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Archive for September, 2024

A Friend’s Surprise

GC Myers- Moon Comforted

Moon Comforted– At Principle Gallery



Friendship is unnecessary, like philosophy, like art, like the universe itself (for God did not need to create). It has no survival value; rather it is one of those things which give value to survival.

–C. S. Lewis, The Four Loves (1960)



I thought I might give a quick recap of Saturday’s Gallery Talk at the Principle Gallery since I did mention that it held a pretty big surprise for me at its conclusion. The talk itself went pretty well. I felt like it got a little rocky in places when I was trying to explain how I have come to view my work as a representation of my own belief system and that is not an easy thing to get across to people, especially to a group and a limited time to do so.  But the group of folks in attendance really helped me through those points and we transitioned into questions and then into the finale where there is a drawing for a painting (or two) and some other small gifts for everyone. That part of talk is always popular, both with the folks there and me as well. A lot of fun.

Afterwards, I had short conversations with many of those in attendance, many who I now consider as friends and have known for years now from my time at the Principle Gallery. It’s always great to chat and catch up a bit, even if for a few brief moments.

As things were winding down, I was approached by a thin, bald man who smiled as he pulled something from his shirt pocket. As he handed me the object, he asked– to the best of memory–“Do you know ayone in Northern Ireland?

I looked down at the object. It was a coaster withe shape of Northern Ireland filled with colloquialisms from that country topped with the words Norn Iron, the name often applied to the land by its residents. I immediately thought of my pen pal of well over 40 years, Tom Robinson, who lives in County Armagh. We have never met face to face.

I asked excitedly, Do you know Tom?” I thought a friend of his might have been in front of me.

I am Tom!”

I don’t know what I said at that point. For a few seconds my mind was spinning as I was just trying to compute what was happening and find my bearings. Finally, it dawned on me that this was indeed my friend Tom. It turns out that he had conspired to surprise me, coming into DC a few days earlier without my knowledge. We embraced and I babbled at him for a few moments, trying to take him in.

I first encountered Tom back around 1980 or 1981, when I was selling Bruce Springsteen t-shirts that I screen-printed and advertised in rock magazines of that time like Circus and Creem. It wasn’t a successful endeavor from a business standpoint but one thing that did come from it was a long-term friendship with a man from Portadown in County Armagh who worked in his family apple orchards as a youth and as a civil servant in Belfast as an adult. With only a short break in the late 1980’s, we have exchanged long letters and gifts for all that time. I have heard about his children as they have grown up and had kids of their own, as well as the many other details of his life and his travels throughout Europe.  He has heard about many of the highlights (and some of the lowlights) of my life as I transitioned from failed businessman to a pretty good waiter in a pancake house to a relatively successful, working artist.

He probably knows as much about me as anyone outside my family and a very small group of friends. And we had never met or even spoken. That is, until that moment.

To be honest, I was nervous about meeting Tom. I mean, there’s still distance in writing letters. You still have control in your words of how you present yourself and how you’re perceived. In person, we are, even though we might try to mask parts of ourselves at times, totally uncovered in our wholeness to anyone taking the time to look with any degree of effort. I was a bit afraid that I wouldn’t measure up to my letters.

But my fears were soon allayed, at least on my part. Our conversation immediately felt natura and easy, as though we had been talking at one another for years, not just in letters.

I lightly chided Tom for not alerting me to his visit, as I would have made arrangements to spend more time with him there in DC. As it was, my good friend Bob and I had a long dark and wet trip home ahead of us, so we were only able to spend a couple of hours talking together at the lovely, quiet restaurant next to the gallery.

It felt kind of terrible to have to finally say goodbye on the street. He was off to Philadelphia to tour the city a bit before heading home to Norn Iron midweek. But those couple of hours and the fact that this lovely, genial man made such an effort for the surprise of those precious few hours means the world to me and we both vowed to get together soon, one way or the other.  Still too much to talk about to not do so.

As I sit here this morning, my mind is still pretty blown up by Tom’s visit. That should say my good friend Tom’s visit.

Here’s a favorite Tom Waits tune, Time. Safe travels, my old friend…



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Memorable

GC Myers- Call of the Blue Moon  2024

Call of the Blue Moon–At Principle Gallery



The moments of happiness we enjoy take us by surprise. It is not that we seize them, but that they seize us.

–Ashley Montagu, Man Observed (1971)



I am running way behind this morning as I got in late after traveling back from the DC area last night after yesterday’s Gallery Talk at the Principle Gallery. It was a wonderful day with a lovely group of folks, one that held a huge surprise for me that I will definitely be writing more about in the next day or so.  One of those once-in-a-blue-moon things.

