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Posts Tagged ‘Gospel’

“Sublime”– Now at the Principle Gallery



Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
The battle outside ragin’
Will soon shake your windows
And rattle your walls
For the times they are a-changin’

–Bob Dylan, The Times They Are A-Changin’



I’ve heard this Bob Dylan song hundreds of times over the decades since it first came out in 1964 and a particular line in it always jumps out at me, even in idle listening. The line is: Don’t stand in the doorway/Don’t block up the hall/For he that gets hurt/Will be he who has stalled.

I have always read it as being about the inevitability of change and that those who try to stand in its way rather than trying to adapt are the losers in the end. The fact that it is used in a verse that refers to senators and congressmen makes it pointedly topical, especially in times when the present Senate Republican majority leader has been heard telling a group of big donors in recent days that he will oppose and stall every bill put forward by the Democrats, even bills he considers good bills. He said he would not allow them any victories.

That means he also will not allow the American people any victories, any gains, as he darkly tries to stall progress and change. We have seen this act before and have suffered from his mean-spirited intransigence.

But try as he might, change will come, in one way or another. It can be slowed or stalled but it is only temporary and eventually it bursts through all obstacles, usually obliterating them in the process. Like the lines from the Dylan song.

So, for this last Sunday in this monumental and often awful year of 2020, I thought it fitting that I play a version of this song, probably one you haven’t heard before. It’s from a 1969 album called Dylan’s Gospel from a group called The Brothers & Sisters of L.A., which was a group of L.A. based studio backup singers organized to record an album of Dylan covers in a gospel format. The group included some pretty high profile studio singers including Merry Clayton who I have wrote about here in the past. She is best known for her searing vocals on Gimme Shelter from the Rolling Stones. She is the lead on today’s song and knocks it out of the park.

The album was not a commercial success so this was the only effort from the group but it left behind several powerful versions of Dylan’s songs including The Times They Are A-Changin’.  So, let’s wrap up this year with some gospel firepower, brush aside the barriers and let the times a-change as they surely must.

Have a good Sunday.



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The Deacon’s New Tie- 1995

I have plenty of things to do this morning but somehow ended up spending an hour watching old videos on YouTube trying to find something to share here. However, it didn’t feel like wasted time. I generally find something new for my own edification or something that changes the course of my day in some way. Maybe makes me smile or think.

This morning, I felt like something bluesy/gospelly so I went to one of my favorites Sister Rosetta Tharpe, the godmother of rock and roll whose career spanned big bands to gospel to the blues that shaped rock and roll. Big onstage personality and a unique style with her electric guitar stylings. I thought you can’t go wrong with Sister Rosetta, especially in a live performance from a British rail station in 1964 where she’s rocking her guitar in a heavy coat and high heels belting out Didn’t It Rain on a wet platform.

But then some Louis Jordan, another favorite of mine, popped up on the sidebar. Another huge influence on early rock and roll and, like Sister Rosetta, possessing a big, charismatic personality onstage. I decided on his song Deacon Jones simply because it reminded me of the older piece above, The Deacon’s New Tie,  from my Exiles series from the mid 90’s. Thought they would pair together well.

Then on the side, up comes the Soul Stirrers, the gospel group that started the career of the immortal Sam Cooke, doing a knock’em dead version of I’m a Soldier. Just plain old great stuff.

I couldn’t pick just one so here are all three. Listen to one or two or all of them. Or none. Hey, you got free will working here, folks. But it wouldn’t be the worst way to spend a few minutes so you decide then go have a good day.



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GC Myers- Center Stage smI think I’ve written here in the past about how the aftermath of  a show is for me in the studio.  In the week or so after a show opens there is generally a little letdown, the result of a sudden loss of the energy that accumulates from the adrenaline and anxiety in the build up to the opening.  I usually mope in a way, floundering around for several days trying to refocus and regain my bearings, to find some point in which to direct my energy.

It’s often a frustrating time even while the show still hangs and does well.  I sometimes get a little lost in those moments where the very act of painting becomes absolutely abstract and foreign in nature to me.  The purpose that just a week ago seemed so apparent now has dissolved and I find myself questioning everything– my abilities, the purpose and direction of my work and so on.  Those particular moments weigh heavily on me.

As I said, it’s a frustrating time.  Fortunately, I know from times before that this was coming and will pass.  It’s part of the process, part of who I am, If, as Shakespeare says, all the world’s a stage and we’re all merely players, then this is simply part of the makeup of the character I portray in this play.  It’s maybe the only role for which I am truly suited by nature and ability.

And maybe that’s the thing I need to remember in these frustrating days; that this is the role that I best play, that this is the role that was written specifically for me.

That kind of ties in with the painting at the top, Center Stage, which is part of the Home+Land show at the West End Gallery.  We are all the main characters in our own plays and we need to be be willing to play the part with conviction, to embrace the role that is written for us.  When you are on that stage, let your light shine.

And that brings us, in a sneaky manner, to this week’s Sunday morning music.  I’m going with one of my favorites, Neko Case, and her rousing version of the children’s gospel classic, This Little Light of Mine.  Gets the day started with a kick and blows away those frustrations.  So, enjoy, have a great day and let that light shine.

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When I Go Away

Early Sunday morning.  I’m in the midst of a work frenzy the last few days in the studio but I’m trying to start the day a little slower.  I think I’ll take the rest of day off from the blog and listen to a little music this morning, probably something from Levon Helm who passed away a few days ago, most likely  Electric Dirt, which  was Helm’s last studio album.  I love the cover.  Here’s Levon singing  the gospel-tinged When I Go Away.

Like the song says:  No more troubles…
Good travelling for you, Levon.

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