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Posts Tagged ‘Love’

GC Myers- Imitatio

Imitatio– At  West End Gallery, Corning NY



The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.

-Elie Wiesel



With a presidential election only three weeks away, I am concerned with those who are indifferent to the potential consequences, many dark in nature by their very design, that might soon be upon us all. Maybe these folks believe they don’t have to engage because we have become so encapsulated in our own little bubbles that we believe that nothing can pierce these seemingly safe little spaces. They think that by staying disengaged they will be safe and can’t be held responsible in any way.

Unfortunately, the world doesn’t work that way. Indifference is like being asleep at the wheel. It enables all manner of bad behavior, from minor abuses to the deadliest crimes against humanity. We need to be engaged, to stop and examine what is happening in the moment.

I thought this would be a good time to replay a post that has appeared here every several years. I apologize for using my insignificant experience as any sort of comparison to the indifference to which Mr. Wiesel referred. I do try to explain below.



I’ve been sitting here for quite some time now, staring at the quote above from Elie Wiesel, the late Nobel Laureate and peace activist. I had planned on writing about how my work evolved as a response to the indifference of others but now, looking at those words and putting them into the context of Wiesel’s experience, I feel a bit foolish. Wiesel, who had survived the Holocaust and spent his life crusading so that it might never happen again, was eyewitness to indifference on a grand scale. It was indifference that ranged from those who were complicit or those who did not raise their voices in protest even though they knew what was happening to the personal indifference shown by his Nazi guards, as they turned a blind eye to the suffering and inhumanity directly before them on a daily basis, treating their innocent captives as though they were subhuman, nothing at all in their eyes.

The indifference of which he speaks is that which looks past you without any regard for your humanity. Or your mere existence, for that matter. It is this failure to engage, this failure to allow our empathy to take hold and guide us, that grants permission for the great suffering that takes place throughout our world.

So, you can see where writing about showing a picture as a symbolic battle against indifference might seem a bit trivial. It certainly does to me. But I do see in it a microcosm of the wider implications. We all want our humanity, our existence, recognized and for me this was a small way of raising my voice to be heard.

When I first started showing my work I was coming off of a period where I was at my lowest point for quite some time. I felt absolutely voiceless and barely visible in the world, dispossessed in many ways. In art I found a way to finally express an inner voice, my real humanity, that others could see and feel a reaction.

With this in mind, when my first opportunity to display my work came, at the West End Gallery in 1995, I went to the show with great trepidation.

For some, it was just a show of some nice paintings by some nice folks. For me, it was a test of my existence.

It was interesting as I stood off to the side, watching as people walked about the space. It was elating when someone stopped and looked at my small pieces. But that feeling of momentary glee was overwhelmed by the indifference shown by those who walked by with barely a glance, if that. It was as though my work wasn’t even there.

Those moments crushed me. I would have rather they had stopped and spit at my work on the wall than merely walk by dismissively. That, at least, would have made me feel heard.

Don’t get me wrong here. Some people walking by a painting that doesn’t move them are not Nazis nor are they bad folks in any way. I held no ill will toward them, even at that moment. I knew that I was the one who had placed so much importance on this moment, not them. They had no idea that they were playing part to an existential crisis. Now, I am even a bit grateful for their indifference that night because it made me vow that I would paint bolder, that I would make my voice be heard. Without that indifference I might have settled and not continued forward on my path.

But in this case, I knew that it was up to me to overcome their indifference.

Again, please excuse my use of Mr. Wiesel’s quote here. My little anecdote has little to do with the experience of those who suffered at the hands of evil people who were enabled by the indifference of those who might have stopped them. The point is that we all want to be heard, to be recognized on the most basic level for our own existence, our own individual selves. But too often, we all show indifference that takes that away from others, including those that we love. We all need to listen and hear, to look and see, to express our empathy with those we encounter.

We need to care.

Maybe in that small ways the greater effects of indifference of which Elie Wiesel spoke can be somehow avoided.

We can hope.

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The film Jojo Rabbit premiered on HBO over the weekend, which made me very happy. It hits a lot of sweet spots for me.

A great cast and a script filled with a beguiling mix of dark satire and tragic poignancy. Strong visuals. Big laughs and plenty of tears. Ridiculous (but still scary) Nazis.

Hitler eating a unicorn.

Yeah, you read that right.

There’s even some poetry from Rainer Maria Rilke as the film ends, a snippet from his poem Go to the Limits of Your Longing, which is shown at the top. Words that seem applicable to this time, for sure.

It also uses its soundtrack brilliantly. It begins with the Beatles singing their German version of I Want to Hold Your Hand over archival clips of Hitler’s adoring fans at huge nationalistic rallies that are chilling in their magnitude and fervor. Images from the infamous Nuremberg rally always puts a knot in my stomach. The film ends with the German performance from David Bowie of his always rousing Heroes.

Filmmaker Taika Waititi also makes brilliant use of the song Everybody’s Gotta Live. It’s a song from 1972 from a band of that era, Love, that is very underappreciated. Led by the late Arthur Lee, it was an interesting group, a multiracial group that dabbled in folk rock and psychedelia a la the Byrds. Their 1967 release, Forever Changes, is on the Rolling Stone’s list of the 500 Greatest Rock Albums and was added to the Library of Congress’s National Recording Registry in 2011.

Even so, I am sure most of us haven’t heard much of their work. But it shines in Jojo Rabbit and is certainly worth examining further.

Here’s a video with the lyrics and images from the film just to give you taste. If you get a chance to see the film, I recommend it highly. But be forewarned, that it is art and, as such, is a subjective thing. What I love may not move you at all.

Take a look and give a listen then have a good day. We all deserve one.

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