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Archive for the ‘Music’ Category

Tracy Letts , Benjamin Walker and Annette Bening in “All My Sons”


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“Mother: What more can we be?

Chris: You can be better! Once and for all you can know there’s a universe of people outside and you’re responsible to it and, unless you know that, you threw away your son because that’s how he died.” 

Arthur Miller, All My Sons

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I had the good fortune to take in the current Broadway production of the Arthur Miller play All My Sons yesterday. A powerful, beautifully crafted  play with memorable  performances made it one of those moments when I truly appreciate the shared experience of live theater. There’s something hopeful, even with a darkly set play that bares our faults and inadequacies, in sitting in a theater filled with people who you can feel being moved by the material and the performances. I woke up this morning thinking about this play which is a pretty indicator of how well it hit the mark for me.

Written in 1947 and set in the aftermath of World War II, it’s a drama that maintains its impact and relevance. Times may have changed some things, but the unbrave new world it presented then are recognizable in these times as well. The conflict between those who fail to accept responsibility for their actions in the name of self-preservation and those willing to sacrifice and hold themselves accountable is as cogent now as it was then.

There were lines, such as the exchange between the mother, Kate and her remaining son, Chris, (played masterfully by Annette Bening and Benjamin Walker) that leapt off the stage for me. But the moment that I felt was the most memorable came without words. It was at the pivotal point where the father, Joe (in a tremendous performance from Tracy Letts), silently reads the letter from his MIA son that sets the course for the final act. I don’t know how long he read in silence. It might have only fifteen seconds or so but it felt like it a minute or more. The silence of the theater was absolute as though everyone there was holding their breath in anticipation of his response.

It was a great moment from what I feel was great performance. Glad to have taken a short break to have experienced it. Makes me want to do better, be better.

So, this Sunday musical selection came about as we were waiting for our car to be brought around. Sitting in the lobby and  Sly and the Family Stone’s Sing a Simple Song was playing in the background. I felt my head boobing to the beat and I look across the lobby and see another guy sand wife both reflexively moving up and down on the balls of their feet to the beat. Thought that maybe the world would be a better place with Sly being played more. Give a listen and have a good day.

 

 

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I know that I featured the art of Georges Rouault just a few weeks back but I am short on time and wanted an image of clowns to accompany a song. But I didn’t want the schlocky Red Skelton clowns. I wanted something else. And it turns out that Rouault, a favorite of mine, painted plenty of clowns. I don’t know how many but it seems like a lot. The clown can be a compelling figure, as the song below proves.

So, here are a few Rouault paintings to go with the classic The Tears of a Clown from the great Smokey Robinson. It has what I think is the greatest intro to any pop song ever. Just hearing this song begin makes me happy.

Got to run. Enjoy some Smokey and have a great day.


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It’s Easter, again. Since I have never had a religion, Christian or otherwise, even as a child, the holiday probably doesn’t hold the same significance for me than it might for many of you. But I do know and enjoy many of the stories and lesson of the religions.

Among them all, the Resurrection is certainly one of the most potent, even if only in symbolic terms. The idea of rebirth and redemption is a powerful concept, one that many of us who have wronged in the past seek in our own lives.

I am hoping for such a resurrection in this country, one that sees us returning to a code of ethics and a rule of law which finds no one above it. One that places what is best for the most of us over what is best for a chosen few and where we seek to help the neediest rather than the most fortunate among us. One that holds those who hide behind lies and falsehoods responsible for their words and actions. One where those who represent us in our government understand their obligation to serve country rather than party or moneyed interests.

Is that too much to ask?

Maybe. But it sures seems that we, as a nation, are at a point where such a restoration of honor and sanity is sorely needed. Hopefully, the findings revealed this past week will set us on the path to such a thing.

Anyway, for this Easter Sunday, I have selected a song that doesn’t really have anything to do with the day. It’s Nobody Knows (The Trouble I’ve Seen) performed by the great Sam Cooke. It’s a different interpretation of the African-American spiritual that came from the slave era and it soars. I am also sharing the magnificent Mahalia Jackson which has a second gear that is truly uplifting. And that fits this day, doesn’t it?

Hope you have a good day.


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I was at the easel even earlier than usual this morning. It was just after 6 AM and there was something I needed to do on a large piece. something that felt like it had to be done immediately or it would blow up my brain. I took care of that pressing issue and thought I would try to write a blogpost.

Turns out that doing that one thing led to another and, even as I sit here, that painting is loudly demanding more attention. Sometimes they are like infants crying out for attention, for nurturing. So, it’s time for to slap some more paint on my baby.

Here’s song that I haven’t heard on many years from Rory Gallagher, the late great Irish guitarist.  You don’t hear much about him anymore–he died in 1995– but he was a big influence on many rock guitarists of a certain age. This is one his songs that is a favorite of mine, A Million Miles Away. Maybe I can use that title for the painting on the easel. It certainly feels like I am a million miles away when I am working in it.

Have a great day.

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Too many more productive things to do this morning rather than editorializing, as much as I might wish to do so. So I thought I’d just share the classic Talking Heads song, Road to Nowhere. You can take whatever meaning you wish from this selection.

This is a live version with David Byrne teaming up with singer St. Vincent and a marching horn section. Good and fun performance.

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To Leave Something Behind

Time is short this morning but I wouldn’t miss posting a bit of music on this Sunday morning. It’s a song from Sean Rowe that speaks very much to the desire that some artists have, myself included, to leave something behind. To leave a reminder, even a small one, that they existed and created in this world. That they had eyes and ears and a voice and a mind of their own. That they felt something, that they dreamed in this world.

