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Archive for the ‘History’ Category

GC Myers- All Fall Down sm



Ring-a-round the rosie,
A pocket full of posies,
Ashes! Ashes!
We all fall down.



I was thinking of the old nursery rhyme when I named the painting above All Fall Down. It’s a small piece included at my current show hanging at the Principle Gallery.

I was thinking of it in terms of how most of us stumble at some point in our lives. We sometimes find ourselves face down on the ground– physically or emotionally or sometimes both.

The trick, of course, comes in getting up.

Maybe I shouldn’t say trick. Maybe triumph would be a better word because every time we drag ourselves to our feet is a victory of sorts. Some of us don’t make it up every time so there’s cause for some small celebration.

I used the old nursery rhyme above at the top without even thinking about its origins which come from the Black Death or Bubonic Plague that ravaged Europe from the 14th to 17th centuries.

The first line– ring-a-round the rosie — refers to the red rings or rash that would first show on the victim’s skin. These would later transform into black boils or buboes.

The second line– a pocket full of posies — refers to the belief then that the disease was transmitted through a bad smell. People would carry flowers and put them to their faces in public to protect themselves from the bad odors. The plague doctors wore an odd birdlike mask which was shaped so as to allow the beak to be filled with fragrant flowers to protect them.

The third line– Ashes! Ashes! — can be seen either as the sound of a cough or sneeze from the disease or the ashes and soot in the air from the mass burning of the many bodies of the deceased.

The last line– We all fall down — is pretty obvious. So many died that one’s own mortality was unavoidable. Probably why such a thing ended up as a nursery rhyme. No sense in trying to hide something from the kids when you’re walking by piles of folks on the street.

But at least they didn’t have to deal with being magnetized! While on the way to the studio this morning, I walked by my car and found myself stuck to the side of it, an unwitting victim of  my vaccination! It took me twenty minutes to pry myself free and be on my way. And even then it was with a garden rake firmly attached to my butt.

Of course, I kid. When you’re faced with craziness and ignorance sometimes the only response is to laugh. Or make up simple songs and nursery rhymes. A couple hundred years from now folks might well be singing ditties about Magnetic Mary or something like that.

Let’s just hope that this time, as in the past, that we are able to get back up after the fall.



GC Myers- All Fall Down in situ PG 2021

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Arnold Bocklin- Isle of the Dead



I was working in the studio yesterday with the television on in the background. Born Yesterday, the 1950 film that featured the Academy Award winning, tour-de-force performance of Judy Holliday as a ditzy mobster girl friend who discovers she has a brain was playing. It’s a great film to work by, easy to follow without watching closely thanks to great writing from Garson Kanin and the very distinct voices of its main  characters– Holliday’s snorts, squeaks, and honks, Broderick Crawford‘s rough barks and William Holden‘s smooth, educated eloquence.

I have seen the film several times over the years but had missed, or at least overlooked, one part that jumped out at me yesterday. It was  scene where Holden, who is a journalist paid to educate Holliday so that she can better mingle with the DC power crowd that mobster Crawford is looking to buy into, recites a portion of a famous essay from orator Robert G. Ingersoll. This caught my ear this time because I have recently become aware of Ingersoll and have wrote about his once celebrated but now fairly forgotten life here, back in September.

Ingersoll interested me because, for one thing, his childhood home and a museum dedicated to his life is not too far from me. Once this pandemic is in the rearview I look forward to visiting it. But I am also interested in people who are widely celebrated and have great influence in their own time but seem to fall into the darkness with each new generation. Ingersoll certainly falls into that category.

This particular essay, After Visiting the Tomb of Napoleon, was wildly popular in its time. It was written in 1882 and was recorded via the new technology of voice recording– invented by Thomas Edison, a big Ingersoll fan– by Ingersoll himself and other famed public speakers. It was sold on gramophone recordings so that families could hear the words of Ingersoll in their homes, a wild concept at the time.

It goes a s follows:



After Visiting the Tomb of Napoleon
by Robert G. Ingersoll, 1882

A little while ago I stood by the grave of Napoleon, a magnificent tomb of gilt and gold, fit almost for a dead deity, and gazed upon the sarcophagus of black Egyptian marble where rests at last the ashes of the restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world.

