributes here, but that would be like pointing out high limbs on an already towering tree.

We probably didn’t deserve him. Our character seldom matched his and it sometimes felt as though we almost resented the strength and goodness of his character, even though he never preached at us. It was as though our own lacking character was somehow shamed by his. 

We shunned honesty and accountability, instead repeatedly displaying our preference for flattery, meaningless slogans, unfulfilled promises, and empty reassurances that there were easy answers to all our problems.

It has come to the point where we almost beg to be told lies so the smallness of our own character is not revealed.

As a result, character such as that of Jimmy Carter has become an almost disqualifying quality in our elected officials. We may never see the likes of Jimmy Carter again in public life. The current environment of manipulated information and media makes such tall trees susceptible and too easily felled.

Where tall trees should stand, we now place tiny, twisted shrubs, whose shadows are equally short and twisted.

Jimmy Carter may have been the last of the tall trees.

We still stand in your shadow. Good travels to you in the afterlife, Mr. President. 



The quote at the top comes from an 1896 book, Washington in Lincoln’s Time, from Noah Brooks, who had first encountered Lincoln during Brooks’ time as young journalist in Illinois. Brooks became a close friend of the Lincoln family and wrote this book based on his conversations and travels with Lincoln, This quote about trees came in a conversation a day after Brooks had spent the day with Lincoln in Virginia where the President stood on a tree stump and talked about how he loved the shape of the silhouettes that leafless made against the sky and the fineness of the shadows they and their branches cast upon the ground.

Lincoln was another towering tree of character.

A little additional info:  Noah Brooks also wrote the first novel exclusively about baseball, Our Base Ball Club and How It Won the Championship, in 1884.

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To the Main Road
At West End Gallery

I have been thinking about the difference between our highs and lows, between those times when we feel on top of the world and those times when we feel as though we are in an abyss. It’s a typical holiday theme for me, when such contrasts seem to stand out among so many people, including myself.

I wonder what it is in an individual that makes them swing one way or the other, high or low. Is it a massive difference in circumstance and perception between these people?

Or is it just matter of degrees? Could it be that there are times when we only feel 51% positive about everything but that is enough to swing us to what feels like a high point?  And could there be other times when we are only feeling 51% gloomy but that tips the scales enough so that we feel as though the bottom has dropped out on one’s life? 

It seems plausible, given how quickly these swings can shift. But maybe that’s just me. I don’t know, of course. Just thinking out loud. Actually, this thought came after coming across the post below from four years back where the poet Maggie Smith (not the wonderful British actress who we lost this past year) described life as at least fifty percent terrible. Made me think of things in matter of degrees and what is entailed in shifting those the balance one way or the other. I would really like to know.

At the very bottom, I have added this week’s Sunday Morning Music. It’s Superstar from the Carpenters, the brother-sister duo that I never shared here before. Probably because I wasn’t a fan when I was kid and they were everywhere, constantly on the radio and TV. You couldn’t flip on a variety show back then without seeing the two. But over the years, I came to truly appreciate them, especially the glorious tone of Karen Carpenter‘s voice. Her voice seldom fails to provoke a response within me. That would have been a shock to the 12-year-old me back in the day.

But I made the choice of this song not only because it is beautifully written (Leon Russell wrote it with singer Bonnie Bramlett of Delaney & Bonnie), arranged, and performed, but because Karen Carpenter knew more than a little about living a life of shifting degrees. Give a listen and be thankful if you’re seeing the world at least 51% positive today.



GOOD BONES/ by Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.



I came across this 2016 poem from American poet Maggie Smith very early this morning and it really struck a chord. 

We all want things right now, want them to be complete and perfect. Move in ready. But things are seldom that way. It requires imagination and desire to see the potential that things hold. And hard work and determination to reach that potential.

“This place could be beautiful, right? You could make this place beautiful.”

Indeed.

I had never seen or heard this poem but it is quite well known. It has been read and published around the world and Maggie Smith is often asked to read it at events. She calls it her Freebird, which is quite a funny line.

It was written in the aftermath of the 2016 shooting at the Pulse nightclub that killed 49 people. Its popularity was maintained through the momentous 2016 elections here and in the UK –it was called “Official Poem of 2016” by the BBC/Public Radio International— and has continuously popped up throughout the past four years as folks to try to maintain optimism in the dark atmosphere that has marked this era.

I somehow missed it until about 5:30 this morning. Always late to the dance.

