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Posts Tagged ‘WSKG’

Detroit Performs Detroit Public Television WTVSThere are many ways our work spreads out once it has left us.  I’ve written in the past week about my work physically traveling to distant lands in American Embassies and with numerous collectors abroad as well as taking note of my imagery appearing in an art class across the country.  Another way it spreads is through the media, in interviews and articles that sometimes take on a life of their own and linger long after you have forgotten them.  These things are never perfect, never giving  full context of you as a person or an artist, but are useful despite their limitations, if only in making people aware of your work.

I have written here about the TV segment that our regional public television station, WSKG, did in my studio a couple of years ago.  Over that time this segment has been all around the country, appearing in numerous arts programs on other public television stations.  Periodically, I will get a rash of contacts from people in a certain area and will often find that this segment has recently shown on their public TV channel.  Usually, that is the only way I know that it has been shown in these areas.

But yesterday, I received a tweet that it was once again on the move, this time showing as part of a program called Detroit Performs, which appears this Tuesday, September 30 at 7:30 PM.  It is produced by Detroit Public Television, WTVS.  This episode features stories from artists who work in the aftermath of accidents or cancer, also featuring artists Darold Gholston and Kate Paul.

It is somehow still alive.

Here’s the promo from Detroit Public Television and a web extra released last year by WSKG that feature a part of the interview that didn’t make it into the final segment.


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artist cafe web extraMy friends at WSKG sent me a  video yesterday of a new , very short feature that they call a Web Extra , which can be also used on television as a sort of filler in the interval between scheduled programs.   This particular one was taken from outtakes from the interview that took place for the segment featuring my work that appeared on their Artist Cafe program as well as on WNET’s MetroFocus in the Tri-State area.  The actual interview had many things and subjects that didn’t make the final cut into the finished segment.  This Web Extra features some of my thoughts on the Red Tree.

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Metrofocus GC Myers aug 2013I was notified this past week that the segment featuring a short interview and my work that aired earlier this year on Artist Cafe on WSKG-TV has been picked up by WNET ,out of NYC, for inclusion on their news magazine  show, MetroFocus.  This means that the segment will be available for the entire New York/ New Jersey region as it will air on WNET (or simply Thirteen) which covers the city and the surrounding suburbs (including the Lower Hudson Valley and parts of Connecticut) as well as on station WLIW, covering Long Island, and station NJTV, which broadcasts to all of New Jersey.

MetroFocus is, according to their website: … a multi-platform news magazine focusing on the New York region. The MetroFocus television program features news, smart conversations, in-depth reporting, content from many partners and solutions-oriented reports from the community. Major areas of coverage include sustainability, education, science and technology, the environment, transportation, poverty and underserved communities. MetroFocus.org amplifies that reporting with daily updates and original stories that also cover culture, government and politics, the economy, urban development and other news in the metropolitan region.

Glad to be on board!

It will air on MetroFocus as follows:

WLIW(@WLIW21)                 Wednesday   8/28        7:30  pm

Thirteen(@ThirteenNY)     Thursday       8/29        8:30 pm

NJTV (@NJTVonline)           Thursday       8/29       10:30 pm

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Here’s the excerpted clip of my segment from the WSKG-TV program Artist Cafe that originally aired on May 26.

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WSKG Artist Cafe- GC Myers Back in march, I wrote here  about a film crew, Tina Reinhard and Christy Lantz,  from WSKG-TV that had come to my studio to record a segment for a regional TV show  focusing on the arts, both regionally and nationally.  Today is the first airing of that short interview that is one of the segments for the show, Artist Cafe, that is shown locally on public television channel WSKG.   The program also features segments on the movie Life of Pi and  Hamlet from PBS‘ Shakespeare Uncovered.

Artist Cafe shows today at 5:30 PM and there is a re-broadcast on Thursday, June 16th, at 10 PM.  It will also be available in the future on their website as well as on their YouTube channel.  I will let you know when they are up online.

Many thanks to Tina, Christy and WSKG for giving me an opportunity to appear on their show.

Have a great day!

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AACThis week I have a couple of things happening in the media concerning my work.  First, is the release of the June issue of American Art Collector magazine which has a preview of my upcoming show, Observers, at the Principle Gallery in Alexandria, VA, which  opens on June 7 and runs until July 5.

I have to admit that at earlier points in my career having my work featured in such a magazine, a beautifully produced national  publication featuring some of the country’s finest galleries and representational artists , that I would have felt a huge level of anxiety. Most of the work in this magazine is at the highest level of traditional representation and very little  that looks anything like my work is normally seen in its pages.  Early in my career this idea of not being in step with the accepted norm would have had me in a tizzy.  The confidence to stand alone was just not developed enough at that point and I always felt that if my work was to be judged against other work, what it was not would count more than what it was.

But time has taught me that it is actually the other way around and I have found  real confidence in my voice.  I now see that it is that very uniqueness, what the work is rather than what it is not,  that differentiates my work.  I am now pleased, not anxious or intimidated,  that my work stands alone in its look among these extraordinarily talented artists.   The article looks great  (shown at the bottom here) and the work definitely maintains its uniqueness among a lot of beautiful work.

The June  issue should be hitting the mailboxes and  newsstands this week.

Also, this coming Sunday, May 26th at 5:30 PM,will be the first airing of my segment on WSKG’s Artist Cafe.  I wrote earlier here about them coming to my studio for filming  and it’s finally going to air.  It’s a short segment, four or five minutes in length, that will be available on YouTube within a day or two after the broadcast for those of you living outside the WSKG broadcast area who want to view it.  I will let you know here when it goes online.

