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Posts Tagged ‘The Animals’

Passing Through Blue– At West End Gallery



This dead of midnight is the noon of thought,
And Wisdom mounts her zenith with the stars.
At this still hour the self-collected soul
Turns inward, and beholds a stranger there
Of high descent, and more than mortal rank;
An embryo God; a spark of fire divine.

A Summer’s Evening Meditation, Anna Laetitia Barbauld (1743-1825)



I had come across the short verse, taken from a much longer 1773 poem, above a few months ago and set it aside with the intent of using it in a blogpost at some point. I wasn’t sure how to use it or if what I was reading in it was the intent of the poet.

This raised a whole bunch of questions, beginning with: Does the author’s intent matter in what I was seeing in her words? Or does what I see in one of my paintings matter in how others see it? Is someone’s else interpretation of it equally valid even if it differs greatly from my own? 

Some tough ones there.

I often use quotes and short passages from literature to initiate a post. While I try to discover their original context and meaning and adhere somewhat to it with my use, I take liberties in my interpretation. I may read something into them that was not part of the original intent, just like you may look at a painting of mine and see something that speaks something to you that is different from or beyond what I saw in it. Something that speaks in a personal language that only you know, something drawn from your own life experiences and sensations.

I think it’s all appropriate so long as the differing interpretation is not employed as justification for anything harmful or denigrating to others. I worry sometimes about that, more so with the writing here than with my painting. Sometimes, in trying to not be too specific on a subject, I recognize the rhetoric of what I have written might be equally applied by those who have a viewpoint that is in complete opposition to what I meant. For example, the definitions of freedom or revolution I write about might not be the same as someone else.

And the vice versa applies here.  I check for the original meaning and context because many years ago I used a quote without checking. It’s been long enough that I can’t remember the subject of the quote or from where it came. Whatever it was, it seemed to serve what I wanted to say. I later found out from a reader that its original meaning was the complete antithesis of what I read into it and was trying to convey in the post, that it came from a person associated with hate groups and was meant to advocate some form of white supremacy.

I was mortified and deleted the post immediately. Since then, I try to find the context of anything I use.

But for the most part, the meaning and purpose one takes from a piece of writing, music, or art is theirs alone. I have often told the story of a lady approaching me at an opening. We stood before a painting of mine that was simple composition, sections of two tree trunks that intertwined around each other as they bisected the painting’s surface from bottom to top. I saw in it a certain human sensuality, one that spoke about how we depend on the assistance and affection of others. She hated the painting and let me know that she saw nothing but the subjugation of women and male dominance in it.

I was stunned. I didn’t see anything like that in that piece before she spoke. I saw it after even if it still didn’t register fully in the way she saw it. But I could see what she was seeing.

I didn’t try to tear down her viewpoint or justify my own. No matter how hard I might try to assure her that it was never intended that way, what she saw was what she saw. Her reading of it was as valid as my own. And I let her know that.

And I guess that’s the way it should be, in most cases. You do what you do, you try to express what you are as a human in a way that you hope comes across clearly to others and that whatever you do, it doesn’t harm or be used to harm others. For the most part, it works out okay. Sometimes, it doesn’t.

You just hope you’re not too badly misunderstood. Or worse than that, not heard at all.

Here’s song on that subject. It’s a fine interpretation of a favorite Animals‘ song, Please Don’t Let Me Be Misunderstood from Cyndi Lauper. Good stuff.

At least, that’s the way I see it…



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I have heard the big music
And I’ll never be the same

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I was looking for a song to play this morning and I thought about a favorite track from an album, A Pagan Place, from back in the 1980’s from the Irish group The Waterboys. I was surprised to discover that in the nearly 12 years I’ve been doing this blog that the song hasn’t somehow surfaced.

The song is The Big Music and it’s about hearing a song or piece of music that just opens you up. Shakes up your whole world and changes how you see everything in it. Maybe even alters your whole life path.

It’s a song that really speaks to me. Growing up in the country at a time before digital broadcasts, satellite television and streaming services, we had two TV channels so reading and listening to music filled the void for a kid who was eager to learn about the world.

We had a big box of singles from the late 50’s and early 60’s that had by a cousin and somehow ended up with us. It had tons of good stuff including early rock from Elvis, lots of surf music from the likes of Jan and Dean and the Surfaris, goofy novelty songs and lots of pop chart hits that feel pretty dated today, such as Heart from Kenny Chandler, a song I listened to hundreds of time back then.

Plus, my sister was an avid music fan so there were always plenty of early Beatles, Rolling Stones and Bob Dylan singles on the record player. That first ringing chord of A Hard Day’s Night still thrills me in the same visceral way that I remember feeling as a kid.