But I imagine that this poem will remain popular because, as she points out, the world is at least fifty percent terrible and will no doubt remain so. It will always require plenty of imagination, desire, determination — and throw in loads of blood, sweat and tears– to overcome the awfulness that resides side-by-side with us in this world so that we can make it into that perfect home we all dream of for ourselves.

“This place could be beautiful, right? You could make this place beautiful.”

Indeed.



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Too Many Moons
At Principle Gallery



We may never never meet again, on that bumpy road to love
Still I’ll always, always keep the memory of

The way you hold your knife
The way we danced until three
The way you changed my life
No, no they can’t take that away from me
No, they can’t take that away from me

–George and Ira Gershwin, They Can’t Take That Away From Me, 1937



Coming to the end of the year. As with most every year, there are some things that beg to be forgotten– it seems like there are more of these than normal this year. Not my favorite year in many ways.

But even so, there are always things that I want to remember, things that I want to hold onto that mark this year. Some are bigger memories and some are tiny but everlasting– an impression of a smile or glance from another. A kind word from a stranger or a friend.

Things that remain with you through thick and thin. Things that stay when all else is lost.

Things that can’t be taken away.

Like the old Gershwin song says.

The song, They Can’t Take That Away From Me, was written by the George and Ira Gershwin and first performed by Fred Astaire in the 1937 movie Shall We Dance. George Gershwin died two months after the film’s release. Since that time the song has become one of the great entries to the American songbook, performed by a seemingly endless list of jazz and pop singers. There are so many great versions of this song by some of the greatest vocalists of all time that it’s hard to pick one that might stand out for everybody.

For myself, I always come back to the Billie Holiday versions of the song which she started performing in 1937. I like her early performances but the one below from 1957 is a favorite. It’s a great version that is a clean and bright production with top notch players–Ben Webster on sax and Barney Kessel on guitar– backing her.

Give a listen. And pay heed to those deep memories that no one can take away from you.



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Amor Fati

9924132 Passing Through Blue sm

Passing Through Blue– At West End Gallery



“I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who make things beautiful. Amor fati: let that be my love henceforth! I do not want to wage war against what is ugly. I do not want to accuse; I do not even want to accuse those who accuse. Looking away shall be my only negation. And all in all and on the whole: some day I wish to be only a Yes-sayer.”

― Friedrich Nietzsche, The Gay Science: With a Prelude in Rhymes and an Appendix of Songs (1882)



Amor fati. The love of fate and everything it brings– good and bad.

It is an idea, as proposed by Nietzsche, of having to accept, along with the highs of one’s life, all the lows that tag along with the inevitable suffering that comes with being a human. Loss, grief, sadness, illness, aging– all these things can never be fully avoided. They come to us all in time.

Amor fati stresses that such unavoidable suffering is simply part of who and what we are. It is therefore necessary for our experience as humans to embrace this suffering, to take comfort in knowing that our suffering is not limited to ourselves alone. That it is universal and that there is beauty and grace to be found within it. 

Of course, nobody wants to hear that. we all want a life free of suffering of any sort. That desire, too, is only human. My belief is that by knowing we are always susceptible to the inherent suffering of this life, we begin to understand that we have the ability to control our reaction to our suffering, that we do not have to be overwhelmed by it. 

I have carried this idea with me for quite some time, long before I heard of amor fati, that recognizing that we have a choice in how we react allows us to persevere through our down times. That comes in handy this time of the year for me when I always feel a little more glum or stressed. I know I have a choice in how I cope to what I have come to see as a natural cycle, that I don’t have to react rashly or impulsively.

As I have said before, knowing that the black birds of sadness can come to my trees at any time makes them tolerable. They are just part of the deal in being human. Not too high a price to pay in my opinion.

Amor fati.

Here’s a longtime favorite song, How Blue Can You Get?, from the late great B.B. King. This is from his classic 1964 album Live at the Regal. I first came across it when I was going through the used bin at a local record shop in the late 1970’s and found a beat-up copy of the recording of the fabled show from the Chicago theater. The album was well worn as though whoever had owned it before had played the hell out of it.  

From the second the needle on my turntable snapped into the groove, I understood why that was so. Pure electric, a perfect storm of time, place and people made every moment of that record crackle. One listen and you knew it was about as good as it gets. I still get shivers when I hear it.

Gets me through my own blues.



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Edward Gorey Great Veiled Bear Christmas



May the Great Veiled Bear bless your holiday with cookies this year.



I am looking out my studio windows into the darkness with the hope that the Great Veiled Bear shows up with a cookie for me. I like cookies…

A favorite from Edward Gorey. Merry Christmas.

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