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Continuum/A Preview

Posted in Uncategorized, tagged Art, Art Gallery, Contemporary Art, exhibitions, news on June 12, 2024| Leave a Comment »

Flame Feeding Flame— At the Principle Gallery

I know only that I was born and exist, and it seems to me that I have been carried along. I exist on the foundation of something I do not know. In spite of all uncertainties, I feel a solidity underlying all existence and a continuity in my mode of being.

-Carl Jung, Memories, Dreams, Reflections

A couple of days before the Principle Gallery show opens. I am, of course, filled with anxiety. It’s to the point that I find myself leery about writing anything about this show.

I know that in the greater scheme of things, this show and all I do is insignificant. But every show from any artist has great significance and meaning to that artist. The artist defines themself and what they do by how their work is received in the world. You try to act like it doesn’t matter what people think of your work or how they respond to it but that is just a mask.

You want people to like and respond to it, especially when you feel the work is among your best.

But sometimes the artist’s perception of the work and that of the viewing public don’t correspond. The artist might be responding to some personal prompts within the work that don’t mean anything to others. Maybe it is too close, too personal, to the artist. I guess that is why I worry so much when I feel that a group of work is exceptionally strong.

Maybe it is work meant for only me. I don’t think that’s the case with this show. I hope it isn’t but don’t really have a way of knowing.

I find that you don’t have to prepare to be pleased by how a show turns out, but disappointment takes some preparation. So, I spend these days before any show getting ready for that result, creating rationales that will sooth me. That way, I’m ready.

After 25 years, you would think this horrid angst would have gone away by now. But it never does. It’s a funny and maddening thing, this art gig. The best and the worst.

Here’s a slideshow preview of the work from the show. Take a look. I promise you that this is a mere echo of how it looks in person.

The painting at the top is Flame Feeding Flame, a 30″ by 40″ canvas included in the show. The show is called Continuum: The Red Tree at 25 which opens Friday, June 14, at the Principle Gallery in Alexandria. The opening reception runs from 6-8:30 PM on Friday. I invite you to come to the gallery to see if I can cover up my anxiety.

The flop sweat might give me away.

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Peter Doig/ Selling

Posted in Biographical, Motivation, Painting, Quote, tagged Contemporary Art, Painting, Peter Doig, Pricing, Quotes on February 11, 2020| Leave a Comment »

Peter Doig- Swamped 1990

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I sometimes wish I had never had to sell a painting. Every painting you make represents the time it was made and how you were feeling and what your influences were… You are never going to feel that way again, so you can never repeat it…

–Peter Doig

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I shouldn’t make such a blanket statement but I doubt that most of you out there know the name of the contemporary artist Peter Doig. I know that I wasn’t fully aware of him until a decade or so back and even then only on a passing basis where I would stop and examine his work when I would come across it in an article. The piece at the top always made me stop and look a bit closer.

But the fact of the matter is that the Scottish born Doig (b. 1959) is perhaps the most sought after living artist working today with works selling for the tens of millions at auction. Of the 9 paintings shown here, only one sold for less than $10 million at auction. The most expensive sold for over $ 28 million. I won’t tell you which is which. There were many others on the auction sites that sold for between 1 and 4 million that I didn’t include.

These prices always open up a debate with lots of questions on the relative value of artwork. What makes a work worth $28 million? Does the auction value of the work determine its importance or does its importance determine its value? Is the working and thinking process of this artist that much different than that of an artist that sells for tremendously less?

You might think from the direction this seems to be heading that I am decrying Doig’s work selling for what I believe are ludicrous sums. I am not. I very much like and admire his work. I can see those elements in it that make it distinct. It is good and great work and might very well be among the most important work from this time. If his work can bring in that kind of money, I applaud him.

I am, if anything, criticizing myself for not having the ability– or knowledge or audacity– to command such prices. I know that the price of a piece of art sometimes determines how serious collectors view it and that a great piece can be overlooked simply because it is too inexpensive, at least by the standards of collectors.

That has happened to me at times.

In some galleries, my works sits at the top end of their market and in others, in the middle or near the bottom of their price ranges. While I am satisfied with that, I firmly believe that my work is greatly undervalued across the board, that it should be demanding much higher prices.

Now, that sounds like confidence, doesn’t it? Maybe even overconfidence?

Actually, it is the opposite of that. It is a lack of confidence and a bit of fear that keeps the prices of my work in the range where they are and have been. While I have the belief in the relative value of my work, I just don’t have the guts to make that jump.

I have been poor in my life and it wasn’t that long ago that I was dead broke and I think that tempers my ambitions, as far as pricing my work is concerned. I like to have my work sell and make a living from it. I take pride in being able to live off of the product of my own thoughts and imagination. And I find a sense of security in being able to provide what I consider high quality work at prices that make it obtainable for more people than if it were in a much higher range– it’s undervaluation generally means that the work will sell eventually.

Maybe I am too comfortable and seeing Mr. Doig’s prices just nudges me a bit, telling me to be less comfortable, to be more proactive.

I don’t know. Just thinking out loud this morning. I wrote this because much of what I have read about and from Doig jibes with my own experiences, including the quote at the top. For all the talk about prices, every real piece of art represents a certain time and place for that artist, one that is distinct and not repeatable. I know that I will sometimes look at a piece and remember the days I spent in front of it while painting it. That time, that thought process is burned into my psyche and will never happen again in the same way.

Anyway, lets’s push aside thoughts of money for now and just look at the paintings of Peter Doig a bit more.