Through those formative years, there were plenty of songs that hit me hard and opened up the world for me in small ways. Too many to list, actually. But I don’t know that I can mark one song that was that single defining moment. The Big Music for me.

Well, maybe it was from the first time I saw Springsteen back in 1977. The show and sound was unlike any other rock show I had seen up to that point. I wrote about that show in one of my favorite blog entries and mentioned his performance of It’s My Life,a song that was originally recorded by The Animals. That song and performance changed a lot of things with repercussions that echo through my whole life.

When I think about it, I doubt that I would be writing this today without that song at that moment.

So, I guess that would be my Big Music moment. Do you have a Big Music moment or one big song that just does it for you?

Here’s the song, The Big Music, from The Waterboys. Have a good Sunday.

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Ring of Fire- Gina Pfleegor 2019

We’re moving into a new decade in a few days and I though I would play some music this Sunday morning that reflected that fact. My personal opinion is that this could be a momentous year with ramifications that could echo down through whatever history we have left here. You can interpret that however you wish, be it with cheery optimism or dark pessimism. It could go either way at this point.

You might get a hint of my own view from the song selection: the Johnny Cash classic, Ring of Fire, written by June Carter. However, this is a different take on the song. Where the original is uptempo with a mariachi guitar band feel, this version from former Animals lead singer Eric Burdon in 1974 has a driving military march feel.

I first came across this version many, many years ago when I found the Eric Burdon album it was from, Sun Secrets, in a bargain bin of 8-track tapes at the old J.J. Newberry five and dime store in Elmira, which, if I am not mistaken, has been closed for decades now. I think I paid a quarter for the tape, which appealed to me had versions of many of Burdon’s earlier Animals’ hits such as It’s My Life and When I Was Young.

Hey, it was a quarter and our car at the time still rocked a player for the massive 8-track cartridges. I was always afraid that if I slammed on the brakes too hard that one of them might fly up and crush my skull.

It turned that some of that album was meh but some of the songs, especially the reworked versions of older songs, really worked. I especially liked this version of Ring of Fire even though the Cash version is perfect as it is. I just like to hear new interpretations, I guess. Give a listen and see for yourself.

The painting above is titled, of course, Ring of Fire. It’s from artist Gina Pfleegor, who also exhibits her work at the West End Gallery. I am proud to have this piece hanging in my studio.

Gina has been a tremendously talented painter of realism for a number of years but has really blossomed in recent years, moving to new levels with a series of metaphorical paintings with female figures as their central focus, many using her daughter as the model. These pieces have a unique quality that make them really sparkle on the wall and engage the imagination of viewers, myself included.

I always look forward to seeing what’s next with her work. You can check out her work on her site, Gina Pfleegor Fine Art. You can best see her newer work by clicking here which takes you to a Google images page with her work.

Just plain good stuff. So, take a look her Ring of Fire, give a listen to Eric Burdon’s version of Ring of Fire then brace yourself for whatever 2020 might bring.

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Every generation has positive and negatives aspects during the growing up process that are unique to that time. As you age, we tend to glorify what we believe to be these better aspects to, for some unknown reason, show a generational superiority.

Oddly enough, we do the same with the bad aspects of our time growing, as though it gives us both an excuse for our shortcomings and a way to say that we are battle-hardened and tougher than the current generation as a result of having gone through that time. You now the routine: I had to fight off a grizzly bear every morning in order to walk two miles uphill through waist-deep snow just get on the school bus– all without breakfast. Or shoes.

But thinking about the our plague of school shootings makes me think I how fortunate I was to have gone to school every day without worrying that someone was going to walk in and start shooting. There was already enough stress in going to school without that threat of mortal danger hanging over your head.

I can’t even imagine how I would have felt if that had been happening when I went to school.

Fortunately, we didn’t have those kind of events at that time but we did have terrible things happen. And even though they didn’t reach the level of these tragedies, they still left a mark.

I went to a small rural grade school. I can’t remember if I was in fourth or fifth grade but one weekday afternoon a girl one grade below me came up missing. A search began and they found her body in a dump site on a creek not far from the school. Soon after they charged a disturbed high school boy with her murder.

I remember that weekend when that happened so clearly. The world changed drastically for me and, I am sure, for many other kids in my school. It that short time school and the rest of world suddenly seemed like a much more dangerous and dark place. There was now a gray sadness I had never known.

We lived in an isolated old farmhouse and at that time I was sleeping upstairs by myself. At night, I would often turn on my little portable radio to drown out some of the creaks and groans that the old place made, noises that would make the younger me think that Dracula or the Wolf Man were just outside the door–Frankenstein or the Mummy never bothered me because I figured I could outrun those guys.