I saw him walking upon the banks of the Seine contemplating suicide; I saw him at Toulon; I saw him putting down the mob in the streets of Paris; I saw him at the head of the army of Italy; I saw him crossing the bridge at Lodi with the tricolor in his hand; I saw him in Egypt in the shadows of the pyramids; I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo, at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter’s withered leaves. I saw him at Leipsic in defeat and disaster, driven by a million bayonets back upon Paris, clutched like a wild beast, banished to Elba. I saw him escape and retake an Empire by the force of his genius. I saw him upon the frightful field of Waterloo, when chance and fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea.

I thought of the orphans and widows he had made; of the tears that had been shed for his glory and of the only woman who had ever loved him pushed from his heart by the cold hand of ambition.

And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky, with my children upon my knee and their arms about me. I would rather have been that man and gone down to the tongueless silence of the dreamless dust than to have been that imperial impersonation of force and murder known as Napoleon the Great.

And so I would ten thousand times.



The essay talks of visiting Napoleon’s grave and recalling all the highpoints of his celebrated life. But after taking it in, including all the human suffering that took place due to this man, Ingersoll decides that he would rather live the life of a French peasant that lived a poor life but one that had love and family in it.

Hearing and reading this brought two things to mind. The first was a conversation I had while walking down King Street in Alexandria with another artist, many years ago now. This artist was much more celebrated than me, his work selling for much higher sums than mine which made it appealing to those in power, both in government and in the corporate world. He rubbed elbows with that crowd much more than I. As we walked, he talked about the proximity to power there in Alexandria, how you could almost feel it in the atmosphere.

He asked if being that close to it made me wish that I could access that kind of power. I didn’t even think a bit about it, answering no immediately. I knew that I was an artist for just that reason, that I didn’t want to feel the weight of responsibility that I knew I would take on in such a position. If I were to change people’s lives it would have to come on my terms, as a gentle influence and not with the power of force and will that has the potential for death and destruction in the lives of others.

To the best of my knowledge, my painting has never killed anyone nor caused anyone to lose their homes or livelihood. That sounds like a goofy thing to say but it has great comfort for me. I already worry about so much that to add the wellbeing of a whole constituency would be a burden I couldn’t bear. 

My answer surprised my companion who seemed much more open to the idea of having power. This morning, this memory along with the Ingersoll essay made me think about the 500,000 Americans who have died in the past year due to covid-19. It’s a figure that is most likely at least 10% higher when you consider excess mortality figures and take into the fact that the mitigation efforts put in place for covid-19 have more or less eradicated deaths normally seen from the seasonal flu.

But even if the figure is right, half a million folks dead and half a million families affected is a sobering thing. To be somehow responsible for even a portion of those lives would be a burden I certainly would not want to bear. I think of the former president** and his administration’s laissez-faire response and it rings a bell similar to those lines from Ingersoll. To have such a thing take place under one’s watch and to only selfishly concern yourself about one’s own desires– the cold hand of ambition as Ingersoll called it– would be Napoleonic, to say it one way.

Criminally cruel and negligent is another way.

No, I wouldn’t want the life of Napoleon or our former president. I would rather gladly live the life of a French peasant with wooden shoes. Or a simple artist painting away as the snow fell outside his studio  in the woods. 

And I would ten thousand times.

Have a good day in whatever position you are.

 

 

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Betrayed and wronged in everything,
I’ll flee this bitter world where vice is king,
And seek some spot unpeopled and apart
Where I’ll be free to have an honest heart.

― Molière, The Misanthrope


Sorry I’ve been away for a couple of days but it was unavoidable as I had fallen into a small Black Hole that formed in a closet in the studio, just behind a stack of records. I was transported by it to the 7th Dimension of the Time-Space Continuum and was stranded there. I had to wait for the bus that brought me back here just minutes ago.

What have I missed? Anything important?

Actually, I just didn’t want to record any reaction to what was happening. Early Wednesday morning, I knew my emotions were too raw and that the process was not far enough along to make any real assumptions. If I had written it would have been too angry, disappointed and disillusioned.

It would have been something in the vein of the lines from Moliere’s The Misanthrope, shown above. 

It looks like this phase of the process is coming to an end and the reign of our wannabe dictator will come to an end. I thought this would make me want rejoice and yell out “Hallelujah” to the heavens. But it doesn’t. My happiness is dampened because, of course, of the weariness of the battle and the fact that there is much more danger and division ahead in the phases to come. Hopefully, we endure the rough ride and come out on the other side, where we can try to patch things back together, try to somehow repair the extensive damage this abomination has inflicted on this country.

