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Archive for July, 2014

Vive Le Tour!

Tour de FranceToday marks the beginning of one of my favorite sporting events, the fabled Tour de France.  It’s three weeks of the most grueling biking imaginable covering over 2200 miles with multiple climbs through the French Alps and  Pyrenees that would seem difficult in a car let alone on a bicycle .  It is a contest that is a mix of  sheer power, endurance and strategy.

After watching for a number of years, I am convinced that these are among the most highly conditioned athletes in the world.  Day after day, they climb on their bikes and ride over an average of a hundred miles per day at the highest pace imaginable, not to mention the practice/warm-up rides they put in before many stages when they more or less ride the entire course.  How their bodies continue to respond is a marvel to me.

So for the next three weeks I am thrilled to have the Tour to watch with my breakfast– a great sporting event along with some of the most spectacular scenery to be found.  Vive le Tour!The pack of riders cycle in the Alps during the ninth stage of the 94th Tour de France

 

 

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Childe Hassam  Flag PaintingI am a big fan of the flag paintings of Childe Hassam, the American Impressionist painter who lived from 1859 until 1935.  His flag series was perhaps the most popular work in his long career and started in 1916 as America sat waiting to enter the war that was taking place in  Europe, which  I wrote about in a blogpost from 2010.  In that article I wrote:

However, when I think of paintings of flags I always think of the work of Childe Hassam.  He started this series of paintings in 1916 as the buildup to our entry in World War I was reaching a crescendo.  In many cities around the country there were Preparedness Parades that displayed  the general population’s escalating enthusiasm for entering the fray.  The most famous of these was in San Francisco where, at one such parade in July of that year,  a bomb was exploded by radicals of the time that killed 10 bystanders and injured many more.  However, Hassam was in NYC and the displays on the avenues of multitudes of flags among the canyons of the growing city inspired him to produce a number of powerful paintings, not bombs.

Childe Hassam Fourth of July 1916I think these paintings say a lot about America, especially at that time.  The cityscape shows an expansion of urban growth brought on by the influx of an immigrant population and a prospering, industrialized economy.  The flags represent a unifying bond that ties together all these diverse groups, a simple symbol that speaks easily to the wants and desires of the population.  Their dream of America.  Perhaps it also covered up many of the injustices and inequalities rampant then.  And now.

But I tend to think of it in the better light, as a call to our better nature and to a society of choice and opportunity.  An image of possibility and hope.   And Hassam’s paintings do that for me in a beautiful, graceful manner.  The flag in its best light…

So, as we prepare for this year’s Fourth of July, I think of these paintings and the symbolism that they hold for myself and hope that we find a return to being that nation of possibility and hope, a society of choice and opportunity.  Have a great Fourth!

Childe Hassam The_Avenue_in_the_Rain- 1917 Childe Hassam-Flags_on_the_Waldorf- Amon_Carter_Museum Childe_Hassam-Avenue_of_the_Allies-1917

 

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GC Myers- Moonlight RevelationThe revelation of thought takes men out of servitude into freedom.
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-Ralph Waldo Emerson
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When I look at this  new painting, a 24″ by 24″ canvas, it gives me a sense of conscious dreaming, of  taking those deepest  and largest internal wishes and making them known to the world, bringing them into the realm of possibility.  I think there’s something potent in the idea of this sort of imagining, of seeing oneself in different circumstances, in different lights.  It sets courses and opens windows of possibility.  It unsettles us and stirs change.
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It also makes me wonder how this sort of dreaming changes over the course of our lives,  I know as a child I was always immersed in daydreams that took me to far-reaching places under the wildest of circumstances.  Yet while I still daydream, as an adult my dreams have changed and become far more limited and smaller in scope, much less expansive than they were in my youth.  Perhaps it is a product of pure practicality, of having realized my own limitations and what is possible for the person I believe myself to be.  Or maybe my desires have have lessened by virtue of  simple acceptance and comfort in the present.
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When do we lose the capacity for the large dreams of childhood?  Is it when the world loses some of that sense of wonder that came with the fresh eyes of youth?  Is it possible to imagine unlimited possibilities when the sight of a bright and full moon rising fails to inspire you?
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Maybe that’s what I see here, a recapturing of that wonder in seeing the moon and all that is possible under its gaze.
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This painting, Moonlight Revelation, will be at the West End Gallery as part of my solo show there, Layers, which opens July 25.

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