But for today, I am just sending out many thanks to everyone who gifted me their time and attention yesterday. What a great gift that is! And special thanks to Michele, Clint, Taylor, and Owen at the Principle who make me feel like a part of their family. 

As I said, I will go into greater detail soon. But for today, here is this week’s Sunday Morning Music. It’s a very bluesy tune from the first Led Zeppelin album–You Shook Me. I was certainly shook yesterday– in a good way.



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Art is lunging forward without certainty about where you are going or how to get there, being open to and dependent on what luck, the paint, the typo, the dissonance, give you. Without art, you’re stuck with yourself as you are and life as you think life is.

–Mark Vonnegut,  Just Like Someone Without Mental Illness Only More So: A Memoir



GC Myers- Point of Contact 2016

Point of Contact — You Could Win It!

I am on the road this morning, heading to Alexandria, VA for the Gallery Talk I will be giving today, beginning at 1 PM. I have some new paintings with me, like the three smaller pieces shown at the top, along with some other cool stuff to give away, including the painting, Point of Contact, shown here on the right. I think it’s going to be a fun talk as well as an insightful one.

I am focusing today (this is written yesterday since I am on the road right now) on luck since someone will have a bit of luck at today’s Talk when they walk away with a favorite painting of mine.

I also thought luck was appropriate since luck or serendipity or whatever you want to call it has played a big part in my career as an artist. I’ve encountered it in my dealings with galleries and people who’ve helped me move along. I’ve seen it play a part in my painting , when what looked like a mistake suddenly turns out to be hugely fortuitous, opening up new avenues that I hadn’t recognized before.

I included the passage at the top from Mark Vonnegut, son of the great Kurt Vonnegut, from his memoir on his struggles with mental health issues. His thought here on art and how it helps one sort out and find a way to escape the trap of living as someone you know yourself not to be makes sense to me and speaks to my own journey and luck as an artist.

That might part of the talk today. Not exactly positive on that but it’s a possibility. I won’t know until I am standing there.

Hope you can make it. If you can, good luck to you!!

1 PM at the Principle Gallery in Alexandria, VA.

Here’s song for the road. It’s a highly entertaining version of Road to Nowhere, the old Talking Heads classic. This from David Byrne‘s wonderful stage show, American Utopia. Lots of fun…



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GC Myers-- Harmonia  2024

Harmonia— Coming to Principle Gallery



When we speak of man, we have a conception of humanity as a whole, and before applying scientific methods to, the investigation of his movement we must accept this as a physical fact. But can anyone doubt to-day that all the millions of individuals and all the innumerable types and characters constitute an entity, a unit? Though free to think and act, we are held together, like the stars in the firmament, with ties inseparable. These ties cannot be seen, but we can feel them. I cut myself in the finger, and it pains me: this finger is part of me. I see a friend hurt, and it hurts me, too: my friend and I are one. And now I see stricken down an enemy, a lump of matter which, of all the lumps of matter in the universe, I care least for, and it still grieves me. Does this not prove that each of us is only part of a whole?

For ages this idea has been proclaimed in the consummately wise teachings of religion, probably not alone as a means of insuring peace and harmony among men, but as a deeply founded truth. The Buddhist expresses it in one way, the Christian in another, but both say the same: We are all one.

–Nikola Tesla, The Problem of Increasing Human Energy



This is another new painting that is headed to the Principle Gallery with me tomorrow as part of a group of new work. It is titled Harmonia and is 8″ by 8″ on panel. Like a few other of the new pieces, this has an smooth untextured surface that gives it a very glass-like appearance. This is especially so with the transparency of the paints which allows the white ground underneath to shine through, producing an effect as though the piece is lit from behind.

That’s something that I always aim for in my work. When it appears, it shows itself in lesser or greater magnitudes. I think this one is on the higher end. It has a very striking appearance, much more so in person than in the image shown here. Sometimes a photograph loses some of the fullness of a painting, flattening out the colors and not fully capturing their depths, intensity or transparency. I think that is the case here.

The title comes from a belief of mine that is very much attached to the words above from Nikola Tesla, that we are all as one. It’s the same sentiment that echoes from poet John Donne:

No man is an island, entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were; any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.

That is the feeling I get from this piece, that as much as we try to isolate ourselves from the world we are forever attached to and affected by this connection. We live our best lives when we recognize this and achieve some sort of harmony — or should I say truce– between ourselves and the world. It’s a matter of giving everyone and everything the same degree of respect and kindness that we expect to be given by others. 

It’s another form of the old love-thy-neighbor adage. It’s been around forever because it contains an eternal truth. Harmony, both inner and outer, might be the prescription for all that ails us. That’s the easy part.