But can we? Has he done irreparable harm?

I certainly don’t know. I can only speak to how he has affected my small world. 

And I worry that the damage he has done to my own view of my country and my fellow citizens is permanent.

And therein resides the greatest part of my immense loathing for this creature.

I have survived this world thus far by clinging to small bits of hope, to pursuing ideals that were based on some sort of goodness. Honesty. Empathy. Generosity. I have tried to find the better part of those folks I come across.

I have believed that this country did indeed have greatness but that it was never in our past. We were only on our way to greatness at any point in our 250+ years of history as a nation. I believed that our greatness was in the future and that we would slowly approach it so long as we pursued the great ideals of equality and justice for all. 

And even then, we might never reach it. But so long as we kept moving forward, that it would be okay.

But this creature has made me doubt my beliefs, made me question even the possibility of future greatness. How can any nation survive and progress towards any sort of, to use the words of the Constitution, a more perfect union when it is broken into two halves that seem to share few beliefs and values? How can it go on when  half wants to move forward and half wants to return to some imaginary point in our past? 

Because of this creature I find myself becoming more and more like a misanthrope. He has me feel judgmental and bitter towards people I don’t even know. I find myself asking how anyone could embrace his brand name hatred and vitriol, how they could blindly accept his ludicrous accusations and lies. How could they turn a blind eye to his barely veiled racism and open corruption? How could they think that the road to any sort of greatness ran through this soulless, selfish creature? 

Is this how I will forever be– angry and distrustful? Will I ever be able to restore the belief in the ideals and virtues that have sustained me for the many years of my life? Can I ever believe that these values are still shared with the vast majority, that we are willing to work as one to move forward toward that more perfect union?

I truly don’t know.

There are too many balls still in the air, too many potentials still out there for both disaster and redemption, to make any sort of determination. I doubt that I will ever be the same as I was before this creature slimed his way into our lives. I will always have doubts now, even greater uncertainty in who and what we are as a nation and what we might one day be.

In the words of the always wise Jiddu Krishnamurti:

When you once see something as false which you have accepted as true, as natural, as human, then you can never go back to it.

I am certainly going to try to maintain my optimism, try to regain my starry-eyed idealism. But I do not know if I will ever fully be the same. His words, his actions and his effect on the people of this nation have changed me.

And among his many crimes, that is one I will never be able to forgive.

But now, I am off to try to recoup some of that which was lost. Off to the easel where, as Moliere wrote:

I’ll flee this bitter world where vice is king,
And seek some spot unpeopled and apart
Where I’ll be free to have an honest heart.

Be careful out there and have a good day. Now get off my lawn!

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“Light Comes Darkness Goes”- Now at the West End Gallery


As for … the idea that we could lose our freedom by succumbing to a wave of religious hysteria, I am sorry to say that I consider it possible. I hope that it is not probable. But there is a latent deep strain of religious fanaticism in this, our culture; it is rooted in our history and it has broken out many times in the past.

“It is with us now; there has been a sharp rise in strongly evangelical sects in this country in recent years, some of which hold beliefs theocratic in the extreme, anti-intellectual, anti-scientific, and anti-libertarian.

“It is a truism that almost any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so, and will follow it by suppressing opposition, subverting all education to seize early the minds of the young, and by killing, locking up, or driving underground all heretics. This is equally true whether the faith is Communism or Holy-Rollerism; indeed it is the bounden duty of the faithful to do so. The custodians of the True Faith cannot logically admit tolerance of heresy to be a virtue.

“Nevertheless this business of legislating religious beliefs into law has never been more than sporadically successful in this country — Sunday closing laws here and there, birth control legislation in spots, the Prohibition experiment, temporary enclaves of theocracy such as Voliva’s Zion, Smith’s Nauvoo, and a few others. The country is split up into such a variety of faiths and sects that a degree of uneasy tolerance now exists from expedient compromise; the minorities constitute a majority of opposition against each other.

“Could it be otherwise here? Could any one sect obtain a working majority at the polls and take over the country? Perhaps not — but a combination of a dynamic evangelist, television, enough money, and modern techniques of advertising and propaganda might make Billy Sunday’s efforts look like a corner store compared to Sears Roebuck.

