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Posts Tagged ‘Alexandria VA’

GC Myers-Ode to Whitman Orphans is the word I use to describe the paintings that don’t find a home.  I’ve been fortunate in my career that there haven’t really been that many so that the ones that do keep coming back to me take on a special significance, especially the ones that I felt were somehow special beforehand.  It may be the extra time I get to spend with them, examining them again and again to see if there is some inherent flaw or lack of fire that keeps someone from making it their own, that gives it this significance.  I spend much more time with these orphans than those paintings that quickly find a home.

Ode to Whitman is such an orphan, it being a piece has toured the country and has yet to find a home.  It saddens me a bit when I look at this painting because I do see the spirit of Walt Whitman in this piece, at least as he translates into my own psyche.  Though quiet in nature, the Red Tree here is celebrating its very being and could be embodying Whitman’s verse:

I too am not a bit tamed,

I too am untranslatable,

I sound my barbaric yawp over the roofs of the world.

These were words that were very influential in the formation of my artistic voice.  They dared me to stand apart.  They challenged me to reveal my inner self to the world, to let my light shine.  To let my yawp go free.

And that is what I see in this  piece.  It as though once the yawp has been released, even as the surrounding trees seem to be recoiling from its sound and fury, a placid pall has come into the center of its being.  It is calm now that it knows who it is, what it is.

As you can tell, I see and feel a lot in this simple painting.  I guess that is why it pulls at me to think of it as orphan.  That’s why I am going to give this piece a home and this is going to be the painting that will be given away at the Gallery Talk this coming Saturday at the Principle Gallery, which starts at 1 PM.  I know that it will find a good home in this way because someone who didn’t like my work would not spend an hour of their time listening to me talk about it.

So I hope you can make it  to the talk and that, if you’re the one who takes Ode to Whitman home , you realize the feeling that it carries with it.

Here’s another bit of Whitman that like, from the preface to his landmark Leaves of Grass:

“This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”

 

 

 

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GC Myers  Sea Call My annual show at the West End Gallery in Corning ended yesterday which leads to the question: What’s next on the horizon?

Well, for starters, next Saturday, September 7, I will be at the Principle Gallery in Alexandria, VA for my annual Gallery Talk there. It’s normally a pretty good time with some laughs and, hopefully, some real information passed along.  If you’ve never been to one, don’t expect a lot of technical mumbo jumbo that might scare you away.  Oh, be assured, I will answer any question about technique  but I try to focus more on the stories behind the work.  Motivations, meaning and emotional content.  And maybe a story or two.

Plus, as in the past few years, there will be a free drawing for one of my original paintings.  I try to make the work that I give away special and this year’s piece is one of my favorite orphans.  It has meaning for me and hopefully will as well for whoever takes it home.  So, if you’re in the Old Town area next Saturday afternoon, stop in at the Principle and maybe win a painting.  I If you don’t win, I’ll try to at least make the time seem  well spent.  Hope you can make it.

After that, my focus will turn to my final show of 2013, which will open November 23  ( my early morning mistake– it is actually the 16th!) at the Kada Gallery in Erie, PA.   I’ve been showing at the Kada since 1996 and  owners Kathy and Joe DeAngelo have always done a great job for my work and my shows there, so I always  do my best to provide some very special work.  This year’s show is titled Alchemy and I promise that there will have some interesting work to support that title.

I will, of course, provide more details in the upcoming months.

For the moment, that is what in store for the next few months.  Got to get to work!

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GC Myers- In Clarity While I am busy at work in the studio preparing for my show which opens in a month at the West End Gallery in Corning, I wanted to remind everyone that my show, Observers, at the Principle Gallery in Alexandria will still be hanging there for the a little more than another week, until July 7.  If you haven’t had a chance and would like to see this show, I suggest you make your way to beautiful Old Town Alexandria and take a peek before it comes down.

