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Archive for the ‘Motivation’ Category

GC Myers- The Eye of ImaginingAll human accomplishment has the same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination. It converts to actual. It sustains, it alters, it redeems!

Saul Bellow, Henderson the Rain King

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It converts to actual.

Those four words sum up the power and potential of the imagination.

Our dreams, our hopes, our desires– they all take place in our imaginations. There these concepts begin to take shape and create their own paths forward. It is in the imagination that those first tenuous steps take place that transform mere thought into reality.

Every worthwhile thing we have ever done and every aspiration we will ever have is a product of the imagination.

It is the seat of all humanly power. And it is ours if only we use it.

Dare to imagine.

I think that is what I am seeing in this new painting, an 18″ by 18″ canvas, that I call The Eye of Imagining. It’s about dreaming.  About transforming that which we know and see into a form that better suits our hopes and desires.

It’s about reminding ourselves that the only limits to our potential come from not dreaming, in not allowing our imaginations to run freely.

This throttling down of one’s imagination is something of which I am as guilty as anyone.  I often find myself compromising my dreams, making them smaller and less challenging because of self doubt and a lack of confidence.

And this lack of imagining makes me feel smaller as a person.

We need to dream.

We must dare to be the person we imagine ourselves to be. Dare to imagine that.

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The post below, from early 2012, is a favorite of mine.  The idea that each individual has their own unique strength and quality–their own lever, if you will– is what I see as the basis for my work. This post also serves as a reminder that there is never an obstacle too large or a foe too powerful that can’t be moved with the proper lever. I think it’s something we should think about during this time.

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Give me a place to stand, and I will move the Earth.

Archimedes

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This is actually a condensed and long accepted version of  Archimedes‘  words.  It was really about the power of lever in physics.  He actually said: Give me a lever long enough and a place to stand  and I will move the Earth.  But the lever has been dropped over the 2200 or so  years since he lived and has come to signify something more than a statement about physical mechanics.  It is an almost existential statement about the power of the individual in changing the world.  The small somehow defeating  the overwhelming forces set against them.

David versus Goliath.

The biblical David’s lever was his intelligence and the sling and stone that he used to offset the lever of the Philistine’s size and strength in order to take down the giant.  Every underdog has somehow identified a strategic advantage that has enabled them to triumph against all odds.  Something that plays to their own strengths and magnifies their greater opponent’s weaknesses.

What is the lever you will use to move the Earth?

I call the painting above A Place to Stand after these words of Archimedes.  It is a new piece that is a 24″ by 30″ canvas that is a very simple composition that relies on the juxtaposition of the single Red Tree set against a powerfully set sky that seems ready to overwhelm the diminuative tree.  Yet, against all the elemental force  of wind and weather that  the sky can muster, the tree perseveres.  It uses the flexibility of its trunk and limbs to absorb the wind and its bark protects it against the heat and cold.

It stands alone, without protection for all the world to see. Yet it stands. Just standing where you are with resolve is sometimes a lever powerful enough to change the world.

Perseverance is often its own victory.

Persevere.

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Dare/ A Replay

 

I needed a pep talk this morning and went into the archives. I ran this post below back in 2009 with a quote from the Roman philosopher Seneca that really rang true to my ears then and now.

Fear creates our boundaries and prevents us from pursuing all that we desire. Our fears often make us doubt our own strengths, our own abilities, our capacity for enduring and every positive trait that has served us so well in the past. 

These fears and doubts can make us stagnant, can keep us in our place.  For some, that is satisfactory.  They will take what they are given and live with that.  For others, a life dictated by fears becomes an unbearable existence. They must move forward. They must face down their doubts and overcome their fears.

They must do what others tell them is too difficult to attempt.

They are the creators of the new world in which we will live.

Which will you be?

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gc-myers-dare“It is not because things are difficult that we do not dare; it is because we do not dare that they are difficult.”

– Seneca

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I’m at a point in my year when I have a little time to start working on new things, new directions for the work.  It’s always an interesting time at which I’m always a little anxious, not wanting to squander this time by not pushing myself enough.  To not dare myself to push through whatever barriers I have erected that I fear may be keeping my work static at the moment.

I view whatever small amount of talent or ability I have as being a ship and I am a sailor.  I may know how to sail the ship and may have ventured fair distances.  But there comes a point when I must dare to go further, past what I know.  See places unseen by few others.

And that’s how it feels at the moment.  The ship is at dock, waiting.  The sea is there and the horizon clear.  Now it’s up to me.

How far do I dare venture?

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Over the past couple of months, I have found my work  moving more and more small in its size.  It wasn’t a conscious thing. It wasn’t because I wanted to simply make smaller paintings.  I have simply found myself feeling smaller.  Less expansive.  Less confident in making bolder, larger statements.  Hoping to move away from this trend, I went back in the blog archives and came across the post below from almost eight years back that captured my mood when I was in a somewhat similar place.  I thought sharing it might remind me to begin thinking bigger again, to trust my vision.Robert Smithson Spiral Jetty

Progress has not followed a straight ascending line, but a spiral
with rhythms of progress and retrogression, of evolution and dissolution.