“Throw in a Depression for good measure, promise a material heaven here on earth, add a dash of anti-Semitism, anti-Catholicism, anti-Negroism, and a good large dose of anti-“furriners” in general and anti-intellectuals here at home, and the result might be something quite frightening — particularly when one recalls that our voting system is such that a minority distributed as pluralities in enough states can constitute a working majority in Washington.”

–Robert Heinlein, Afterword to Revolt in 2100, 1953


In my Virtual Gallery Talk a few weeks back, I spoke about my belief that artists, writers and others who devote themselves to observation and creation based on their sensing of patterns often create work that is prescient or prophetic. Simply by going down the list of science fiction greats such as Jules Verne, H.G. Wells, Arthur C. Clarke and so many others, you can find many examples of scenarios and concepts in their literature that came to be.

In the talk, I mentioned as an example the novel The Parable of the Sower from the late Octavia Butler which was written in 1993 and describes a chaotic and dangerous USA in 2024 that doesn’t seem implausible at this point. I felt that she was obviously observing patterns of behavior and extrapolating them out in her imagination to come to a created future state of being that was in the realm of possibility.

Of course, it’s just supposition at the time. But sometimes, out of the many speculations for the future that are put out into the world every year, a few strike close to the reality that follows.

I submit the words above from sci-fi giant Robert Heinlein written as an afterword to his 1953 book Revolt in 2100 which involves a citizen rebellion against an authoritarian theocracy in 2100. I suggest you pay special attention to the second, third and final two paragraphs. It certainly seems as though we may be at the culmination of a pattern that Heinlein observed 67 years or more ago.

A most dangerous culmination, I must add.

We have limited time to avert his vision but it will be very difficult to ever fully repress the embedded behaviors and beliefs that led to it. I have often felt that the current president*** was merely the product of a very long arc, comprised of a series of events over many decades, that bent to this very moment. His peculiar set of skills, as vile as they are, fit the needs of this pattern and he became the sharp end of a spear that is following its arc. For all his his awful behavior, malice and stupidity, he is merely the current tool of this pattern.

I have thought over the past few years that we were actually fortunate that such a flawed and horrible person ascended into this position as the spear for this pattern.

Yeah, I said we were lucky to have this piece of crap. But that’s the point, he is a piece of crap. He is so flawed, so self-destructively attached to his own hubris, desires and prejudices, that he ignites a passionate fury in those who stand opposed to his faux nationalism, his desire for total rule, and his very real racism.

With this piece of crap, we at least have some warning of his ill intent.

It gives us a chance.

Think about it. If he had been still as insidious in his actions but had been smoother, saying the right things and not outright pissing off a majority of Americans, he would be cakewalking into a reelection now due to our complacency and unwillingness to rock the boat. This could mean a complete dismantling of the American Experiment over the next four years. It would be (and still could be) a situation that would be (and still could be) beyond reversal.

Maybe even taking us into the 2100 of Heinlein’s book.

So, this morning, let’s hope that Heinlein’s observations don’t come to fruition.

Plus, let’s give thanks for the president***– thank god he’s stupid. Thank god he’s impulsive and self-destructive. Thank god he is only interested in hearing his own voice– or maybe one with a thick Russian accent. Thank god he thinks he is the smartest man in any room. Thank god he is weak willed. Thank god he has no self restraint. Thank god he has not an iota of empathy. Thank god he thinks so little of the common man. Thank god he thinks he is bulletproof and above the law. Thank god he lies as easily as he breathes– which has a little huffing, by the way. Thank god he belittles the military and the scientists. Thank god he has no loyalty to anyone– save someone with a thick Russian accent and a name that rhymes with Rootin’ Tootin’.

The list of thanks I have for this president*** is too long to list so let me sum up in this way:

Thank god our president*** is a total piece of crap.

Now, get out there and have a good day!

 

 

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In the last few days, there was a video from the Portland protests that showed a confrontation between a single protester clad in a sweatshirt and a baseball cap standing against several stormtroopers (how can they not be called that?) in full tactical gear, armed with batons and semi-automatic weapons while brandishing canisters of pepper spray.