The painting shown above, In Clarity, a 10″ by 20″ canvas, is part of the Observers show along with the title piece, shown below.GC Myers- Observers frm sm

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Principle Gallery 2013  pre-showMy annual show, this year titled Observers,  opened Friday evening at the Principle Gallery in lovely and historic Old Town Alexandria, Virginia.  For those of you who don’t know much about Alexandria, it’s just a few miles from DC, resting along the opposite bank of the Potomac River.  From our hotel room we could look up the river and see the dome of the Capitol Building, always an inspiring sight.

Well, I should say, we could see it when it wasn’t raining.

The tropical storm that swept up the east coast brought a couple of days of solid rain to the area, slicking the roads and causing a few accidents which had traffic snarled on the always crowded beltways around the Capitol.  When I went out from my hotel on Friday morning to take a long stroll and was greeted with a steady downpour, I knew immediately from experience that this could  cut down on the show’s attendance.  My experience has been recent as  my prior two shows had terrific rains on the days of the show which had, in each case, kept the attendance down a bit.

But despite the rain of the day, people did turn out Friday evening.  It was busy and I spoke with numbers of folks and missed speaking with others who made it there but didn’t get a chance to talk with me for a bit.  I always feel bad about not getting to speak with everyone who wants to comment or ask a question, especially when they come out on a wet night.  Hopefully,  just seeing the work together in the gallery is enough.

Kai and the "Mechanical Soil"

Kai and the “Mechanical Soil”

It was great catching up with some old friends that I have met through my time there at the gallery.  Some of my favorite moments are seeing kids who I have had the pleasure of seeing grow up in these yearly glimpses, some from their earliest childhood.  Here on the right is one of these young ones, Kai, who I have known since he was a wee one. Kai coined the phrase Mechanical Soil when he told me that his favorite piece was this Archaeology painting.

Another was Mikey Mattice who I wrote about here a few years ago.  Mikey is certainly not a kid anymore –the Mikey has fallen away to Michael and he is out in the world now, displaying  his immense musical talents.  It was great getting to see him again and see how he has evolved from a gangly kid into a confident man with much to give.  From the first meeting, I have always sensed big things in  his future and it’s such a pleasure to see that feeling come to fruition.  Can’t wait to see what the future holds for him.

So, all in all and weather aside, it was a great night.  My appreciation and thanks go out to Michele, Clint , Jessica and everyone at the Principle Gallery for doing, as always, a bang up job and for making us feel so welcome and at home.  And many, many thanks for all of you who could make it and apologies to those who didn’t get a chance to talk with me for a while or who had our conversations cut off too quickly.  For those who couldn’t make it, hopefully I will see you soon, either at my Gallery Talk in September or at next year’s show.

At least, I think there will be one next year…

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I am in Virginia today for tonight’s opening at the Principle Gallery.  I thought for today that I would just show a few of the images from this show that have shown here over the last few months.  They look much better in person so, if you can make it, definitely stop in and take a look.  Hope to see you there!

GC Myers-Higher Ground GC Myers- Not Quite an Island GC Myers- Larger Than Life GC Myers- Guiding Lights GC Myers- Island of Souls GC Myers- Destiny Awaits GC Myers- Strands

GC Myers- Part of the Pattern

GC Myers- Part of the Pattern

GC Myers 2013 Ascent of Man GC Myers Life Spiral 2013 sm Diamond sm GC Myers- The Bridge GC Myers- Observers frm sm  GC Myers-  A Solemn Understanding sm gc-myers-internal-landscape-2012

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GC Myers- Boundless  smWell, tomorrow’s the day of another show at the Principle Gallery in Alexandria, this one called Observers.  Opening tomorrow evening ( the opening reception begins at 6:30 PM ) and running through the first week of July, it is, as I’ve noted here a number of times, my fourteenth consecutive annual show at the gallery, dating back to 2000.  My first show was called, fittingly, Redtree  and featured the premiere of that tree that has long since populated my work.  At that point I couldn’t imagine that I’d be fortunate enough to still be having solo shows there all these years later.

But even though this show has become a part of my life and it seems as natural as breathing to be preparing for this show in the first half of every year, I still feel the same nerves as I did with that first show, a distinct mix of anxiety and fear that somehow never fails to show up in the days and hours before a show.  But it’s a fear that I expect and even relish at times, knowing that it is this fear that often spurs me on in trying to push the work in new directions.  Maybe it’s superstition but if I think that if I were too confident and without this fear the show might be a total disaster.

