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Posts Tagged ‘literature’

Uncle Walt

Eye to Eye





I resist anything better than my own diversity,
And breathe the air and leave plenty after me,
And am not stuck up, and am in my place.

The moth and the fisheggs are in their place,
The suns I see and the suns I cannot see are in their place,
The palpable is in its place and the impalpable is in its place.

These are really the thoughts of all men in all ages and lands, they are not original with me,
If they are not yours as much as mine they are nothing, or next to nothing,
If they are not the riddle and the untying of the riddle they are nothing,
If they are not just as close as they are distant they are nothing.

This is the grass that grows wherever the land is and the water is,
This the common air that bathes the globe.

–Walt Whitman, Song of Myself (1855)






I was reading Mary Oliver‘s book of essays, Upstream, and her essay on Walt Whitman really resonated with me. As a young woman, Whitman became a close friend, the caring uncle, and the brother she had never had. He is Uncle Walt to me, a wizened and understanding being who accepts you as you are because he knows that what is in you is in him as well.

Her essay, in which she cites the short section above from his Song of Myself as a guiding light for her own relationship with nature and the world:

The moth and the fisheggs are in their place,
The suns I see and the suns I cannot see are in their place,
The palpable is in its place and the impalpable is in its place.

Her writing made me pull out my old beat-up copy of Whitman’s work. I needed a fix from Uncle Walt and went to the section from which this passage came just to put it into better context for myself. Glad I did.

Shown above, it says so much about how he saw himself and the world. He proudly claimed his diversity of self, that messy mass of contradictions that is within us all. He also saw clearly that he was in place in the role that he had to play in the grand opera that is life, just as the moths and fisheggs and the sun high up in the sky were. I especially liked that he made mention of the suns he cannot see, given my propensity for sometimes showing multiple suns or moons in my skies.

To Uncle Walt, the natural world, which included him and you and me, was, and still is, just as it should be.

He then goes on to point out that his thoughts are nothing new, that they are simply echoes of thoughts that have come down through time. It is our purpose to ask questions and attempt to find answers of some sort, though our efforts will be forever futile.

Our attempts at solving the riddle that is life often create even more complex riddles.

That, too, is just as it should be. As he writes, This the common air that bathes the globe.

This short section from his grand poem says so much about how I have come to see the world, as well.  I imagine much of that comes from having an uncle like Walt. Or a brother or friend or simply an old man with a white beard who says a few words in passing.

Just as it should be.

Here’s a song that I thought I had recently shared here only to find that it has been 16 years. I guess for some of us that is recent. The song is another from Mermaid Avenue, an album featuring unrecorded songs written by Woody Guthrie set to music and performed by Billy Bragg and Wilco. This is Walt Whitman’s Niece.

I think I might have seen her at one of the family reunions.

Or not.

Who knows? It is, after all, a riddle, right?





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Howl– Now at West End Gallery




All hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven’s will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

–William Butler Yeats, A Prayer for My Daughter (1919)




I can see this new painting, Howl, as having two distinctly different interpretations.  Probably more when the experience and perceptions of others are considered. But from my personal perspective, the first, which is how I initially viewed it, is as a howl of indignation and defiant resistance against the prevailing winds of injustice, cruelty, and indecency.

Obviously, that interpretation takes current events into account. However, such a howl is certainly applicable in all times and places. There’s never a shortage of injustice, cruelty, or indecency.

The other way of reading it comes from a poem, A Prayer for My Daughter, William Butler Yeats wrote days after his daughter was born in 1919 during the early days of the Irish War for Independence. It, too, takes the current events of its time into account. It is written with the hope that as his daughter can resist the winds of hatred and anger and that she is not pulled along with them. And with the hope that she recognizes that she will always have the choice to find strength and contentment within herself even as the winds of hatred and anger swirl around her.

That though times are ugly, the world surrounding us can still be beautiful and wondrous.

I can easily see both of these views in this painting.  Both takes are really about resistance, about staying intact against the force that want to tear us apart. About staying true to ourselves and our humanity. About denying hatred and cruelty a place in ourselves.

It’s about holding our ground and issuing a howl. a bellow, a yawp borrowed from Whitman, that comes from the core of our being that says we will remain as we are and will not become that which we stand against.

Well, that’s what I see in it…

Howl is 8″ by 16″ on canvas and is part of my solo exhibit, Guiding Light, that opens next Friday, October 17 at the West End Gallery in Corning, NY. The show’s Opening Reception, which is free and open to all, runs from 5-7 PM on the 17th. The work for the show has been delivered and will be available for previews in the coming few days.

Gallery Talk is also scheduled at the West End Gallery for Saturday, November 1, beginning at 11 AM. Keep an eye out here for more details.

Not sure if this song applies at all to the painting or words above. I just felt like hearing it this morning. This is Stand from REM.




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GC Myers-  In the Pocket of Time sm

In the Pocket of Time, 2014



The crystal sphere of thought is as concentrical as the geological structure of the globe. As our soils and rocks lie in strata, concentric strata, so do all men’s thinkings run laterally, never vertically.

Ralph Waldo Emerson, The Method of Nature (1841)



I came across the passage above from an Emerson essay and decided to look it up to find the context from which it came. It originated in an essay/oration that was written in the 1839-1841 period and was titled The Method of Nature.

I am still trying to glean the exact meaning of the essay but the section that contained the line above speaks about how those who, in any time, claim to have the answers to existential questions or insights into the deepest concerns of mankind eventually reveal themselves to be superficial. Their thoughts seldom, if ever, dig deeply enough to reveal eternal truths that might unify all people and times.

As he put it, their thinking runs laterally, not vertically.

I immediately felt that this might be applied to the painting the top, In the Pocket of Time. It’s a painting (30″ by 24″ on canvas) from 2014 that I brought to the Principle Gallery this past weekend as part of a group of work featured at my Gallery Talk there. It is from a subset of my Archaeology series that I call my Strata work. It is much like the Archaeology pieces without evidence of humans, focusing instead on the layers below the surface.

This particular painting from that Strata series has been with me for a while now. It hung for the last few years in a back bedroom/storage space of my studio. It reminds me of fine wine as it seems to get better with time. I am more and more struck by its surface finish and the rhythm of the strata, as well as how well it transmits its feeling and message from the wall. It’s a piece that speaks directly to me.

Putting Emerson’s thought to it deepened my appreciation of it. I could see in it how we deal always with what is presented on the surface and how seldom we recognize how much more there is to discover if we would only dig a little deeper.

That might be a gross simplification. Or not. Who knows? The words and the mage just seemed to click for me and maybe that’s enough to say.

Let’s tie this up with some music. Here’s a 1992 song from Peter Gabriel titled Digging in the Dirt.  The video is from the same time frame as his Sledgehammer song/video and, like it, this video has some interesting visuals.



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