Finding it is another story. But like anything, once you know what you seek it becomes easier to find.

Speaking of harmony, here’s a song that practically oozes with it. It’s Helplessly Hoping from Crosby, Stills and Nash.



TOMORROW!!

SATURDAY, SEPTEMBER 28

GALLERY TALK at the PRINCIPLE GALLERY

 GOOD CONVERSATION, ART, SOME LAUGHS,

THE CHANCE TO WIN A PAINTING–AND MORE!!!

BEGINS AT 1 PM.



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GC Myers- Between Order and Chaos

Between Order and Chaos– Coming to Principle Gallery



In all chaos there is a cosmos, in all disorder a secret order.

–Carl Jung



I am busy getting ready this morning for the Gallery Talk I will be presenting this coming Saturday, September 28, at the Principle Gallery, beginning at 1 PM. Part of this preparation is finishing new work and packing up that work as well as the painting that will be given away in a free drawing for those at the talk, along with a few other surprises. You have to come to the talk to know what those will be.

GC Myers- Point of Contact 2016

Point of Contact — You Could Win It!

Along with the new work, I am also bringing four favorites of mine from the past decade. One is the painting above, Between Order and Chaos, shown above. It is a piece that jumped out at me in many ways since it was first painted. The post below from a couple of years back explains one of those aspects.



There is a philosophical concept called Unus Mundus— Latin for One World. Its premise is basically that behind the evident chaos of this world and the universe there is a unifying realm of absolute knowledge on which all existence is based.

It has been around for ages, going back in some form to the ancient Greeks. In the last century, Carl Jung became the biggest advocate of this theory, using it to explain the similarity in the content and construct of the myths and stories of the cultures and their belief systems. Each represents the discovery of some small bit of the order or pattern contained in chaos surrounding this world and becomes a recurring symbol, forming what Jung termed as an archetype. 

I describe an archetype as being how there are universal reactions and interpretations to certain images. One of the main reasons I use the Red Tree and the Red Roof, the Red Chair, and the ball in the sky that serves as the sun/moon is that each translates seamlessly across cultures. You don’t need specific cultural knowledge to understand the reality they symbolize. Each carries universal meaning.

This theory, the Unus Mundus, is what I see as the force behind the new painting at the top, Between Order and Chaos. It’s about how we struggle to create order in the face of constant chaos (represented in the sky’s slashing marks) with the orderliness of the flower beds representing this attempt.

The round flower bed caught in the curve of the path echoes the sun above. I see it somewhat as a symbol of synchronicity, another term coined by Jung. He uses it to explain some coincidences that seem to have some sort of meaning though there is no explanation for this feeling.

A coincidence might be just that or it might be that we have unwittingly come in contact with a strand of the Unus Mundus.

I sometimes feel as I have had fleeting moments of synchronicity but I can’t be sure of that.

How does one really know such a thing?

And I can’t say that we will ever learn more about or understand the Unus Mundus or the meaning of synchronicity, even though it might be for the betterment of us all as a species.

Perhaps we have become too comfortable living in this slice of the universe between order and chaos?

I don’t know. But for now, it’s all we have.

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Celebratio

GC Myers- Point of Contact 2016

Point of ContactGrand Prize at Saturday’s Gallery Talk



The very act of understanding is a celebration of joining, merging, even if on a very modest scale, with the magnificence of the Cosmos.

–Carl Sagan, Demon-Haunted World: Science as a Candle in the Dark



I will be giving a Gallery Talk at the Principle Gallery, beginning at 1 PM. I’ve been doing these talks at the Alexandria, VA gallery since 2003, with the only break coming during the pandemic. I enjoy these events, getting to speak with folks, answering some questions, and hopefully sharing some stories or information that is new to those in attendance.

I also have made a habit of giving away some things, including the painting chosen for this year’s event, shown at the top. This piece, Point of Contact, is one that is near and dear to me, which is why it was chosen. I’ve pointed out a number of times here that I only choose work to give away that has meaning to me.

GC Myers- Celebratio sm

Celebratio– Coming to the Principle Gallery

I’ve always believed that real giving has to hurt a bit in order to have real meaning. That’s the case with this piece for me.

I am also readying a group of new work to bring along on Saturday. Mixed in with this group are a few favorite pieces from the past decade. One, Celebratio,  10″ by 20″ on canvas, shown here on the right, is from the same time frame, 2016, as Point of Contact. It slipped under the radar at the time, getting limited exposure in the galleries. Inexplicably, it was never shown at the Principle Gallery or even shared here on this blog. but has become a favorite of mine here in the studio in recent years.