This lone protester did nothing provocative, showed no aggression at all. In fact, he stood like a tree. He was a large guy and one of the stormtroopers stepped up to him and absolutely wailed on him, taking a stance like he was Mickey Mantle at the plate with legs spread wide and delivering several full swings with his baton to the legs and body of the protester, who stood stoically still without flinching as he absorbed the blows. Another trooper moved in with pepper spray and shot two huge bursts at point blank range into the protester’s face. At that point the protester wheeled around and walked away, defiantly raising both hands above his head to give the stormtroopers the finger with both hands.

It was like something out of a Marvel movie, Captain Portland, as he came to be called on social media.

Turns out that guy was a 53 year old Portland resident and graduate of the US Naval Academy named Chris David. He had wrestled for the Naval Academy and served in the Navy after his graduation. He was angered by the actions of the stormtroopers he had witnessed on the media and decided that he needed to face them directly so he could ask them face to face if they believed in their oath to the Constitution. At the protests, he stated the troopers emerged en mass from the Federal Building and immediately surged into the crowd. He observed that they had no discernible strategy or maneuvers that suggested that they had any knowledge of crowd control. He said they appeared to just be guys with sticks hitting whatever was in their path. Scared guys, as he noted, who were actually inflaming violence rather than controlling it.

It was a mesmerizing image, this large middle-aged bear of a man in a white sweatshirt and shorts facing several fully armed troopers and taking their heavy blows without flinching. I can imagine that the trooper swinging the baton was shaken that he couldn’t move this guy. The image of Chris David calmly walking away ( face on fire from the pepper spray and a hand so broken it will require surgery) while brandishing that symbol of angry defiance reminded me of another image, one that I saw as a child that has stuck with me for 52 years.

It was this photo taken by photographer Perry Riddle at the protests surrounding the 1968 Democratic National Convention in Chicago. It shows a group of protesters with a shirtless young man at the center giving the camera the finger with a gusto and anger that encapsulated the rage that was taking place at that time.

I was nine years old and saw the large full page photo in a Life magazine at our home. I didn’t exactly know the meaning or the actual wording behind “the finger” at that time but I sure knew that it was a symbol for expressing your anger at someone. The photo really burned its way into my memory and over the years I had futilely searched for it before giving up on ever finding it.

But seeing Chris David’s fingers of defiance sent me on a search for it yesterday morning. Within several minutes I finally uncovered one image of it with a caption with the name of  the photographer, Perry Riddle, and the name of the young man, Frank C. Plada, who it added was later killed in Viet Nam.

There had to be a story behind this Frank Plada and his death in Viet Nam. I did a search and turned up next to nothing. I finally did a search on a newspaper archive and came up with one story from 1978 that ran in the Chicago Sun Times. It finally shed some light on that angry young man who had been living for the past fifty years in my mind with his finger in full FU mode.

It turns out that Frank Plada wasn’t even originally a protester that night. He was just a 17 year guy, a junior high dropout fro m Chicago who had been knocking around at odd jobs, who went downtown to go to the movies. But seeing how the demonstrators were being treated by the police that night inflamed his anger. He joined in and was beaten, tear-gassed, and arrested for his trouble that night.

Ironically, instead of continuing to protest as you might think someone would whose image was viewed as a symbol of those Chicago protests, Plada enlisted in the US Army in the fall of 1968. He felt that he was going to be drafted so decided to enlist and do his three years. Get it over with.

But, contrary to the caption  on the photo, Frank Plada did not die in Viet Nam.

Well, not all of him.

While there, he contracted malaria and was treated with drugs. He also added a heavy diet of amphetamines and a heroin addiction that followed him home after his three years were up. The drugs and his experiences in Viet Nam took a heavy toll on him. He began experiencing seizures and had other health problems related to his addiction and PTSD. On January 1, 1976, Frank Plada died in his sleep. His family reports that the doctors said that it was not an overdose, though he had a low level of methadone in his blood from addiction treatment. They said he had experienced severe lung damage and they had simply collapsed in his sleep.

Frank Plada was 24 years old at the time of his death.

I was glad to finally see the photo again and to know the real story behind that angry young guy in the white pants who was throwing up his finger at the powers that be. The actual story is a sad tale, one that could probably be applied to any number of young men of that era. Knowing the story of Frank Plada tempers my memory of that Chicago photo a bit.

So, there are two images, 52 years apart. Their fingers may be the only thing that links the two but both gave it in dissent to the injustice they were witnessing.