– Johann Wolfgang von Goethe

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I was looking at a book catalog yesterday, just browsing for something new and I spotted a book on the works of Robert Smithson, who is best known for his monumental earthworks.  The most famous is shown here, the Spiral Jetty, which juts out into the Great Salt Lake in Utah.  I’ve always been somewhat fascinated by earth-moving on a large scale and have admired Smithson’s work whenever I came across it.

The reason I mention this now is that I found myself thinking smaller lately, painting smaller paintings for a smaller economy.  Part of this was a conscious decision but part was the result of just becoming a little more wary with all the turmoil in the world.  There has been a period of introversion marked by a noticeable withdrawal from thinking boldly.  Seeing this reminded me of the need to think big.

I realized I had become a bit fearful of pushing myself, perhaps afraid of exposing my limitations.  I had lost a little faith in my own abilities, including the ability to adapt to new challenges.

I was being safe.  It was the retrogression that Goethe talks of in the quote above.  I was in the spiral.

This all flashed in my head within a few seconds of seeing the spiral jetty.  Funny how a single image can trigger a stream of thought with so many branches off of it.

I had forgotten that I had to trust myself and throw the fear of failure aside, that thinking bold almost always summons up the best in many people.  Once you say that you don’t give a damn what anyone says, that if you fail so be it, the road opens up before you and your mind finds a way to get you on it.

So I have to remember to think big.

To look past the horizon.  Just freaking do it.

Then progress will come…

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GC Myers- The IntentionEvery intention sets energy into motion, whether you are conscious of it or not.

Gary Zukav

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I am calling this new painting, a small 5″ by 7″ panel, The Intention.  It is based somewhat on the quote above from Gary Zukav although the thought behind it, that we must first identify that thing that we seek in order to find it, is one that I have believed for quite some time.

I have long thought that once we identify our true need or desire that the energy of the universe reacts to that intention and sets a course for us to that destination which satisfies our want.  We begin to move in ways, sometimes subconscious and almost imperceptible, that lead us forward to that goal.  Small decisions end up having large consequences and we creep ever closer even though we may not be fully aware of our progress.

However, that end is not always reached nor is it always attainable.  Sometimes along the way we may reset our sights, realizing that we weren’t as earnest in our desire as we first believed.  The required effort may be more than we are willing to give or the results we are getting don’t produce the satisfaction we thought they might.

Or we might simply not be equipped to complete the journey.  We may just not have the ability, talent or temperament to reach our dreamed of goals.  But in that case we normally, while discovering what we cannot do, have uncovered some things that we can.

In finding what we are not, we sometimes uncover what we truly are.  And the universe takes note anew and leads us to that.

And that all starts with that initial intention which in turn becomes purpose.

I like to think that this piece reflects this idea, that the Red Tree here is sending out its plea to the universe and it is responding by setting energies in motion.

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GC Myers- The Figurehead-copyNever doubt that a small number of dedicated people can change the world; indeed it is the only thing that ever has.
Margaret Mead

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I love the words above from anthropologist Margaret Mead. I think they are empowering and a reminder of our innate ability to shape the world.

Too often we fail to exercise our own power to change the world because we think that we have little power to do so.  We all too often see ourselves as unseen players on a huge stage, that our existence is noticed by no one.

But what we fail to understand is that we change the world by our very existence.  It comes through the way we carry and express ourselves, in the manner in which our actions and words affect those close to us.

We create the patterns for our young, molding the way in which they view and act within the world.  Our actions and words set the tone for their future, building a sense of  openness and possibility or one of angry pessimism in them.  Calm words, thoughtful reactions and a strong resolve to do what is right can change the world in a small way.  It can only make it better.

And this attitude will attract others and together their power to affect changes increases dramatically.  That is how changes comes to this world.  It starts with one person who creates an atmosphere where anything seems possible, especially those things that stem from positive attributes.

I see this new piece, The Figurehead, a 5″ by 27″ painting on paper which is part of my upcoming Kada Gallery show, as an embodiment of this sentiment.  The Red Tree here displays a graceful quality that holds sway over all those who are within in its sight, serving as a symbol of inspiration and strength.

I think we are all figureheads of a sort.  We all hope to represent certain ideals and qualities and ideally they are apparent in how we present ourselves to the outside world.  So it is vital to remember that we all in some way stand alone on a rise where we are visible to those around us.  Our words and actions matter in a large way.

They can change the world…

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I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.  In short, I allow faults to appear, the better to fix my sensations.

–Claude Monet, 1912

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I have had this little sign hanging in my studio for the last 16 years [over 20 years now], a rough reminder to myself when I begin to feel like my work is bending to the rules and judgments of others.  It reminds me that I am working in my own realm, my world.  I control the parameters of what is possible, of what defines reality in my work.  The rules of others mean nothing in my little painted world.

Over the years  I have glimpsed this small sign at times when I have been feeling that my work is stagnating or beginning to adhere to  accepted conventions.  At those times I have been spurred to push my work in some new direction.  It might come in the form of heightening the intensity of color or introducing new hues that seems incompatible with nature, for example.

