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Posts Tagged ‘Dalai Lama’




Kingdom Come– Now at West End Gallery

For as long as space endures,
And for as long as living beings remain,
Until then may I, too, abide
To dispel the misery of the world.

–Tenzin Gyatso, 14th Dalai Lama, Poem recited at conclusion of Nobel lecture (1989)






When I read the short poem above from the Dalai Lama the first thing that came to mind was a question: Has my life added to or subtracted from the misery of the world?

I don’t know. I’d like to think it has added more than it has subtracted but you never really know. Not sure any of us do know with absolute certainty. 

It’s one of those questions that is hard to objectively answer. We seldom fully know the full extent of the results of our words and actions. There are often words spoken or actions taken with little thought that might well have changed another’s life in some way. It might be in a small way, or it might have greater consequence– in both good and the not so good ways. 

We never fully know what sort of fuse we may light in others. It might produce a grand fireworks display in the sky or it may blow up in their face.

I guess the best we can do is to adhere to the words above from the Dalai Lama and try to consciously subtract from the misery of the world. 

To make a real effort to see the struggles of others and hear their voices and to offer a helping hand.

To not focus on our own attainment. To not take more than we need.

To be generous in all ways. To give more than we take.

To watch our words and actions, to see them from the perspective of those with which we are dealing. 

To speak words intended to heal and help, not to wound.

To put those words into action. 

There’s a lot more, of course. But the main objective is to simply be aware of our place in this world, no matter how small and insignificant it might seem, and to make that place better in some way. 

Keeping that in mind, we can rest assured that we will not have added to the misery of this world. 

It should be our task and mission.

That shouldn’t be too heavy a burden for any of us to carry. In fact, it becomes lighter with practice. 

Okay, sermon’s over. I’ve had my say. Here’s this week’s Sunday Morning Music. It’s an absolute favorite. This is The Weight from The Band and The Staples Singers taken from the film The Last Waltz, directed by Martin Scorsese.

You know what? I’m not even going to tell you to get the hell out of here this morning. Stick around if you like.

See? Watching my words.  If I can do it, you can do it.





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Pax Omnis– At Principle Gallery


The creation of a more peaceful and happier society has to begin from the level of the individual, and from there it can expand to one’s family, to one’s neighborhood, to one’s community and so on.

Tenzin Gyatso, 14th Dalai Lama, The Art of Happiness in a Troubled World (2004)



The name of this new painting is Pax Omnis which translates roughly as Peace for All or Peace Everywhere. I consider this painting to be one of the anchors for my Entanglement exhibit that opens Friday at the Principle Gallery. With the richness of its surface and message, it felt that way for me from the minute it was completed.

Much of the work from the Entanglement show has to do with how we, comprised as we are of bands of energy, are interwoven with all other things. Many of the paintings depict the interaction of the individual, often represented by the Red Tree, with the bands of energy that surround us.

That holds true in this painting but extends the interweaving to the earth and its inhabitants beyond the Red Tree. I see it as reflecting the sentiment expressed at the top from the Dalai Lama which basically says that the world we inhabit here is created by the attitude and actions of each of us.

We shape our world. A peaceful world is created by peaceful people. Tranquility begets tranquility.

The hatred, dishonesty, and greed of people creates a world filled with the same.

I submit the world as it currently stands into evidence.

This painting represents a best-case scenario, of course. The idea that we can eradicate hatred, greed, or any of the other darker parts of ourselves is pretty much a pipedream. But we need to keep such scenarios in our mind if only to remind us of the world we hope to create–a place of peace and harmony that makes us wish to linger here a bit longer before moving on to reunite with the entanglement of forever. 

I think this piece serves that function well. It has a very centered feel for me, if that makes sense to you. I wish it were here right now so that I might dwell in it for just a bit longer before looking at this morning’s news of the outer world’s disharmony and dysfunction.

At least I have the image of it to remind me of where I want to be and that I have a responsibility, as does everyone else, in doing my part to create that place of peace.

Amen.



I am sharing a song to go along with this post. Yesterday, the great Sly Stone (born Sylvester Stewart) passed away at the age of 82. His music was built with the strength and unity of all people in mind. I have written here in the past that the world would be a far better place if his songs were played out in the streets around the clock. Below is his classic song, Everyday People. The first line in the song– Sometimes I’m right and I can be wrong/ My own beliefs are in my song— fits in well with the theme of my show. A later line–I am no better and neither are you/ We are the same, whatever we do– reinforces that theme

Welcome back to the entanglement, Mr. Stone. Pax Omnis…



Pax Omnis is 16″ by 40″ on canvas and is now at the Principle Gallery, for my 26th annual solo show, this year called Entanglement, which opens this coming Friday, June 13. The paintings for the show are now in the gallery and are available for previews. The show will be up on the walls of the gallery by tomorrow, Wednesday.

I will be attending the Opening Reception for the show that runs on Friday from 6-8:30 PM. I look forward to chatting with you.

And the following day, next Saturday, June 14, I will also be giving a Painting Demonstration at the galleryThe demo, my first there, should run from 11 AM until 1 PM or thereabouts. Hope you can make it.



Hulu documentary on Sly

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Mad Rush

End of year blah.

Too much of some and not nearly enough of others.

Gray light and the clock races to an endpoint in a mad rush.

Then the new year. Tick tock.

Thought this might be a good point to play Mad Rush from Philip Glass as the last choice for this year’s Sunday morning music selection.  It has an ethereal, almost cosmic feel that seems appropriate for the frantic race to the end of one year and the transition to the subdued and tenuous beginning of the next.

It’s a gorgeous piece which was written for the Dalai Lama‘s first North American address back in 1979. Written originally for organ– it was written on the organ at the Saint John the Divine Cathedral in NY– it was meant to be a open-ended piece that could be shortened or extended without the audience noticing to accommodate the vague timetable of the Dalai Lama’s scheduled appearance. It has been recognized over the years as an iconic piece of modern music. Glass performs it here in Montreal from 2015.

The image at the top is a painting of Glass by Chuck Close who has painted the composer several times including one done solely with fingerprints that I featured in a favorite blog entry that I’ve run a couple times. If you look closely, you can see how this painting is a great example of  Close’s unique style of pixelation.

Enjoy the last Sunday of this mad year. Have a great day.

 

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GC Myers- Surface CalmThrough practice we can get to the point where some disturbance may occur but the negative effects on our mind remain on the surface, like the waves that may ripple on the surface of an ocean but don’t have much effect deep down. 
Dalai Lama XIV, The Art of Happiness

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I’m finally getting into a bit of a better work groove here in the studio and it’s proving to be a nice distraction from the crapfest taking place here in our government. During both the actual painting process and just looking at it afterwards, pieces like this new 12″ by 12″ canvas are proving to be a great tool in making an escape from the chaotic idiocy of it all.  I think that’s why I am calling this new painting The Calm Surface.

It feels very placid and calm, as though the storms that may rage far away will not shake it’s  tranquil demeanor.

And that’s what I want for myself. I want to be, as the Dalai Lama advises above, that deep ocean water where the rough waves on the surface don’t reach down to the calm depths.

But I am not there.  I don’t have that kind of depth yet and maybe I never will attain it.

But at least in works like this I have a tangible goal, a target for which I can set my bearings.

And that’s what I need right now– something to really work for.

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