These fingers, that urge to rebel against authoritarianism, might very well be that part of the American character that will ultimately save us.

Good on you, Chris David. Rest in peace, Frank C. Plada.

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The Seven Social Sins

1- Wealth without work.
2- Pleasure without conscience.
3- Knowledge without character.
4- Commerce without morality.
5- Science without humanity.
6- Religion without sacrifice.
7- Politics without principle.

–Frederick Lewis Donaldson, Westminster Abbey sermon, March, 1925

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The list above has been attributed for years to Mahatma Gandhi who published this same list later in the year in 1925 but it first came from a sermon given by Anglican priest, Frederick Lewis Donaldson, at Westminster Abbey in March of that year.  Gandhi published it in his newspaper, Young India, in October, stating in a very short commentary that the list was sent to him by a “fair friend,” adding “Naturally, the friend does not want the readers to know these things merely through the intellect but to know them through the heart so as to avoid them.”

Though Gandhi may not have originated the list, his reputation sent the message worldwide.

Reading the list early this morning, I was struck that the entirety of the list could be applied to many of those who wield the power of government, most notably the person(?) who sits in our white house. He is devoid of all the positive social attributes on the right side of this list, existing without conscience, character, morality,humanity, or principle. Nor is he unwilling to work or sacrifice anything of his own to make the world better for those beneath him in the social pecking order.

Based on his comments stating that traumatic head injuries suffered by our soldiers weren’t real wounds, I think you can throw empathy and a few other positives into the list of things missing from his being.

In short, he is a hollow man.

A husk.

And the more we follow his lead, giving in to his twisted and selfish worldview, the more hollow we become as a nation. You can easily see it in the way he has affected the republican party which has many members in power who, like him, are crossing off more and more items on the list above. They have become a husk of a political party, one without conscience or principle or shame of any sort, all too willing to carry the water for the hollow man.

As a result, he is going to be acquitted in this trial. That’s a forgone conclusion.

As Marcus Tullius Cicero wrote over two thousand years ago: “Here is a man whose life and actions the world has already condemned – yet whose enormous fortune…has already brought him acquittal!

Some things remain the same. That doesn’t make it right nor does it undo the harm already done and the damage yet to come.

And the more hollow we become as a nation, the more of these sins that we normalize, the less able we will become to recover when that damage fully arrives.

We must ask more of our leaders. And ourselves.

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“I recall Gandhi said ultimately all things devolve into the political, but I’d argue that all things devolve into pro-people and anti-people. And I can pose the question, which side are you on?”

― Stetson Kennedy

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I came across the above quote from the late author/activist/folklorist Stetson Kennedy (1916-2011) and it really spoke to me, especially when applied to the current affairs taking place here in this country.

Myself, I see the current administration not being particularly pro-people. They tend to be more pro-corporation, pro-wealthy, pro-white. Actually, they tend are the wrong words here– they are those things.

I would call them anti-people.

This is fairly evident especially if you are a person of color, a woman, a gay or transgender person, a non-christian, an immigrant, a poor person, a sick person, a person who likes clean water and air, a person who prefers fair and honest elections, a person who doesn’t want to have to pack a sidearm to go to the market, a person who doesn’t like their nation’s leader* cozying up to our longtime foes and slapping down our allies, a person who values education and the sciences, a person who sees the value of collective bargaining and the pure falsity of trickle down economics or someone who prefers simple truth to absolute deception.

In these times, his question is a valid one– which side are you on? If you can’t answer this simple question, we’re all in world of trouble.

That said, I thought I would share a little more info on Stetson Kennedy because I am pretty sure he’s well off most of our radars. Part of the family of Stetson hat fame, he was a folklorist, having written a well regarded book on the folklore of his native Florida, as well as a civil rights and union activist through the early part of his adult life. Unable to serve in WW II because of a back injury, Kennedy turned his efforts to righting some of the injustices and dangers he saw in his own part of the world, primarily racial hatred and inequality. He infiltrated the KKK and wrote a book, I Rode With the Ku Klux Klan, which exposed the rituals and actions of the group and that ultimately led to a governmental crackdown on it, crippling the hate group for decades to come.

An interesting part of this story is that while he was infiltrating the KKK, he was feeding code words from the group to the writers of the Superman radio show who used them in a 16 part segment on the show called Clan of the Fiery Cross. It had a huge impact in the public perception of the group and set back its recruitment and growth for decades.

