I was walking back up my driveway the other day after picking up my newspaper when I rounded a corner and there, about 60 feet away, was a really good-sized bobcat between the studio and me. I had never seen one in the wild ( or even my yard) before and had been under the impression that they were only slightly larger than a large housecat. This was much larger than that , perhaps the size of a 7 or 8 month old golden retriever. He saw me but didn’t panic, instead altering his course and loping impressively in that big cat way across the yard and into the pine thicket.
Over the course of the day, as I reflected on all the many animals we’ve observed over our years here, I was reminded of the most famous work of the 19th century Quaker folk painter Edward Hicks, The Peaceable Kingdom. It’s a painting that most of us are familiar with, one that has been reproduced numerous times in it’s many different incarnations, as Hicks painted 61 different versions of the piece. In it he allegorically paints many creatures of the forest and jungle together in harmony, along with early American settlers standing side by side with Native Americans. Children often are among the wild animals.
Hicks’ repetitive use of his composition allowed him to examine different aspects and elements of each subsequent version, making each piece unique. It’s something I have done often and something over which I’ve felt a kinship with Hicks for some time. I also found similarities in the calmness we both try to portray as well in the way he fashions his landscapes, with very flowing, organic lines. I’ve often thought that if I had painted in the time of Edward Hicks my work might very well resemble his.
But I paint in the 21st century, not the 19th. And I have been influenced by everything, artistic, cultural and otherwise, that has occurred over those two hundred years. I can only hope that two hundred years in the future someone takes a moment in their busy lives to consider my work, as I do now with Hicks.
For me, I’ll go back to my own little peaceable kingdom. Who knows what I might see next?
Redtree Times 
Nice post, Gary. I love these paintings. In fact, I was thinking of doing a post explaining where Hicks got the imagery. Take care.
Paul– Thanks. I hope you do a post explaining your take on his imagery. That would be great.
All my best!
Hello,
I am an elementary art teacher on the Outer Banks of North Carolina and was searching the web for images of Edward Hicks’ various Peaceable Kingdom paintings to show to my second graders when I came upon your blog. The landscape at the top intrigued me and I got off task as usual and checked out some of your gallery sites. Actually I was multi-tasking (ha) and found a resource that may be valuable in teaching. I would like to feature some of your work at some later date in lessons in which landscapes are our jumping off point.
If you have any other information about yourself or your artistic philosophy that you can share with me that may be of interest to my students or that would help them to gain any insight to your work, I would appreciate your sharing it with me/us via an e-mail.
Thank you,
Martha
P.S. I suspect that the area that you live in is a very calm one in order for a bobcat to have been on your property. What a gift!
Hello, Martha– Thanks for the e-mail. I’m glad you found my work through Hicks’ Peaceable Kingdom, which has always struck me very strongly. I would suggest going to my website and checking out some of my show statements from past years to get an idea of my artistic philosophy. If that doesn’t fill your needs, please contact me and I will personally address any specific questions you might have. There are also some articles in the “press” section of the blog that may help fill in the blanks.
I hope this helps and I look forward to hearing from you again.
All the best——-Gary Myers
Where’s the fatling?
I relish, cause I discovered just what I used to be having
a look for. You have ended my four day long hunt!
God Bless you man. Have a nice day. Bye