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Archive for the ‘Work In Progress’ Category

GC Myers Studio March 2013Well, the folks from WSKG came to my studio  the other day and filmed my segment for their Artist Cafe program.  As I mentioned the other day, I was somewhat ambivalent about the whole thing, never feeling comfortable painting in front of people.  I generally concentrate on the surface and often completely block out much of the world around me.  If I am listening to music or have a movie on the TV, I often miss whole passages because I am so focused.  I can never really get to that point with people around.

But the people that came to film and interview me, Tina Reinhard and Christy Lantz, were very easy to work with and I did paint for them to film.  I did limit myself to one of the primary layers of brush marks  that make up the sky on a painting that I had started a day or two before but they were able to film me while I painted.  It’s work that requires just random strokes, most of which will never be seen but are integral to the way I work.

Overall, the interview went fairly well.  At least I think it did.  Both Tina and Christy seemed to think it went well, although based on their genial natures, I would be shocked if they told me it was awful.  The questions were basic and I stumbled several times even on the questions that I’ve been asked a hundred times before, with some answers less complete than I wished they might have been when I thought about it later.  It’s good that it’s not a live segment so that a lot of tape and editing can make me at least sound coherent.  It’s only a 5 or 6 minute segment so you never really know what clips are going to be chosen to be shown.  So even though there seemed to be a direction in which the interview was moving, I won’t know until I see the final product if it was the same one that I thought it might be.

Again, thanks to Tina and Christy for being so gracious while working with me.  Both are seasoned pros so they weren’t flustered by anything.  I am currently cat-sitting my brother-in-law’s round tiger cat, Lucky, in the studio.  I thought she might run and hide when they showed up but she was instantly attracted to both of them, swatting at cables and climbing in their gear bags.  Lucky for Lucky that they were both cat people.

During the shoot Lucky began running through the studio, between me and the camera which made me look and laugh as well  as provide loud thumping noises from her paws which were audible on the film.  I decided to confine her to a bedroom at the other end of the studio but while we filmed, her pleading meows came through loud and clear on the recording.  we took a short break and Lucky was sent to cat prison, Cheri coming to take her safely out of earshot.  Tina and Christy took it all in stride, thankfully.  You can see Lucky under the window in the photo above as well as the painting on the easel on the left that I worked on during the shoot.

Tina said that she thought it would be sometime in mid to late May.  I will let you know when the program will definitely air and when it will be available on their YouTube channel.  Maybe…

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GC Myers WIP 2013This the piece I showed earlier in the week, a 24″ by 48″ canvas started last weekend.  As you can see by the image to the left, the composition of the landscape has filled in and the sky has began to take shape.   I have laid in several layers of brushstrokes in the sky but probably won’t go back into it until I do more on the landscape below.  The landscape will set the final tone and feel for the sky and I need more color in it to fully be able to read it.

I sometimes question whether I need to have as many layers of color in the sky because  often in the final surface you can’t even discern any of these layers.  For example, there is a layer with  numerous strokes of violet in the sky here that you probably can’t make out in the picture above.  When this piece is complete, you may only be able to see a tiny  hint of  violet at any point in the sky.

Could I skip that layer and several other similar layers?

Sure.  It may not make a bit of difference to the casual observer.  But for me, it is an integral part of the process, a  slow development of the depth and complexity of the color that I am seeking, a color that I won’t know until it finally shows itself.  That little touch of violet is necessary for me, an important step that, if skipped, would have me thinking that something was amiss in the picture.

DSC_0011 smLeaving the sky, I begin to lay in preliminary colors for the landscape, a variety of blues and greens for the trees and a brownish  putty color for the houses and a bit of red for the roofs. It’s always exciting at this point because the color begins to bring real shape and life to the landscape.  As  each house comes to life with a little color as I work across the canvas, it is like there is a wave of light moving over it.  The whole surface begins to feel animated.

DSC_0014 smAfter that layer, I begin to lay in the surface of the landscape with a multitude of colors, weighing each block of color  as I place it  to get a sense of how it fits into the rhythm of the whole.  I begin to put on what may or may not be final touches on some of the houses, slashes of white that glows on the canvas.  I really am beginning to feel the direction of the painting at this point and have a sense of where it may finish, starting to think how I will handle the blackness of the lake.

GC Myers WIP DetailI know that this sounds goofy and I can’t really explain in any coherent manner, but there’s a good feeling around this painting at this point.  I like it’s strength and think it will show dynamically in its final state.  I really like it so far and like a few of the details in it that are new to my work.  For example, this scene has a small church graveyard  with a road circling it as it overlooks the lake.   Although I sometimes reference death and the past in my work and have a great personal fondness for graveyards, I have never actually portrayed a cemetery in my work.  But I really wanted to show it as part of the community of this painting.  It somehow tempers the piece for me.

So, while the painting is beginning to take shape, there is still a ways to go before I can sit back.  I am still trying to see what the final focus of the piece will be, what will give me a name that fits it.  Perhaps I should ask you for some help.

Shall we have a Name That Painting Contest?

 

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