Andrew Wyeth -Mother Archie’s Church 1945
We went to Cooperstown this past Monday to catch the last day of the Wyeth Family exhibit at the Fenimore Art Museum. It was a great show featuring work from patriarch NC Wyeth, son Andrew, grandson Jamie, daughter Henriette and daughter Carolyn as well as Henriette’s husband, Peter Hurd and NC’s primary influence Howard Pyle. That’s a lot of talent to jam into a relatively intimate space. You might think that it would be less than satisfying but the curating of this show was masterful, showing each artist in a truly representative manner that gave a real taste of their body of work. Just a wonderful show. I am glad I got to see it if only to see a few of NC Wyeth’s gorgeous works and to discover more about his son-in-law, Peter Hurd, whose work is wonderful, bringing to mind the regionalist painters such as Grant Wood.
Thomas Cole- The Course of Empire- Destruction
Of course, there was also the spectacular Thaw Collection of American Indian Art to see. As always, it was a thrill to see the beautiful aesthetic of the native culture. And as good as both the Wyeth show and the Thaw Collection were, I was truly bowled over by the current show, The Hudson River School: Nature and the American Vision, featuring works from the Hudson River painters of the 19th century, Just beautiful and strong examples from the genre, highlighted for me by the works of Asher Durand and the spectacular Thomas Cole series of five paintings, The Course of Empire , which features the rise and fall of an empire in the landscape, a rocky peak with a precariously perched boulder standing as a constant witness. You have probably seen some of the paintings from this series but to see them together in their full scale is to really get a great appreciation for their power. It hangs at the Fenimore until September 29, so if you can, take a trip and see some incredible work.
Redtree Times 
Mark and I were in Vermont this weekend and there was a 3 generation Wyeth Family exhibit at the Shelburne Museum as well! We also very much enjoyed the Pleissner Landscapes you wrote about a few weeks ago.
Julie
Hi, Julie. Good to hear from you! I had heard there was a Wyeth show in Shelburne as well. I hope it was as nicely put together as the Fenimore show. I hope all is well with you and please give my best regards to Mark.
On Wed, Sep 4, 2013 at 8:40 AM, Redtree Times
Am quite familiar with this work of Peter Hurd’s which I’ve known since I was quite young — http://www.truefresco.com/history/peter_hurd/ph_image_gallery.html Andrew Wyeth is one of my favorite artists.
I really came away with a real appreciation for Hurd’s work. I would love to see his fresco.
On Wed, Sep 4, 2013 at 11:47 PM, Redtree Times
From 1953 to 1954, Hurd, assisted by his protégés Manuel Acosta and John Meigs as well as his wife Henriette, painted a fresco mural in the rotunda of what was then the West Texas Museum (now Holden Hall) at Texas Technological College (now Texas Tech University) in Lubbock, Texas
Thank you for introducing me to Carolyn Wyeth. I was not aware of her until this. Her work is beautiful. She seems to share the the same mystery with Andrew, but her textures and color sense remind me a bit of Magritte. Again, thank you!
So glad you found her here. The interesting thing about the whole show was that there was a continuum in the work between all the family members yet they all had unique voices.