But it has become a favorite of mine here in the studio in recent years. Maybe it is the joy I see in it that inspired its title. It always lifts my spirits and that’s saying a lot, considering what has occurred in the world in the past eight years since it was created.

I like to think that it echoes the words of Carl Sagan at the top of the page, that it represents the coming to an understanding and merging of oneself with the magnificence of the Cosmos.

A reason for celebration, indeed.

Hope you can make it to the Gallery Talk on Saturday.

Here’s a song from Sly & The Family Stone that I think meshes pretty well with Celebratio. Like the painting, I was surprised to find that I have never shared this song on this site.

Better late than never, as they say…



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GC Myers- Too Many Moons

Too Many Moons— Coming to Principle Gallery

Nothing is more fatal to happiness than the remembrance of happiness.

André Gide, The Immoralist



I am still trying to figure out what I am seeing in this painting that contains what I perceive to be multiple moons. It feels playful on one hand but also feels like a representation of some sort of remembrance of the past.

I don’t think it represents a longing or nostalgia for the past. Like the words above from Gide, I tend to believe that nostalgia discounts and takes away from the wonders of the here and now or, at least, distracts us from fully appreciating and engaging with the present.

No, this feels less like nostalgia and more like a deep recollection of the past, where one is trying to determine the precise course that brought them to the present moment. All the twists and turns of life, the ups and downs. The right decisions and the wrong.

Everything meaningful that took place while going unnoticed or unappreciated at the time. All those moments that made us what we see ourselves as being today.

It’s an impossible task and maybe that’s what this represents– that there are too many moons to recollect. To appreciate the present moment and where you are.

Hmm. That’s not too bad for 6 AM. I might go with that. It works for this morning, at least.



This painting, Too Many Moons, 8″ by 16″ on canvas, is coming with me this Saturday, September 28, when I head down to the Principle Gallery in Alexandria, VA. I will be giving my annual Gallery Talk there on that day, beginning at 1 PM. It is usually an hour of a little talk, many questions and a few answers, a free drawing for one of my paintings (see Saturday’s post!) and a few other surprises. Hope to see you there.

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Natural Throne

GC Myers- Natural Throne  2024

Natural Throne– Coming to Principle Gallery



The greatest monarch on the proudest throne is obliged to sit upon his own arse.

–Benjamin Franklin, Poor Richard’s Almanack



This is another new painting, Natural Throne, that is coming to the Principle Gallery with me on Saturday, when I will be giving a Gallery Talk there. 

This is a small piece, coming in at 5″ by 7″ on panel, but it has a bigger feel in person. I think some of it comes from its surface appearance. It is painted with inks on a panel with a gesso surface that is very smooth. When finished off with a final layer of varnish, it has the look of glass or enamel, its surface giving it a glow. Quite striking, it feels as much like an artifact, an object, as it does a piece of art. 

But one shouldn’t let the surface appearance discount the painting itself. I believe it would hold up well whatever surface was under it.

I call this piece Natural Throne partly from an idea of personal sovereignty that lingers in my mind. This is not to be confused with sovereign citizenship, that fringe movement that has existed for a long time where people believe they are beyond the rules and regulations and obligations of the country in which they exist. No, this is more about people feeling small and having little control or say-so in their life or the world.  It’s about finding a place, a little space of their own, and seeing as their private kingdom, even if only in their minds.

I see this painting in this way because, as I have mentioned here before, this is one of those pieces that I see being as much as a royal portrait as it is a landscape. In these pieces, I often see the Red Tree as the crowned head with the mound on which it rests serving as a colorful robe of state and its kingdom spreading out behind it.

I definitely got that feel here.

Of course, you might not see it that way. And, as always, that is as it should be. I am just giving my view of it as I sit here this morning on my regal arse in my little kingdom in the woods.

Okay, I have to get to work. There are decrees to be issued, cat boxes to be cleaned and garbage to be gathered. Monday is the day for the royal garbage pickup here in the realm.

Ah, the life of a king…



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The Future Looms

GC Myers- Archaeology: The Future Looms

Archaeology: The Future Looms– Coming to Principle Gallery



We’re all so clogged with dead ideas
passed from generation to generation
that even the best of us don’t know the way out
We invented the Revolution
but we don’t know how to run it
Look everyone wants to keep something from the past
a souvenir of the old regime
This man decides to keep a painting
This one keeps his mistress
He [pointing] keeps his garden
He [pointing] keeps his estate
He keeps his country house
He keeps his factories
This man couldn’t part with his shipyards
This one kept his army
and that one keeps his king

Marat, act 1 – Peter Weiss, Marat/Sade (1963)



What do we carry with us into the future? What do we leave behind?

