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Posts Tagged ‘Monet’

Yesterday, there was a guest blog on the Huffington Post from Paul D’Ambrosio, who heads the New York State Historical Association which contains the Fenimore Art Museum and the Farmer’s Museum in Cooperstown.

It’s a really interesting insight into what it takes for a museum in a fairly remote area to thrive, to be a vibrant presence that attracts a wide audience.  As I’ve noted  here, I have an exhibit, Internal Landscapes: The Paintings of GC Myers, opening at the Fenimore in August so I read with interest as D’Ambrosio recounted how the museum has grown in the past few years with heady choices for its exhibits including recent shows featuring the work of John Singer Sargent,  Edward Hopper and an American Impressionists show featuring works from Mary Cassatt (and one from Monet) which is now there.  These shows have drawn wide coverage from the  press and have helped attract museum-goers from distant locales to the museum to take in these shows there as well as its formidable permanent collections of Native American Art,  Amercian Folk Art and Hudson River paintings.  This mixture of a great permanent collection and intriguing new exhibits make the Fenimore a very attractive destination, one that the USA Today called one of the 10 Great Places to See Art in Smaller Cities.

Check out the article and, if you can, the museum and Cooperstown’s other charms as well.  I don’t think you will be disappointed.

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Millet- The Gust of WindIn reading yesterday’s paper, I came across an article describing an exhibition opening at the Everson Museum in Syracuse called From Turner to Cezanne: Masterpieces of the Davies Collection.  It is in Syracuse until the beginning of next year when it moves to the Corcoran in Washington, DC.  The exhibit features works from many of the greats- Renoir, Monet and Van Gogh, to name a few.

The thing that caught my eye though, was this painting by Jean-Francois Millet, The Gust of Wind.  There was a real familiarity in seeing it and I immediately recognized the similarity of this piece with the compositions of a number of my paintings.  The tree blown to one side from the wind.  The way the tree sits at the top of the hillock.  Even the shape of the ground and the way it dominates the picture plane.

Of course, I could do this with many, many paintings by a variety of painters.  It’s a simple composition of a tree on a rise, after all.  But because it was Millet, it struck me because I have always so admired his work and often felt a kinship to it.  As a youth, a piece of his at our local museum, the Arnot, was always a favorite.  His paintings of field workers always drew me in with their sweeping fields and expansive skies.

Millet-  The SowerAnd then there was The Sower.

The Sower was arguably Millet’s most famous image, a simple depiction of a farmer spreading seed.  It has great motion and a  beautiful diagonal line through the sower’s body.  Like the painting above, there has always been a sense of familiarity with this image.  I have memories of a pair of bronze bookends from my childhood, probably from a garage sale and now long lost, that had the image of The Sower on them.  Something in that figure clicked in me even then and I have always responded when seeing it.

This image was further immortalized by Van Gogh in several of his paintings, one a pure copy albeit in his own distinctive style.

Millett After   Van GoghMillett's Sower Van Gogh

Seeing Millet’s figure in Van Gogh’s paintings made a huge impression on me many years ago.  It triggered a chain of creative impulses that I still feel to this day.  Seeing The Gust of Wind in the paper brought them back to the surface for me and I may well be working off this little surge of inspiration for weeks or months to come.

So, if you get a chance check out the exhibit and the Millet…

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