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Posts Tagged ‘Rilke’

Peanuts Dec 31 1974Peanuts Dec 31 1983Peanuts Dec 31 1980



And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.

― Rainer Maria Rilke, Letters of Rainer Maria Rilke, 1892-1910



I felt that the last day of the year deserved a post. But I am not feeling very peppy this morning, if peppy is even a real term, and my brain didn’t feel like serving up anything new.  As a result, I am kind of turning to the archives for today’s post. It’s from four years back but it holds up because of a great song. some minor editing, and the addition of three Peanuts strips in place of the big bloodshot eye that adorned the original. Each of the three strips ran on this date in their respective years. I think the center one with Lucy and Linus best fits my feeling today.

Just glad to still be here today. And tomorrow, if the lord’s willin’ and the creek don’t rise, as the old saying goes. See you on the other side, in the year 2025.

Sounds kind of science-fiction-y, doesn’t it? I don’t know if that’s good or bad but it doesn’t sound good at first blush. We shall see,



Gosh, I wish Rilke was sending me letters. I always seem to find something in his collected letters that speaks directly to me, something that helps me better understand my own place in the world.

Give me his letters and a Peanuts comic strip and I am all set for perspective and advice on how to live my life.

Rilke’s words above on the New Year speak loudly this year. Let us look at the coming new year as a clean slate, a tabula rasa, that that is filled with new potential. The time ahead may be filled with hard work and stressful times but we should use every available minute of it in attempting to make this new year far better than its predecessor.

I know that these words can sound like empty platitudes but I truly hope they ring true this year and that we don’t waste the gift of time we are given.

Have a happy and quiet New Year’s Eve. Stay safe and perhaps next year at this time, we can truly celebrate the end of a wonderful year.

For those of you who don’t buy into my hopeful look forward and plan on partying your brains out tonight, here’s a song from Wynonie Harris, the great blues shouter who many consider the father of rock and roll. His style and his stage moves, including provocative hip gyrations, were swiped and adapted by Elvis, who some thought was the G-rated version of Wynonie Harris. His stuff really rocks and this song, Don’t Roll Those Bloodshot Eyes at Me, reminds me of the best work of Louis Prima, which is pretty high praise.

So, enjoy and bid goodbye to 2024 tonight in whatever way you see fit. May we do the necessary work so we all have a happy New Year in 2025.



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GC Myers- On the Blue Side  2024

On the Blue Side— At the West End Gallery



Poetic power is great, strong as a primitive instinct; it has its own unyielding rhythms in itself and breaks out as out of mountains.

–Rainer Maria Rilke, Letters toa Young Poet



The line above from Rilke has been translated a couple of different ways. This is an abridged version that omits any reference to the subject, a German poet, who Rilke was describing in his letter. This version becomes only about poetic power. This is the version you will mainly see quoted today.

The original version was a direct reference to Richard Dehmel, a German poet who died in 1920 from injuries sustained in WW I. Dehmel was an influential poet in Germany in the pre-war years, his verse considered very rhythmic. It was a favorite among popular composers of that era– Richard Strauss, Carl Orff, and Kurt Weill, for examples–who regularly set his poetry to their music. He is best known for his work that was strongly sexual in nature, so much so that he faced obscenity charges several times.

The original line is at the end of a paragraph where Rilke writes about his admiration for the beauty of Dehmel’s work as well as his concern that he sometimes went beyond the prevailing accepted levels of decency of that era. The original line:

His poetic strength is great and as powerful as primal instinct; it has its own relentless rhythms within, and explodes from him like a volcano.

It wasn’t changed that much actually, mainly keeping a direct reference to Dehmel and using the explosive nature of a volcano instead of breaks out as out of mountains.

I know this is not of much interest to anyone, but I only mention it because the original made me think of the Red Tree in some of my paintings as a sort of small volcanic explosion. I had never thought of them in this way and it intrigued me. It gave them a new dimension.

I can definitely see this in the painting at the top, On the Blue Side, which is at the West End Gallery. The Red Tree here has a feel of released energy, as though it is exploding from the earth. Maybe trees and everything springing from the earth is a small volcano, a bursting eruption of energy? I don’t know but I like the idea.

Hmm….

Here’s a song that is about mountains in a way. This is Remember the Mountain Bed, another favorite from Mermaid Avenue, the Wilco/Billy Bragg collaboration where they composed music for the unpublished Woody Guthrie lyrics. Good stuff.



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Rilke

HarlequinA few lines forwarded to me from my sister from the poet Rilke:

Make your ego porous.  Will is of little importance, fame is nothing. 

Openness, patience, receptivity, solitude is everything

                 – Rainier Maria Rilke


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