Do we haul our best intentions, and our idealism? What about our creativity and sense of history– do they get hauled forward? Or is it all left to molder among the shards of pottery, rusting machine parts, broken toys, plastic bags, and other souvenirs we leave to the future as monuments to today?

Do we take with us our worst impulses and lack of responsibility, dismissing history and forgetting all that is buried in the past? Do we continue to drag the dead ideas of the past with us?

 I don’t know.

Those are some questions that sometimes come to mind when I look at some of the pieces from my Archaeology series. These questions seemed to pop up even more with this new small painting (10″ by 10″ canvas) from the series. There is something in it, something I can’t quite identify, that makes it feel as though there is a decision to be made about our future. I am sure the current political environment comes into play in my thinking but it feels as though it goes beyond even that. As though outside of a natural calamity — giant meteor strike, supervolcano eruptions, or all the land masses of the Earth suddenly sinking to the bottom of the oceans– we have a chance to determine what the future holds.  That we get to decide what those things are that we deem to be necessary for our survival and not mere souvenirs of a lost past.

Huh– that’s more thought than I wanted to expend this morning.

Anyway, this painting is titled Archaeology: The Future Looms and it is headed to the Principle Gallery this coming Saturday, September 28. I will be there to give a Gallery Talk beginning at 1 PM. Check out yesterday’s post to see the painting (Point of Contact) that will be awarded to one lucky attendee. It’s usually fun so I hope you can make it.

For this Sunday Morning Musical selection, here’s a somewhat fitting song, Souvenirs, that is sung by here by the late, great John Prine.  The song was written by Steve Goodman, who also wrote The City of New Orleans, recorded most famously by Arlo Guthrie. Most people have little knowledge of Goodman or his wonderful songwriting since he died in 1984 at the age of 36 due to leukemia. 



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Point of Contact/Grand Prize!



GC Myers- Point of Contact 2016

Point of Contact — Grand Prize at Next Week’s Gallery Talk

The world is full of magical things patiently waiting for our wits to grow sharper.

Bertrand Russell



It’s one week until my annual Gallery Talk at the Principle Gallery. It takes place next Saturday, September 28, beginning at 1 PM. One of my favorite parts of these talks comes at its end, in a drawing that is held for one of my paintings to someone in attendance. I have written before about how I choose these pieces, that they must have personal meaning for me. The chosen prize for this talk is Point of Contact, an 11″x16″ painting on paper, framed and matted at 16″ by 21″. It’s one of those pieces that often makes me stop and consider it whenever I pass it here in the studio. To be honest, I never thought I would give it away.

But it seems like the right thing at this moment. Hope you can make it to the Gallery Talk at the Principle Gallery in Alexandria next week. I will try to make it interesting. Maybe even fun. Plus, you might be the one to take home this painting. Who knows?

Here’s what I wrote about Point of Contact several years ago:



These handful of words from the great British thinker Bertrand Russell pretty much sums up what I see in this painting, Point of Contact.  And that is that there is a world of wonder within our grasp — those magical things– if only we make the effort to recognize the patterns and forces of which they are comprised.

I have said before that we are part of a greater pattern. I believe that it can be found in two simple ways– either looking inward or looking outward. Since we are formed from this pattern, we can find parts of by examining our own inner world, our thoughts and dreams. Or we can examine the world immediately around us for the hints of the pattern that are everywhere if only we can identify them.

Unfortunately, in this busy modern world we too often find ourselves doing neither. We live in a sort of limbo where we are mesmerized by the glossy lure of technologies that occupy our every moment. It’s hard to look inward or outward when our eyes and thoughts are fixed on the screen in our hands.

Don’t get me wrong– I’m no technology-resisting Luddite. I embrace the wonders of this technology when it serves us and provides a real purpose, when it expands our knowledge and sends it to the far corners of the world. The possibilities for good things from our technological often seem endless.

But none of it matters if we lose contact with the greater powers and wonders that surround us every day, forces and patterns that patiently wait for us to unravel the magic that makes them invisible to us.

These are things that may well forever be beyond technology. Maybe it is more a matter of refining our internal technology.

I know to some this sounds like a bunch of mumbo jumbo. Maybe the idea of great forces and patterns surrounding us seems a bit loony to some. I get that. But set that aside, if you must, and simply consider the benefits of looking away from your smartphone or laptop for a short time each day to examine the inner and outer world outside of that screen. Maybe if we do this on a regular basis our wits will sharpen to the point that we will better see that world of magical things as Bertrand Russell pointed out.

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