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Posts Tagged ‘Janis Joplin’



Freedom’s just another word for nothing left to lose…

— Me and Bobby McGee, Kris Kristofferson



That line from Me and Bobby McGee has echoed in my head for almost 55 years. One Christmas back then, Santa left me a new cassette player/recorder. It was a cheap plastic one, a Ross if my sometime spotty memory is correct. But more importantly, he also left me a Janis Joplin tape.

It was her album, Pearl. I played the hell out of that tape for years. Songs like Cry Baby, Get It While You Can, Mercedes Benz and the others left a deep impression on my 12-year-old mind, but none more than this song and that line. 

A few years later one of my English teachers asked the class the question, “What is freedom?

I answered, ” Just another word for nothing left to lose.” I then had to duck as one of his Clark Wallabee shoes soared past my head.

As I said, it made an impression.

Even though I didn’t have enough world experience to understand it at the time, maybe it was the fact that those words held a kernel of a universal truth that made it such a potent line.

A little over a decade later, I learned that truth for myself. I found myself bankrupted and broke, my home foreclosed on, I had just endured a mental health crisis, and I was scrambling to find some sort of job to make a few dollars for food and gas.

It felt like I was at rock bottom. It would be hard to go much deeper. The only direction to go was up.

It was a nerve-wracking time, to say the least. But, oddly enough, it was also an exhilarating time. In many ways, I never felt freer. I was only constrained by my lack of education, opportunity, and money.

But I firmly believed that these shortcomings could be overcome with a little energy, imagination, and creativity. I had a lot of energy then and enough imagination to be creative.

I might have been in a deep dark hole at that time but there was bright light coming from above.

I only had to figure out how to climb out of that hole so that I might stand in the light and grow like a plant nourished by the sun.

With nothing left to lose, I was absolutely free. I was living that line from Me and Bobby McGee.

Long story made short, I got out of that pit and into the light. 

I feel less free these days.

While I still have some imagination and creativity, I don’t have the same levels of energy or stamina as I did 30 years ago.  As a result, I worry more about things and money and how to endure old age If I make it to there. All that kind of stuff. 

I am not saying that I want to return to that earlier state of freedom but, having experienced it once before, I can better appreciate it for what it was. I now know that should push come to shove and I am somehow toppled back into that deep hole, I will still be able to figure a way out.

And, with nothing left to lose, be free once more.

Unfortunately, I fear that many more of us here in this country will find themselves with that same nothing-left-to-lose freedom in the coming years. The powerful people responsible for this should be forewarned that that a population with the freedom brought about by having nothing left to lose is an unstoppable force. 

This was not the post I meant to write today. Certainly not one so personally revealing. I was going to write about our president’s reprisal of his role as The Gimp from Pulp Fiction during his obsequious meeting with the war criminal president of Russia yesterday as well as his striving to become king of this nation. I was going to remind you to revisit the grievances our Founding Fathers laid out against King George III in the Declaration of Independence.  I think most of you will see many immediate parallels between the actions of George that they so protested to those of our wannabe king. 

We know what happened in the first case with George III when he ran up against citizens who felt they had nothing left to lose. We’ll soon find out what happens in the present time.

Here’s that song from Janis.



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Trio: Three Squares – 2002



Summertime, and the livin’ is easy
Fish are jumpin’
and the cotton is high
Oh, your daddy’s rich
and your ma is good-lookin’
So hush, little baby, don’t you cry

One of these mornings
you’re gonna rise up singing
And you’ll spread your wings
and you’ll take to the sky
But till that morning
there ain’t nothin’ can harm you
With daddy and mammy standin’ by

–Summertime, from Porgy and Bess, Dubose Heyward, George & Ira Gershwin (1934)



I am not so sure about the livin’ is easy part of summertime. Summer has often felt more like steel cage death match for me. Or a grim and gritty fever dream. You might ascertain that it is not my favorite season by a long stretch.

But that doesn’t take anything away from my appreciation of the great aria from Porgy and Bess. Like so many great songs, it’s melody and lyrics are so beautifully composed that it’s hard to find a performance that doesn’t resonate. There have been many, many great versions of this classic and there’s hardly a lemon among them. The Ella Fitzgerald version is perhaps the gold standard though that might be debatable. I am sharing a live performance by Janis Joplin from 1969 in Amsterdam.  I probably like this version because it has the grit and tone of my summers.

The image at the top is a small triptych from 2002 that hangs in my studio. It has long been a favorite and still gives me a rush when I look up at it, like I did just this moment. I see it as a link between my earliest work of the mid and late 1990’s that focused on sparsely detailed blocks of color and the subsequent work.

Here’s Janis…



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Garnet Mimms

When I was about eleven, I remember getting the posthumous album, Pearl, from Janis Joplin. This was pre-boombox and Walkman, the era where vinyl still ruled the musical roost and eight-track and cassette tapes were the new pretenders to the throne. My copy of Pearl was on tape cassette and I listened to it incessantly on a little personal tape recorder, the kind someone might have used for dictation. Even with the limits of the technology, Janis’ album was a revelation, especially for a kid living out in the country who spent much of his time alone.

