I guess the weather that has swept across the middle of the country to settle here has made its way into my work. I’ve never used snow much as an element in my work. Oh, there were a few pieces here and there over the years. They were often simple pieces that were in shades of blue. I never really considered using the white of the snow as a critical element. Maybe because it would create a question of rational plausibility when the Red Tree would appear in these snowy landscape with its blazing foliage, as it most certainly would.
And does here.
The title of this new piece, an 8″ by 24″ canvas, is Outlier’s Heart, to directly confront this issue of whether a disparate element would adversely effect the feel of a piece. For me, it didn’t make a difference and the Red Tree seemed right at home in the scene and in my mind as I took it in. What bothered me was that I had even worried about plausibility while composing this. I have always prided myself on not adhering to rules and here I was, suddenly boxing myself in with questions of that I usually quickly discard. I think it’s important to stay out of these boxes of conformity and this has been a good reminder.
That aside, I like this work with the use of the snow as the main element. The contrast between the coolness of the white of the snow and the blues of the sky against the warmth of the Red Tree create a nice tension that makes the piece feel much less cold and forbidding. I think this is right for this piece because I didn’t see it as being about just merely representing coldness. I see this as being about the search for beauty. I don’t think I will explain any more than that at the moment. I will just let the piece speak for itself for now.
As it should always….
One of my favorite memories from my years in Iowa was the year it snowed on Easter – a lot. Our tulips already were in full, glorious bloom, and by the time it was over, nothing was visible except the red, yellow, peach and purple tulip blossoms with snow right up to their necks. It looked for all the world as though rows of votive cups had been lined up along the snow.
And then there was the year in Utah, when early snows fell over the fully-leaved and fully-turned aspen, and the world was reduced to yellow, white and green, the aspen glowing like torches in the sunset.
One of the greatest delights of the world is that it sometimes doesn’t play by the rules. You’ve captured that here, beautifully.
Beautiful painting. Considering the weather outside, I’d like to put in a request for a “beach scene” for the next featured painting. 🙂
Jesse Gardner Assistant Director
West End Gallery 12 West Market St. Corning, NY 14830 (607) 936-2011
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It’s like the promise of spring in the midst of winter.
I like the treatment of the sky. To me it hints of snowflakes without actually showing them. The snow gives the red tree an “evergreen” quality like holly, if you take the meaning of “evergreen” literally and ignore the oxymoron. As for “plausibility,” art, like dreams, has its own internal logic. A red tree in the snow is as plausible as a burning bush in the desert.