“The tides of time should be able to imprint the passing of the years on an object. The physical decay or natural wear and tear of the materials used does not in the least detract from the visual appeal, rather it adds to it. It is the changes of texture and colour that provide the space for the imagination to enter and become more involved with the devolution of the piece. Whereas modern design often uses inorganic materials to defy the natural ageing effects of time, wabi sabi embraces them and seeks to use this transformation as an integral part of the whole. This is not limited to the process of decay, but can also be found at the moment of inception, when life is taking its first fragile steps toward becoming.”
― Andrew Juniper, Wabi Sabi: The Japanese Art of Impermanence
The photo at the top is the floor of our garden shed. It’s a simple structure that we bought new probably 35 years ago. Over the years, the once pristine plywood floor has darkened, taking on a smooth rich patina on the parts that have not pitted or worn away from decades of comings and goings.
It’s a beautiful thing and I often find myself stopping while I’m in there, which is every day, just to take some small pleasure in looking at its worn surface. The fact that it took time and innumerable footsteps to smooth and wear down the surface adds to my appreciation. It’s not something that could be replicated easily. Oh, you could try but it would lose that organic depth that comes with time.
Just a bit of the wabi-sabi of things around us. That’s the Japanese concept of finding beauty in the imperfection and natural wear shown by things.
And I guess that applies to people, as well. I know I am fascinated in seeing how folks age, how their faces and bodies reflect the life they have lived. There is beauty in the lines on the face or the graying of one’s hair.
Of course, I am talking about other people. I don’t find any beauty at all in my wrinkles or my whitened and thinning hair. In fact, I close my eyes now when I walk past my bathroom mirror out of the fear that some old man will jump out of it at me.
Nah, that’s not true. As much as I would sometimes like to have the smooth skin and the darker, fuller head of hair of my youth, I am satisfied, even pleased, in seeing the wear and tear written on my features. I see a small scar high on my forehead and remember the wound that left it so well.
It was many years ago and I was playing with my Magpie, our highly charged husky-shepherd, chasing her around our yard. As I pursued her, I went through some low hanging branches on a birch tree next to the deck I was building off the back of our home. Midway through, as I ducked my head lower to avoid the sweep of the branches, I slammed it suddenly into a deck board that I had not yet cut off. I was knocked on my back and could feel the instant throb of pain on my forehead from the blow.
Maggie was on me in an instant, licking and urging me to get up and play some more. I laid there on the ground on my back and just laughed as hard as I could while the blood trickled down my forehead. I tend to laugh at my own misfortune, especially when it is of my own doing, which is almost always the case.
Maybe there is a bit of wabi-sabi in our laughter? Maybe it comes from the recognition of our imperfections, our humanness, in those moments?
And even while I was there on the ground, that same garden shed was not far away, its floor not yet so deeply darkened or worn. It didn’t yet have the accumulated memory of its being written on its surfaces. It was newer but it certainly wasn’t as beautiful.
And maybe that’s the attraction of this concept of wabi-sabi for me, that the wear and tear that appears is evidence of our being here, that we existed in this place and in this time. It’s much the same way in which I view my work, my paintings. Evidence that I was here, that my hand made these things and in some way my voice was heard.
That I, like that garden shed and its floor, had a purpose in this world.
Appreciate and enjoy the wabi-sabi in your own life.
Redtree Times 