I can’t tell you how appreciative I am as an artist to have the inspiration that galleries like the Principle and the wonderful people  who come to these shows there provide.  Michele and her staff have always encouraged me in letting the work expand and grow through the years and the many people I have met over the years have provided me with a reassuring presence in the studio on those days when I am struggling and less than confident.  It is often like they are looking over my shoulder, wanting to see what is brewing.  I’ve said this before but I feel an obligation to really extend myself for these shows for these people.

I think  that this show meets that obligation and is a really strong group of work, one that I am proud of.  But I can’t judge it objectively.  Hopefully, others will let me know.  Hope you can make it to the show and  have a few minutes to talk.

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The painting at the top is part of this show and is titled Boundless.  It is a 20″ by 60″ canvas.

 

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9913-181 Samadhi smThis new painting, a thin slice at 4″ by 24″ on paper,  is called Samadhi and is part of my show, Observers, that opens Friday at the Principle Gallery in Alexandria, VA.  It was one of those pieces that I start then somehow lose its momentum during the process.  The first movements  come easily and a flow is developing and it seems as though it will soon reveal its true self.  Then suddenly it’s gone.  There is no obvious next move  and the surface gives me no hints, has no voice for the time being.   Even the marks that are made have lost all animation, seeming lifeless.  All I can do is put it aside with the hope that at some point it would call out and want to emerge fully realized.

And that is how this piece evolved.  It shined than dulled then suddenly became energized once more.  The end result seems effortless and graceful but coming to this end was a struggle to clear the mind so that it might come through.

I suppose that is where the title, Samadhi, comes in.  Samadhi is a Hindu/ Buddhist  term that represents a meditative one-mindedness, a connection with the ultimate reality of things.  A union with the divine.

Now, I am not a Buddhist or schooled in Eastern religion so I am not going into a long explanation here.  It’s a word that describes  a fragile, fleeting state of being, one that suddenly appears for those who have the ability to release the binders of self  and enter a meditative state where they are not in the moment but are the moment, bound with everything around them and beyond.

It seems so easy but  becomes impossible with too much effort, too much struggle.

And that is what I saw with this painting.  I struggled with it and it became more and more distant and alien.  But I set it aside and came back with a clear mind and no expectation.  It would be what it would be.  And what emerged reflected this attitude.

Calm.  Accepting. Ethereal and always in the present, the continuum of the past and the future connected in the moment.

Samadhi…

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gc-myers-internal-landscape-2012I am really pleased to have this painting, The Internal Landscape,  as part of my show, Observers, which opens at the the Principle Gallery this coming Friday.  If you have read this blog over the last year you may recognize it as it was featured  here as it was in the process of being painted and was the centerpiece of my exhibition last year at the Fenimore Art Museum.  It is a very large painting, my largest by far to date, that measures in at 54″ high by 84″ wide on canvas and can really dominate a space.

I mean that in a good way.

I can’t recall at the moment what I have written or said about this piece in the past so I am just going to write a few lines that are my impressions of it.  Hopefully, some of these line up with those words from the past.

I think of this as a very musical painting, filled with  rhythmic lines and notes of color.  Where some of my paintings are musical  and are songs, some simple, this piece is more symphonic, comprised of multiple elements and themes running through it and coming together in  harmony.  Even the gathering of houses on the right side of the lake remind me of a chorus of voices.  The whole piece sings for me.

Of course, that may just be me.  I am a bit embarrassed in writing about my work in glowing terms but I do like this painting a lot and think it is a culmination of sorts, a milestone on this journey, one that I am really pleased to be able to hang at this show at the Principle Gallery.  I have been showing there for over 16 years  and this is my 14th consecutive annual solo show there so it means a lot to me to be able include this if only to show that the work has been evolving and growing over the years there.