What I didn’t know until yesterday is that a couple of tracks from that album were songs that were originally performed by one artist, an early Soul and R&B artist by the name of Garnet Mimms. I was listening to a quirky local channel that plays a weird mix of old music, a station that I sometimes jokingly call Offbrand Radio because they often play versions of hit songs performed by artists other than the hitmakers. I often find myself scratching my head wondering why a certain song that I’ve heard and enjoyed a thousand times before just doesn’t sound right. Or is suddenly downright awful.

But every so often things go the other way and I am thrilled with what I am hearing.

Such was the case yesterday. The song Cry Baby which Janis immortalized on Pearl with a scorching rendition came on the radio but it was man’s voice. I prepped myself to laugh or yell “Why would you do that?” at the radio. But it was good. Really good.

I Shazammed the song to find out who it was because this channel almost never identifies the singers or bands it plays and found that it was a name I was not aware of– Garnet Mimms. I did a quick search on him and was shocked and a little ashamed that I had never heard of him. Along with Cry Baby, Mimms also did the song My Baby from Pearl. Several other songs were minor hits in the early 60’s and later were covered by the Yardbirds, Led Zeppelin and many others.

Listening to many of his songs, I was really pleased with the high level of quality in his performances and in the songs themselves. Great stuff.

Reading his bio, Garnet Mimms, who is 86 now, had a lot of success before retiring from music in the 1980’s and turning to a life of ministering the gospel to incarcerated prisoners. But even with his success and the fact that he is often cited by those familiar with his work as the first Soul singer, the equal of legends like Sam Cooke and Jackie Wilson and an influence on singers the likes of Janis Joplin and Otis Redding, his name is not well known. As one pop music critic wrote, Garnet Mimms is “criminally underappreciated.”

As someone who works in a creative field, that is something I can understand and appreciate. Being criminally underappreciated may be the next best thing to being celebrated at the highest levels. There’s evidence for people to find. The work is still there and it is consistent and timelessly strong enough to still turn heads.

Criminally underappreciated.”

I can only hope that someone will someday say that about my work.

So, while I am ashamed that he has been off my radar for so long, it is my great pleasure to play a couple of songs from Garnet Simms here for this Sunday’s morning music. First up is his version of Cry Baby and then A Quiet Place, which is a title that meshed well with my own work.

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*****************************

Sitting down by my window
Honey, looking out at the rain
Sitting down by my window, looking out at the rain
All around that I felt it
All I can see was the rain 
Something grabbed a hold of me
Feel to me, oh, like a ball and chain
Hey, you know what I mean that’s exactly what it felt like
But that’s way too heavy for you, you can’t hold them all

Big Mama Thornton, Ball and Chain

*************************** 

Sitting here this morning, watching the rain outside the studio window. Got much to do but find myself just watching the rain and the deer shuffling around the yard. It’s gray and misty with an air of sadness. Brings to mind the opening lines of Ball and Chain, a Big Mama Thornton song that Janis Joplin immortalized with her performances of it, most notably one from Monterey Pop in 1967.

Here’s that performance. There’s a part around 3:28 in that shows the late Mama Cass Elliott in the audience, totally transfixed by the performance. I think she knew that she was witnessing something special.

Take a look, give a listen and have yourself a day. You can choose whether it’s good, bad or indifferent. Myself, I’m going to watch the rain a little bit more then get to work.

 

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Winter Weather mapA lot of us around the country are feeling the effects of winter-like weather this morning.  I know that I am going to go out in a bit and plow the several inches of snow that fell yesterday and overnight.  Not my favorite thing but before that I am going to just take it all in– the gorgeous blanket of white that hugs the contours of the ground and clings to the tree branches and the quiet it produces as it muffles all sound.  These snowfalls are beautiful to see  and hear.

A lot of people don’t share my affection for this weather and crave something a little more warm.  To that end here’s a video with Janis Joplin singing Ball and Chain.  It’s her breakout performance at the Monterey Pop Festival in 1967.  If this doesn’t get your blood flowing then I have nothing more to offer.  There’s a great shot about 2/3 through the video of Mama Cass watching the performance, with a look of awe on her face.

Have a great Sunday…
http://www.youtube.com/watch?v=Bld_-7gzJ-o

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Pearl

I see that Janis Joplin died forty years ago on this date, back in 1970.  Her final album, Pearl, was released several months after her death, in early 1971, and was a transcendent album for me when I first heard it as a 12-year old.

It was a great group of songs.  My favorites at the time were the great Kris Krisofferson song  Me and Bobby McGee and Mercedes Benz but soon Cry Baby and Get It While You Can joined them.  These songs were bluesy and raw but with a certain vulnerability that made the power of the music expand.  Just a great album, one that is a testament to its own time and has a continuing life even today, nearly forty years later.

I should be be highlighting a song from this album today but instead in honor of Janis’ death I will play a wonderful version of her take on the classic Summertime.  It’s from 1969, filmed in Stockholm, Sweden.  It just seems right, now that summer is now in the past and the first inklings of autumn are upon us.

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