It’s as though these two words are prods that constantly  tell me that nobody can control me when I am here in my created world.  There’s a great liberation in this realization and I find myself trusting my own judgment of my work more and more.  Because I have created  my own criteria for its reality, criticism from others means little now.

I think that’s what I am trying to get at here, that an artist must fully believe that they are the sole voice of authority in their work, that they, not others, determine its validity. Maybe that’s why I am so drawn to  Outsider artists, those untrained artists who maintain this firm belief in their personal vision and create a personal inner world of art  in which it can live and prosper.  Rules mean nothing to them- only the expression of their inner self matters .

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Sunny Point on Keuka Lake, Location of this year's Workshop

Sunny Point on Keuka Lake, Location of this year’s Workshop

As it was last year, I am leading a two-day workshop this month for the Arts Center of Yates County.  This year’s edition is going to be held at their Sunny Point facility (shown above) on the shores of beautiful Keuka Lake on Thursday and Friday, September 22-23.  I plan on having the attendees experimenting in my reductive technique as well as composing their work in different shapes and sizes than they might otherwise be accustomed.

One of the  purposes of this workshop is to see their materials in a different light and to knock down the limitations and rules that we often set on ourselves.  Basically, the idea is to get them realize that there are no rules when it comes to expressing yourself.

Last year was my first attempt at teaching and if you were reading here at that time you may recall that I had a lot of anxiety and reservations about the whole thing.  But I found it to be a very fulfilling experience and the feedback from the attendees was strong enough to convince me that there was indeed something of value here, that I was getting across something of use to these folks.

Frank B. at last year's workshop

Frank B. at last year’s workshop

Plus, it was just fun spending some time with some really nice people.  We had a lot of laughs, told some stories, learned some new things and made some really interesting work in those two days.  If you recall, I was blown away at how quickly that group absorbed the lessons.  At the end of the workshop they were working at a point that took me a year or more to reach on my own.

I was informed yesterday that there was still one and possibly two spots available for this workshop.  So, if you are interested in attending, you can get more info and register by clicking here or phone the Arts Center of Yates County at 315-536-8226.

Keuka Lake in the fall is always beautiful and I know we’ll have a pretty good time along with a few pleasant surprises.  Hope you can make it!

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GC Myers- The Old Man smNone are so old as those who have outlived enthusiasm.
Henry David Thoreau

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This is a new painting that measures 12″ by 6″ on panel and is part of my show at the West End Gallery that opens in about two weeks, on July 22.

I  call it The Old Man.

For me it symbolizes someone in their final years and days of life who has lost enthusiasm for this world, who sees it as a place that has changed beyond all recognition or comprehension.  It is no longer their world, which feels like an alien landscape in which they are stranded.

They feel detached from the lifeblood of the now and of the future, clinging to what remains of the past in their memories and connections, both which grow smaller and smaller with the passing of time.  After a time, even pulling from that field of memory brings no joy.

It becomes a painful waiting game beneath an unblinking sun.

That sounds sad, I know.  But there is something positive in it as well.  I see this as a cautionary piece, one that warns against disengaging from the world even as it changes from that which we have known and accepted.  The world keeps on moving and we must remain enthusiastic and find new joy in this ever changing world.

That’s my take on this painting, most likely formed from some personal observations. Perhaps you will see something other than this when you look at this image, something that jibes with your view of the world.

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GC Myers- The PauseThe right word may be effective, but no word was ever as effective as a rightly timed pause.
Mark Twain

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The painting shown here is titled The Pause and is 16″ by 16″ on paper.  It is included in my upcoming show, Contact, at the West End Gallery which opens on July 22.

I am a big believer in the pause as a form of communication.  That brief moment of silence between words said and words not yet spoken, that small period of inaction between actions, is often filled with a great and ponderous anticipation of what might come next.  In that tiny span of emptiness there is both a look backward at all that has come before and ahead at all that the future might bring.  The pause allows for contemplation of both.

Okay, now that may be putting the importance of a pause in larger than life terms.  Not every pause holds all the past and all the future.  But every pause allows consideration and thought of the immediate past and future, giving that moment a certain degree of importance.

I learned the lesson of pausing from the many gallery talks I have given over the years.  Halting for just a moment to ponder the question asked or the statement made is far more effective than simply beginning to speak.  That was a difficult thing to do at first when it sometimes seemed like every moment needs to be filled with sound and content to cover my insecurity.  But I learned that that moment of silence was not a bad thing at all.  It showed an appreciation of the question or statement, showed that I heard what was being said and showed that I wanted really consider how I would answer.

Moving back to larger terms, the pause works in much the same way.  The pause takes the past and brings it into the present and makes it part of the decision for the future.  The pause consoles us as to what has failed us in the past and what has succeeded.  It cautions us against rash and impetuous actions.

The pause is a deep breath that freshens us, allowing us to take in the world around us and to refocus, to reconsider our words and actions.  The pause allows us to see other paths leading forward.

The pause can be a potent force, if only we choose to use it.

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