No one wanted to be in a group that the Man of Steel was against. If only it were still that way.

Here are a few more words from Kennedy:

“There is more than one way to be Kluxed, and we need to think about ourselves and the kind of people we elect into public office.”

———

“The bed sheet brigade is bad enough, but the real threat to Americans and human rights today is the plain clothes Klux in the halls of government and certain black-robed Klux on court benches.”

———

“If the Bush brothers really think that women and minorities are getting preferential treatment, they should get themselves a sex change, paint themselves black and check it out.”

–Stetson Kennedy, 2004


That brings us to this Sunday morning music. It’s, believe it or not, a song called Stetson Kennedy from one of my favorite albums, Mermaid Avenue, from the collaboration of Billy Bragg and Wilco in creating songs from a group of previously unrecorded Woody Guthrie lyrics. Guthrie was friend of Kennedy and when Kennedy ran for the governorship of Florida in 1952 — which he lost and for which he was vilified and basically ran out of the state– Guthrie wrote the lyrics for a campaign song that never came about. Bragg and Wilco did it many years later, in 1997. I liked this song before I knew Stetson Kennedy was particularly the line:

I ain’t the world’s best writer nor the world’s best speller
But when I believe in something I’m the loudest yeller

Give a listen and have yourself a decent Sunday. And, hey, pick a side, will ya’?

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“In keeping silent about evil, in burying it so deep within us that no sign of it appears on the surface, we are implanting it, and it will rise up a thousand fold in the future. When we neither punish nor reproach evildoers, we are not simply protecting their trivial old age, we are thereby ripping the foundations of justice from beneath new generations.”

Aleksandr I. SolzhenitsynThe Gulag Archipelago 1918–1956

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The term crossing the Rubicon generally means passing the point of no return, putting into action a series of events that cannot be undone. It originated from 49 BC when Julius Caesar was at that time the governor under the Roman Empire of the region of Gaul that is now northern Italy. He had gained a tremendous amount of strength as a conquering military commander during his term. He feared that he would be prosecuted for the crimes committed during his campaigns when his term as governor ended and the Roman Senate ordered him to disband his army.

He was ordered to return to Rome with the warning that he was not to bring his army across the Rubicon River which formed the northern boundary between Rome and Gaul. To do so would be considered an act of treason and insurrection. It would amount to a declaration of war on the empire.

Julius Caesar is believed to have said, The die is cast, as he and his troops waded across the shallow river, an act that led to the Roman civil wars and eventually to his brief reign as a dictator ruling Rome. It ended, of course, with his assassination in which he was stabbed 23 times  by a group of Roman senators.

Here in this country, have we crossed our own symbolic Rubicon during the past week or so? I have thought that line was crossed several times in the past three years but these most recent actions by Individual 1 seem even more outrageous and dangerous to both this nation and the safety of the world as a whole. This person sees himself and those protecting him as being above all laws and he feels free to use the vast power of this nation for his personal protection, advancement and enrichment.

This person believes himself to be a sort of omnipotent Caesar rather than a president representing all the people of this country.

The die seems cast now, for sure. There is no turning back and lines have been drawn. There is no neutrality. Those who remain silent are complicit with these actions. They are enabling the destruction of true justice in this time and in times to come. The words at the top from Aleksandr Solzhenitsyn in his book The Gulag Archipelago are a warning to us based on hard earned experience. It is not mere speculation.

It seems we have crossed our own Rubicon here. We are required to speak up now.

We may not get another chance.

Nor may future generations.

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I Got Life

I woke up tired this morning. So tired. Stumbled over here in the already blooming heat which did nothing to revive me. Plunked down in front of my laptop with a cup of coffee and just wanted to close my eyes.

Certainly didn’t want to write this. But I felt a certain obligation to my routine to play a Sunday song here. I could at least say that I did something.

I at first thought that I’m So Tired from the Beatles would fit. It’s from their White Album released in late 1968. That made me think. I wondered what album was sitting at #1 on the charts back on this date in 1969, fifty years in the past. It was such an interesting time, one filled with monumental events and people who shaped the world we live in today.

