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Posts Tagged ‘Freud’

Imitatio (2021)



The patient cannot remember the whole of what is repressed in him, and what he cannot remember may be precisely the essential part of it. He is obliged to repeat the repressed material as a contemporary experience instead of remembering it as something in the past.

― Sigmund Freud, Beyond the Pleasure Principle



I am sharing what might seem like an odd triad this morning– a passage from Sigmund Freud on compulsion, a Red Chair painting of the aftermath of what looks to be a wild party and a song, Can’t Let Go, from the odd and wonderful pairing of Alison Krauss and Robert Plant.

I think there’s a connection in there somewhere. Just can’t be sure if anyone else will see it.

A compulsion to repeat ourselves is an underlying theme in my work. I sometimes think I know there is something more than meets the eye in these familiar forms and colors and lines and icons –the omnipresent Red Tree, for example– and that if I keep delving into them, they will at some point reveal their secrets to me.

Some tidbits of wisdom, any iota of truth that will make it all make sense.

That must be close to a definition of compulsion. Probably much in the same way that we– both individually and collectively– seem to constantly repeat ourselves, making the same missteps and covering the same ground as though we have some sort of short-term memory dysfunction that prohibits us from seeing the patterns we have followed all along, that keeps us from learning from our mistakes.

I am hoping there is some constructive effect in my own compulsion. I would hate to think that the decades of work that have come with it are a matter of me simply making the same mistake over and over again.

Not that that would surprise me. I often make the same mistake again and again, somehow thinking that this time will yield different results.

Maybe I should stop contemplating my navel this morning and get to work. Who knows? Maybe today will be the day I figure it all out, the day that bit of long sought wisdom is finally revealed.

Or not. Doesn’t matter. My compulsion would most likely blind me to it and keep me at it even if I find it now.

In the meantime, enjoy this Alison Krauss and Robert Plant version of Can’t Let Go, from their second album together, Raise the Roof. It’s a song famously covered by Lucinda Williams on her great 1998 album, Car Wheels on a Gravel Road.

Good stuff.



This post is from several years back. I was going to comment on the many events taking place right now– the Kirk killing, the Russian drones probing NATO airspace, the Epstein revelations, the random abductions by ICE agents, the continued occupation by US troops within our cities, etc. Just thinking about it as a whole felt very much like what this post, especially Freud’s words. We repress the lessons of our past and continually repeat patterns of behavior, thinking that we can come up with different results than those from prior times.  

Like the title of the song, we just can’t let go.



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GCMyers- Strands smHere’s a new piece for my upcoming Principle Gallery show, a 6″ by 22″ painting on paper, that I call Strands.  It has a series of pools climbing upward toward another pool (or lake or sea) that has a distant horizon line while the Red Tree looks on from a hummock.  I’ve used this theme of  rising pools in the past year and find something really appealing in it, both from a design and an interpretive perspective.

I call this piece Strands because of the dual nature of the word strand, which can either be the land adjoining a body of water or a thin fiber.  The land part is obvious here but it is actually the path running upward between the pools that caught my eye.  I began to see the land here as representing the whole of the land forms on Earth and the pools as both the actual  bodies of water of the Earth as well as the genetic pools which we all sprang.  The path then became a connector between these pools, these beginnings of people.  Like a strand of DNA with the fields alongside acting as markers that designate an individual’s makeup.  The larger body at the top takes on greater significance, representing the infinity of time and space in its horizon.

Of course, as always, I must point out that this is just my own reading of this painting and even that is only conditional.  Sometimes, I look at this piece and  simply see a pleasant landscape with pleasing colors and forms.  And that is certainly good enough for me.

Maybe a cigar is sometimes just a cigar, as Freud is reported to have said.

Hey, this painting is shaped like an upright  stubby cigar.  Or is it?

 

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