The song is To Leave Something Behind and with his powerful voice, Sean Rowe certainly creates something here to leave behind. Give alisten and have a great day.

 

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Watching the news and I can feel my blood pressure rising as I sense both my dread and rage. I am not going to vent here.

What’s the sense in that? You have eyes and ears. You’re witness to a new dark chapter being written in our history. If you read it as I do, you feel the same dread and anger. If you’re pleased with what is happening, then most likely you’re not reading this nor would my words mean anything to you as your version of what you believe is the truth no doubt diverges from my own.

Lately, I keep coming back to a passage from a 1995 book, The Demon-Haunted World: Science as a Candle in the Dark, from scientist Carl Sagan.  The book was a defense of science and rationality and an indictment of pseudo-science and religious extremism. He had a premonition for the future and it appears that the pattern he was seeing at that time is coming to bear now.

“Science is more than a body of knowledge; it is a way of thinking. I have a foreboding of an America in my children’s or grandchildren’s time — when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.

The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance”

A celebration of ignorance.

That may be the defining term for this age.

I’m going to let you chew on that while I try to calm myself with a little music from a long time ago. It’s Itchycoo Park from the Small Faces in 1967. The frontman for the band at that time (pre-Rod Stewart) was Steve Marriott. Probably not a name many of you know but he was highly influential in the history of modern rock and roll. For example, Robert Plant was an ardent Marriott fan sometimes errand boy for the band. He and Led Zeppelin owe a lot to the stylings of Marriott, who died at the age of 44 in 1991.

Anyway, it’s a favorite song and one that eases my mind a bit on days like this. Give it a try for yourself.

 

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“The untold want, by life and land ne’er granted,

Now, Voyager, sail thou forth, to seek and find.”

Walt Whitman, Leaves of Grass

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A little short on time this morning (what’s new?) but I wanted to share this new song from an upcoming album by a favorite of mine, Rhiannon Giddens. She has one of those voices that always seems absolute and powerful. A beautiful rarity. I felt that this particular song fit right in with the theme behind much of my work, especially in the line in its chorus :

Don’t know where I’m going but I know what to do

Does anyone really know what they’re looking for in this life? Just doing the right thing and being honest with ourselves is all we can do as we search.

So, give a listen and keep on seeking, folks. Have a great day.

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https://www.youtube.com/watch?v=a4Xlyi8Is98

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I am sharing a favorite of mine for this week’s Sunday morning music selection. It’s from composer Philip Glass and is a piece originally from a soundtrack of the 1985 film Mishima: A Life in Four Chapters. The full title of this particular selection is String Quartet #3 Movement VI (also called Mishima Closing) and is performed by the Dublin Guitar Quartet. I have listened to this piece performed by a variety of artists and groups with different instruments and all are wonderful. But I like this version and it just seems to fit this morning.

The story behind the film that this piece is taken from concerns the life of the Japanese novelist Yukio Mishima. Born in 1925, Mishima was considered one of the most important writers of modern Japan. That would be notable enough on its own but it was the end of his life that more often than not associated with his name.

Mishima was an avowed nationalist of sorts and for many years trained physically and mentally according to the bushido, the code of the samurai. He formed a civilian militia with the purpose of defending the emperor in the event of a communist revolution and takeover. On November 25, 1970, Mishima and four members of this militia, the Tatenokai or shield society, entered a military base in Tokyo and barricaded themselves in the office of the base commandant, who they detained, tied to a chair.

Mishima then went out onto the balcony and delivered a manifesto he had prepared to the soldiers of the base who were gathered below. His speech was intended to inspire a coup within the ranks that would restore the powers of the emperor.

But the soldiers only mocked and jeered at Mishima.

Finishing his manifesto, he went back into the commandant’s office and performed seppuku or harikari, a suicide ritual in which he would stab himself and then be beheaded with a sword by one of his aides. The aide failed in three attempts at the task of beheading Mishima and another took over the task. This aide then performed the same act on the first aide who had failed in his original task.

It was a strange event and one of which I have to admit I was not aware until several years ago. I also have never seen the film but Glass’ soundtrack is powerful and beautiful. Give a listen and have a good Sunday.

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The moon, like a flower

In heaven’s high bower,

With silent delight

Sits and smiles on the night.

—William Blake

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Finished this new painting just the other day. It’s a very quiet, almost meditative piece that I am calling Moon Flowers.

It’s a piece that I find myself looking at a lot these past couple of days. While it is simply constructed, there are some there things taking place in it that keep my eye occupied. The relationships between the beds of flowers, for example, with their individual color vibrations and shapes. Or the relationship between the moon and the path below. There seems to be a connection between the two.

These relationships and the organic quality of the lines within it give it an abstract quality that I like very much. If I just let my mind go where it desires, it allows me to move beyond what seems to be represented and see something quite different.

Or rather, feel something quite different.

And ultimately, that is what I hope for in my work– to move the viewer beyond the representation of the image presented. How that’s done, I do not know. Maybe the answer is somewhere on that path under that moon. Maybe that is what I am seeing in this picture that is pulling me in.

Only time will tell.

So, for this Sunday morning music let’s go with a piece with an apt title, Moonflower, the title track of a 1977 album from the great Carlos Santana. Hard to believe this piece is over forty years old now. Time!

Have a great day.

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