We were still reeling from the murders of MLK and RFK, Nixon took office in January, the draft was still sending young men into battle in Viet Nam, protests and race riots raged in the streets, our astronauts walked in epic fashion on the moon, and hundreds of thousands of people gathered together on Yasgur’s Farm outside Woodstock for a concert that immediately entered into the mythic realm.

But going back to seeing what the #1 album was on this date in 1969, I found that it wasn’t the White Album. No, it was the self titled second album from Blood Sweat and Tears which knocked the Original Cast Recording of Hair from the top of the chart. Looking further, the chart that year was topped by iconic albums from several genres. The White Album held the top for 8 weeks early in the year. There was a week with a compilation album from a TV special featuring Diana Ross and the Supremes and the Temptations Then Wichita Lineman from Glen Campbell held the top for a month, the Johnny Cash at San Quentin album for another month, Blood Sweat and Tears for 7 weeks, and Hair for 13 weeks. The year finished with 2 weeks from the supergroup Blind Faith, a month of Green River from Creedence, 8 weeks of the Beatles’ Abbey Road until Led Zeppelin II closed out the final week.

That is an epic year of music on the charts. Probably at least a hundred songs on those albums alone that most people my age can sing along to. But when you consider that the Beatles, the Rolling Stones, the Who, Jimi Hendrix, Janis Joplin, Aretha Franklin, Bob Dylan, the entire Motown roster and just about every other musical rock, pop and soul god was still alive and at the peak of their creative powers, it only seems fitting. I was just a kid then but I am so grateful to have been influenced by that time and its music.

Don’t feel quite so tired now.

Here’s I Got Life from Hair. That was an album that was ingrained in my mind from an early age and I can still listen to it over and over. I think this song speaks to people in any time. Have a good day.

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The piece above is called Mountain Etude. It’s a new 24″ by 30″ painting on canvas that works on a couple of levels for today’s blog post.

First, it is included in my solo  show, Moments and Color, that opens tomorrow, Friday, July 12, at the West End Gallery. It is one of a group that includes a new element in the form of the multi-colored flower beds along with the more recognizable Red Tree and Red Roofs.

Second, it is a nice illustrative point for a new article that came out this week in one of my favorite regional magazines, Mountain Home. I wrote about Mountain Home here back in 2010, describing the great quality of the writing as well as the journalistic pedigree of its founders and publishers, Theresa and Michael Capuzzo. They do a top notch job in covering the interesting aspects of this region which includes the Northern Tier of Pennsylvania and the Finger Lakes of New York.

They did a story on my work for the July issue. Jennie Simon, a writer based in Ohio with roots and connections in this region, did a phone interview with me and also visited the Kada Gallery in Erie, PA and the West End Gallery in Corning. Jennie had space limitations to deal with but produced a an article with a lot of info in a very concise manner.

Thank you, Jennie, for doing a bang up job. I truly appreciate it.

The magazine should be in outlets this week but you can read the article online by clicking here. Please take a look at the rest of the issue as well. Much to my liking, this month’s issue has articles about a local connection to major league baseball and the Bare Knuckle Hall of Fame out in Belfast in Allegany County. That area of western NY is now very rural and sparsely populated but just over century ago it was a hotbed of activity.  It was the center of a lumber boom as well as being adjacent to the oil boom taking place just to the south in northern Pennsylvania.

With its large population of young men in the lumber and oil fields and few distractions to occupy them in their off time, it became a center of sporting activity with boxing and wrestling matches taking place regularly between nationally known athletes. It’s a fascinating era and one that strikes close to the bone for many local residents. I know that, in both my family and that of my wife, there were a number of ancestors involved in the lumber field in this region. I had a great-great uncle who played in a band in one of the many hotels that sprung up to serve the oil field workers of that time.

While he didn’t travel as far west as Belfast for his matches, my grandfather, Shank Myers, had a professional wrestling career in the early part of the 20th century that coincided with this boom. In fact, one of the men enshrined in the Bare Knuckle Hall of Fame, Ed Atherton, has ties to my hometown and my grandfather. Atherton is an interesting case and I thought I had shared his story here before but cannot find it this morning. I will write more on him at some other time.

Anyway, please take a look at all of the current issue of Mountain Home. And please stop in at the West End Gallery anytime to see the show or spend a few minutes talking with me at the opening reception tomorrow night. It is open to all and runs from 5-7:30 PM on Friday, July 12, at the West End Gallery on Corning’s historic Market Street.

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