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Posts Tagged ‘Loretta Lynn’

GC Myers- Larger Than Life

GC Myers- Larger Than Life

I’ve often write about change, lately in the form of fighting against my own selfishness through acts of generosity, somehow hoping that this reinvention of the self makes me a better person and affects change in others.  I spent a few hours yesterday with John and Ron, a couple currently from Iowa and Illinois, each side of the Mississippi, who ad come to the West End Gallery specifically to see my work.   I had a great time getting to know them a little better and learning more about their lives.  Listening to them over lunch,  I found that their own lives were stories of reinvention, of finding new identities.

It really struck a chord with me, making me appreciate how creative and adaptive we are as people.  Sometimes it’s a practical matter, out of the need to meet the demands of our basic needs, and sometimes it is a matter of changing behaviors that we realize are negatively affecting our lives.  Either way, the result is a new self of some sort, hopefully one that brings us more happiness and satisfaction with ourselves.

It reminded me of a post from several years ago, in 2009, where I wrote a short bit about reinvention, using Loretta Lynn as my subject.

Thanks to John and Ron for the inspiration for this morning.  It was great meeting you and I hope the rest  your trip goes smoothly.

Here’s what I wrote back in 2009:

Reinvention.

What I was is not what I am and what I am is not necessarily what I will be.

We’re fortunate to have such an opportunity, to be able to change and evolve over our lives.  To be able to show the world other and new facets in our prisms.  The only question is why do some people take this opportunity to reinvent themselves and other do not?

I thought about this the other day when I was in the studio, prepping work for my next show. I was listening to Van Lear Rose, an album from a couple of years back from Loretta Lynn, the Queen of Country Music.   It’s a great album with Jack White of  White Stripes fame  producing and playing.  The songs have Loretta’s unmistakeable signature voice and songwriting but have a new feel.  A little more edge and a little less twang.  A new side to Loretta.  She took the opportunity, when it presented itself,  to step forward and change.

But what about those who don’t?  Why don’t they continue to evolve?   Are they simply satisfied with where they are?  In music this is pretty common, guys playing the Oldies circuit, performing the same songs that they made popular when they were 18 years old.  Perhaps the opportunity to change never showed up.  Maybe they felt safe in staying in their tried and true routine of rehashing the past.   No risk there.

Who know?  I surely don’t but I do know that this chance to change our skin, chameleon-like, is an opportunity  that the truly creative should not simply push aside because for them to remain static is death.  Take the risk.

Here’s  a little Loretta from Van Lear Rose:

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 GC Myers-  A Solemn Understanding smI’m on the road today, delivering my show to the Principle Gallery which opens next Friday, June 7th,  there in Alexandria,VA.  It’s always a big relief, physically and mentally, to just get the work out of the studio and into the gallery.  Physically, there is suddenly so much more space in the studio, fewer paintings grabbing at my attention.  It just feels airier.  Mentally, it’s much the same, as though the additional space and light  in the studio suddenly opens up  a bit more space in my mind.  I haven’t even left as I write this but already I am eager to be back at work, invigorated by the cleared space.

The painting above is A Solemn Understanding, a 20″ by 24″ canvas  that is part of this show.   It has very gem-like colors as well as a nice dark warmth and richness to it that gives it a sense of deep pondering, as if the secrets of the universe had  just been revealed to the Red Tree.

Well, I have to go but I thought I’d share a song from several years ago (2004 actually)  from Loretta Lynn‘s collaboration with Jack White on her CD, The Van Lear Rose.  This song, Portland, Oregon, always somehow makes it way to my playlist when I make this drive to Virginia.  Enjoy and stop into to see the work at the gallery if you’re in the area.

 

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It was announced yesterday that Levon Helm in is the “final stages” of the battle he has waged with throat cancer since 1996. Levon is best known as the drummer/vocalist for the legendary group that started in the eary 60’s as the backing band, The Hawks, for early rockabilly star Ronnie Hawkins and later came to fame as The Band behind Bob Dylan as he made the sometimes rocky transition from folk to rock.  On their own, The Band had a number of songs that have become classics over the years– The Night They Drove Old Dixie Down, Up On Cripple Creek, The Weight, The Shape I’m In and so on.  Levon , guitarist Robbie Robertson  and organist Garth Hudson are the only remaining living  members of  The Band.

Levon Helm has also been acclaimed as an actor, best known for playing the father of Loretta Lynn in the movie Coal Miner’s Daughter.  His coal miner portrayal in the film had a dead-eyed authenticity that , for me, really made the entire movie seem alive.  It’s the same authenticity that he seems to bring to everything.  I always feel like I’m seeing the real person when I see Levon Helm, even when he’s a character in a film.

The Band-- Levon is 2nd from left.

His life after The Band has had ups and downs.  Following his initial battle with cancer, he found himself in dire financial straits with the weight of huge medical bills pulling him down.  He started hosting a series of concerts, called Midnight Rambles,  at his home/studio in Woodstock, NY in order to raise money to pay his bills.  Because of the damage done to his throat he relied on a series of high profile guests to sing until his voice was strong enough to begin to sing once more, which was several years later in 2004.  This series of concerts revitalized his career and led to his last three albums, Dirt Farmer, Electric Dirt and  Ramble at the Ryman, a live set recorded at the legendary Ryman Auditorium in Nashville.  Both Electric Dirt and Ramble at the Ryman won Grammy Awards in the Americana category.

As I said above, I always had the feeling that what you saw with Levon Helm was what you got. Natural, without artifice.  This world is going to miss the loss of  a real person, maybe the highest compliment of which I can conceive.  Good travels, Levon.

  Here’s one of my favorites from The Band, The Weight, shot in 1970 during the fabled Festival Express.

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The Recalling Reinvention.

What I was is not what I am and what I am is not necessarily what I will be.

We’re fortunate to have such an opportunity, to be able to change and evolve over our lives.  To be able to show the world other and new facets in our prisms.  The only question is why do some people take this opportunity to reinvent themselves and other do not?

I thought about this the other day when I was in the studio, prepping work for my next show. I was listening to Van Lear Rose, an album from a couple of years back from Loretta Lynn, the Queen of Country Music.   It’s a great album with Jack White of  White Stripes fame  producing and playing.  The songs have Loretta’s unmistakeable signature voice and songwriting but have a new feel.  A little more edge and a little less twang.  A new side to Loretta.  She took the opportunity, when it presented itself,  to step forward and change.

But what about those who don’t?  Why don’t they continue to evolve?   Are they simply satisfied with where they are?  In music this is pretty common, guys playing the Oldies circuit, performing the same songs that they made popular when they were 18 years old.  Perhaps the opportunity to change never showed up.  Maybe they felt safe in staying in their tried and true routine of rehashing the past.   No risk there.

Who know?  I surely don’t but I do know that this chance to change our skin, chameleon-like, is an opportunity  that the truly creative should not simply push aside because for them to remain static is death.  Take the risk.

Here’s  a little Loretta from Van Lear Rose:

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