It will be interesting to see it hanging in that space.  Hopefully, it will live up to my words…

 

 

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GC Myers- The Bridge

This is another new painting that is headed to the Principle Gallery  for my new exhibition, Observers, which opens there June 7, two weeks from today.  This piece , which I call  The Bridge, is 8″ by 18″ on paper.  The small bridge between the two masses is a variation on the island theme  that has figured prominently in my work recently.

There are probably multiple interpretations for this image.  With a single I look   I can read it in several different ways but the one that sticks with me is seeing the bridge as that connection between the two poles of our individual selves, that link that both connects and differentiates our opposing forces. The  masculine and feminine.  Our good and not so good impulses.  Maybe  even life and death.

In this way it reminds me a bit of the corpus callosum in our brains, the bridge of neural fibers that connects the two hemispheres and transmits information between them.  It allows the two sides to function as a single, efficient unit- – well, somewhat efficient on good days– and in some cases when there is a problem on either side where function is impaired allows that function to migrate to the other side .

As my not-so-efficient brain struggles to write this ( and believe me, it is a struggle) I am bombarded by other ways of seeing this piece.  I really like that it has a multitude of ways of being seen.  I am going to stop and just look at it for a few moments.  Have a great day!

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Foundation smBack in early April I showed a painting , Geometry of the Heart, on this blog.  It was an overhead scene of a baseball diamond being crowded in by a mass of red-roofed houses, one in which I found a lot of personal meaning.  It represented the way the game embeds itself in the minds of those who love it, how it creates a connection to tradition and memories of youth.  Perhaps more than anything in my life, baseball makes me feel connected to my  country and its history.

Putting this feeling on canvas was long overdue and I was so pleased with how both the finished painting as well as the feeling I experienced as I painted that I felt that I would do a small group for the my upcoming Principle Gallery show in June.  The result was trio of three small paintings, all on paper, that show three ball fields.  The first is shown here on the left and is approximately 6″ by 12″ and  titled Foundation.  I see the diamond serving as a base or foundation for the buildings beyond the outfield fence which seem to be sprouting from it.  Maybe the thought here is that the diamond serves as a classroom for the life lessons needed to survive  in the world beyond the fence.  I’ve written before how baseball is a game that is very humbling, that the best hitters in the game fail 7 out of 10 times at bat and that the greatest pitchers ever have had many losses.  It rewards individual effort but only in a limited way in that winning is based on a total team effort, dependent on each member of the team performing their job with their best effort.

Diamond smThe next is titled simply Diamond, and is 6″ by 8″.  This is the most reminiscent of  Geometry of the Heat and has a simplicity that brings to mind the innocence of the first days of playing the game, that first foray onto a real field.  For me, it brings back memories of the Little League field in Waverly, NY and the thrill of being on that diamond.  It was a beautiful park with bleachers along both foul lines, a well manicured infield and a wooden outfield fence emblazoned with local merchants ads.  To hear your name announced on the PA was a big thrill, a rite of passage from throwing the ball safely in your own yard to performing before strangers.  Daunting, yes, but it all seemed familiar because the game was the same, the diamond the same.

Night Game smThe third piece in this group is called Night Game and is 7″ by 9″.  The thing I get fro  this piece is that feeling when the daylight is fading and kids are still playing the game, not wanting to stop even as the ball becomes more and more difficult to see, until finally they must stop.   The empty field is still ringing with possibility and potential plays.  It seems as though there are always ghosts on ballfields,  phantoms from the past throwing the ball and running the bases.  This piece brings to mind a memory from my Little League days when I was put into pitch one game.  I had lousy mechanics and was never meant to pitch but I was game.  One of the first batters I faced hit a rocket that easily cleared the left center field fence. The whoops of the other team seemed to fade into the background as I watched the ball sail in the sky.

The ump came out to give me  a new ball as the other kid victoriously rounded the bases and the cheers from the other bench became loud again in my ears.  I smiled and said, “Wow, he really crushed that one, huh?”

“He sure did.”  He gave me the ball and I went back to it for a short while until I was mercifully pulled.  You give it a try and learn what you are and what you’re not.  Lessons learned.

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