AAC June 2013 Complete Spread sm

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I’m so glad that I know more than I knew then

Gonna keep on trying

Till reach my highest ground

GC Myers-Higher Ground

I wrote that when I was visited  last week in my studio by a film crew from WSKG  that they had taped me working on a painting in its early stages.  The painting above is the final version of that piece.  It’s a 20″ by 40″ canvas that I am calling Higher Ground, a title somewhat borrowed from the Stevie Wonder song of the same name quoted above.

This piece has a couple of different elements than most of my work.  For instance, the rocky walls of the canal/river as well as the rocky outcropping of the rise on which the Red Tree stand.  There’s also an orchard in the lower right corner that I use sparingly in these pieces.  I have sometimes said that these paintings are often not really about the Red Tree at all but are more about the mood created by the combinations of color and form.  But the Red Tree is definitely center stage here, everything revolving around and focusing on it.

Higher ground could  represent the safety offered by it  in times of flood or in combat.  For me, I see it as attaining a higher plane of being, or at least aspiring to it as a goal.  Perhaps not the same highest ground that Stevie Wonder is seeking ,  which seems to represent  a  Raptured heaven.  No, I see it more as being free of the the everyday, represented in the anonymous houses below.  To a point that is above hate and anger.  Above envy.  Above spitefulness and deceit.

Above judgement.  I add that because I don’t see the Red Tree as looking down on those house below it here. Rather,  I see it looking upward and outward.  And higher ground affords that better view…

Here’s the song from Stevie Wonder.  Great groove to start a day.

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GC Myers Studio March 2013Well, the folks from WSKG came to my studio  the other day and filmed my segment for their Artist Cafe program.  As I mentioned the other day, I was somewhat ambivalent about the whole thing, never feeling comfortable painting in front of people.  I generally concentrate on the surface and often completely block out much of the world around me.  If I am listening to music or have a movie on the TV, I often miss whole passages because I am so focused.  I can never really get to that point with people around.

But the people that came to film and interview me, Tina Reinhard and Christy Lantz, were very easy to work with and I did paint for them to film.  I did limit myself to one of the primary layers of brush marks  that make up the sky on a painting that I had started a day or two before but they were able to film me while I painted.  It’s work that requires just random strokes, most of which will never be seen but are integral to the way I work.

Overall, the interview went fairly well.  At least I think it did.  Both Tina and Christy seemed to think it went well, although based on their genial natures, I would be shocked if they told me it was awful.  The questions were basic and I stumbled several times even on the questions that I’ve been asked a hundred times before, with some answers less complete than I wished they might have been when I thought about it later.  It’s good that it’s not a live segment so that a lot of tape and editing can make me at least sound coherent.  It’s only a 5 or 6 minute segment so you never really know what clips are going to be chosen to be shown.  So even though there seemed to be a direction in which the interview was moving, I won’t know until I see the final product if it was the same one that I thought it might be.

Again, thanks to Tina and Christy for being so gracious while working with me.  Both are seasoned pros so they weren’t flustered by anything.  I am currently cat-sitting my brother-in-law’s round tiger cat, Lucky, in the studio.  I thought she might run and hide when they showed up but she was instantly attracted to both of them, swatting at cables and climbing in their gear bags.  Lucky for Lucky that they were both cat people.

During the shoot Lucky began running through the studio, between me and the camera which made me look and laugh as well  as provide loud thumping noises from her paws which were audible on the film.  I decided to confine her to a bedroom at the other end of the studio but while we filmed, her pleading meows came through loud and clear on the recording.  we took a short break and Lucky was sent to cat prison, Cheri coming to take her safely out of earshot.  Tina and Christy took it all in stride, thankfully.  You can see Lucky under the window in the photo above as well as the painting on the easel on the left that I worked on during the shoot.

Tina said that she thought it would be sometime in mid to late May.  I will let you know when the program will definitely air and when it will be available on their YouTube channel.  Maybe…

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WSKG Artist CafeI spent yesterday afternoon straightening up my studio a bit, something that I’ve been putting off for some time now.  It really needed tidying and I really did want to de-clutter the place just for the calming effect it normally has but it took the threat of  having a television camera coming in today to put me in action.  Our local PBS channel, WSKG, is showing up here this afternoon to shoot a segment for their Artist Cafe program.  It’s a weekly half hour program with three or four short stories featuring artists from a wide variety of fields.  Some stories are local and some feature folks of national prominence.

I am somewhat ambivalent about the whole thing, to be quite honest.  I am never too comfortable with anyone in my studio space, let alone a stranger with a video camera. Add to this the fact that  I am always wary of anything where I have no control over the final outcome, especially when it comes to my work, and I am made even more anxious.  I always like to set the narrative and while I may know what I will say today, I will not know how it will be presented.

But it will be good to get an idea of how my space looks to the outside world and I am to see how someone who is only slightly acquainted with my story and work will put together the segment.  So perhaps there is a positive spin to be put on this whole thing.  I have been impressed with the shows I have seen so far from this program that debuted late this past year.

Here’s a recent episode that features writer R.L. Stine, known for his Goosebumps  book series;   artist Allen Denny Smith, an Elmira artist whose recent forays into color abstractions has produced some really powerful work ; and  Lady Fiona Carnarvon , the real life resident  of the estate better known to the world as Downton Abbey– hey, it is PBS and that series has paid a lot of bills for them over the last few years!  I will let you know when my episode airs but for now enjoy.

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