But on Sunday nights the only broadcasts I could get at that time of night were religious programs. They always had a feeling of hellfire and damnation which always bummed me out a bit even at the end of a good weekend. I remember how awful I felt that particular Sunday night in my bed in the dark when Billy Graham’s Hour of Decision came on.

His voice and words gave no comfort at all.

In fact, it made me feel even more fearful, alone and sad. I still can hear the train whistle that came across the fields from the tracks that ran along the river which was about a half mile away. It added a cold and mournful tone to that moment that still lingers with me.

As I said, I can’t imagine how I would feel if I were a kid today. But based on that moment almost fifty years ago, it would not be good. Kids should not have to worry about such things.

Here’s my choice for this week’s Sunday morning music. It is fittingly titled When I Was Young from one of my favorite bands from the 60’s, Eric Burdon and The Animals. Try to have a good Sunday.

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mose-allison_1Artistic influences,  seeing how a certain artist will take the work of others and transform it into their own, is a fascinating thing.  Sometimes it’s very obvious especially when the influence is of equal renown or when one artist directly copies the work of another.  But sometimes there are great influences that you may not even recognize.

Mose Allison (born in 1927) is such a person, a name you probably don’t know.  But for many musicians in the who found their voice in the 60’s, he was a huge influence.  Jimi Hendrix,  The Rolling Stones, The Who, The Animals, Tom Waits, Van Morrison and many, many others have all cited him as a strong influence on their work.  But Mose Allison, while achieving considerable fame, never became the household name like so many of his admirers.

He was pretty hard to pigeonhole as a musician- at times very bluesy, himself strongly influenced by the delta blues of his home in Mississippi, other times very jazzy or even pop tinged.  But always a unique and individual sound that allowed him to take a song, his own or those written by others, and  give it a new perspective.  I have to admit that I didn’t know much about Mose Allison until just recently but have been thrilled to find his work and can easily see it in the work of so many others.  I encourage you to seek out his work and give it a listen.

To that end, here’s a small sample for this Sunday morning.  It’s his version of the Willie Dixon blues classic The Seventh Son, a song that became a pop hit for Johnny Rivers.  But here, it definitely feels all Mose Allison.  Enjoy and have a great Sunday.
https://www.youtube.com/watch?v=JOlArLEWH4s

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Eric Burdon- 'Til Your River Runs DryGrowing up,  I was always kind of fascinated by Eric Burdon, then lead singer for the Animals, the British rock band who always seemed just in the shadow of the Beatles and the Stones.  But they were different than the other bands of that early British Invasion.  They seemed rougher, more closely connected to American blues.  Their songs were not mere love ditties.  They were angrier, more defiant and fatalistic.

And it was all captured in the face of Eric Burdon.  He was not a pretty boy, not the smiling cute one that even moms found charming.  He was sleepy eyed with  pock marked skin and an almost surly demeanor that never broke into a toothy smile.  I might be mistaken, but I think he even had a broken tooth.   But he sang those songs that still resonate today–House of the Rising Sun, Boom Boom, Please Don’t Let Me Be Misunderstood, Don’t Bring Me Down, Sky Pilot,  We Gotta Get Out of this Place.  

It’s my life and I’ll do what I want…

He has had a long career, starting the band War, best known for Spill the Wine, Cisco Kid and Low Rider.  Today. he lives in the desert of Southern California and, at age 71, has a new CD, ‘Til Your River Runs Dry,  out on the market.  I am including a song from it today, Water, that deals with the ever growing problem with maintaining the availability of  safe and potable water now and in the future.   Water is that thing that we all need– more than oil, more than gas, more than any precious metals.  Water is the cause of the current battle over hydro-fracking and might be the thing that nations battle over  in the future.  Give a listen…

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House of the Rising Sun

It’s Saturday and I find myself running late with several things to do.  But I do have a song running through my head this morning, the version of  the venerable The House of the Rising Sun from The Animals.  If we all had soundtracks to our lives, this would be a song that would be part of mine.  I played the single hundreds of times on our old console.  The Animals had a different feel, despite the awful photo from this album cover,  than many of the groups from the 1960’s.  Eric Burdon was not the glamour boy that you would see on many of the other bands and his voice, while distinct, was hardly the best.   Many of their songs had a darker edge that seemed light years away from much of the other music that filled the radiowaves at that time.  There was always the sense of rebellion around their music.  They were the type of group that made parents a little uncomfortable and that  made them all the more attractive.

This is a pretty interesting version with pretty high quality filming with a widescreen cinematic feel, something you didn’t see in a lot of rock videos of the time.

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