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Posts Tagged ‘Principle Gallery’

Off the Coast

Another one of the interesting things that came from Saturday’s talk at the Principle Gallery was a photo that was given to me by one of the audience members.  After the talk a young man named Nathan approached me and told me he had been on a boat off the coast of Venezuela when he saw this sight.  He immediately thought that this was one of my trees and snapped a shot with the disposable camera he had at hand. 

I’m glad he did.

I’ve always maintained that the locales of my landscapes are imagined.  It’s really interesting to see a photo that shows that there are trees and places like those represented in my work, that they are possible.  I wonder if there’s room on that tiny island for me?

Thanks for the photo, Nathan.

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Fortunate One

Yesterday was a fortunate day.

It started with a reminder of my own good fortune in this world.  Early in the morning, I stopped at a restaurant in the Staunton, VA area.  I was craving pancakes.  I made my way to a table to drink my coffee and quietly read my newsapaper.  As I sat, a short balding middle-aged man with a thick gray-white beard hobbled by on crutches to sit three or four tables away.  He sat facing me.

We both ordered and after a bit, as I read the paper.  I heard a voice  directed at me.  It was the man.  His voice  had that southern Virginia twang in a heavy dose.

“You hear if that crazy preacher’s gonna burn those books?”

At first, I dreaded the thought of getting in a public conversation, especially one that started with a question about anything to do with religion.  So I shrugged that I didn’t know and hoped that be the end of it but he persisted, saying that we all just got to get along together.  Finally, his good-natured voice got the better of me and we began talking across the tables.  I ended up taking my pancakes to his table to better hear his story.

He was called Styx for the crutches (sticks) that had been his companion his whole life as a result of cerebral palsy.  He was born prematurely and had weighed less than a pound at birth.  He had a tough childhood and ended up on his own at age 12.  He had  problems as a teen that ended up in trouble with the law ( “I wasn’t like president Clinton.  I smoked pot and, man, did I inhale!”) and a mention of some time spent behind bars.  He had been through 39 surgeries as a result of his affliction and a number of speed-related car crashes (“They had to cut me out of my car four different times”), leaving his witht he claim that he should have been dead at least seven different times in his life.

Yet, through this all,  he kept an upbeat spirit, speaking of his work and his ailing wife.  He did custom car interiors and obviously loved his work and family.  He said that there had been times when he had wished he could walk without the sticks but looking back, he wouldn’t trade his life.  He was a good man with a good outlook and as I left with his business card, I felt I was really fortunate both for having met him and for the relative ease of my own life.  I was glad he had pulled me from my breakfast shell.

A bit later, as I sped along, getting my kicks on Route 66 going into the DC area I came around a bend in the road.  I looked down at the speedometer to see I was going over 80 and as my eyes came back to the road there he was.  A Virginia state trooper.  He had me dead to rights and pulled me over within a very short distance.  I knew I was wrong and was going to take my medicine so when he came to the window, I had my papers at the ready and when he asked how fast I thought I was going I told the truth.  He smiled and said that my speedo must be off a few clicks because he had me at 79 MPH.  He asked where I was going and why I was going there.  Then he calmly handed back my license and asked me to do him a favor and slow down.  And have a good day.

As he walked back to the cruiser, I thought that this really was a good day.  Maybe it was the fact that it was September 11 and it was beautiful sun-filled day that made the trooper be so kind to me.  I don’t know.  I just felt fortunate once more.

So I drove– much more slowly– into Alexandria where I was giving a gallery talk at the Principle Gallery.  There was  a great turnout for the talk and the audience was wonderful and fully engaged, making my job very easy.  They asked insightful questions and we established a nice dialogue,  the talk ending at a point when I had said enough but hadn’t started testing their will to be there.  As I left the gallery later, I commented that I was so fortunate to have the folks who collect my work.  As a group, they collect the work for all ther right reasons– for the relationship they establish with the work itself and for how it makes them feel.  Their’s is not conspicuous consumption.  It is the opposite.  They obtain the work for themselves alone, not to impress others or to make a public statement about their taste.

They are the best. 

I thought about that as I headed north towards the comfort of home.  Once again on this day, I was reminded of how fortunate I truly was.  What a wonderful thought for a beautiful day in September.  Thanks to everyone who allowed me to feel this way.

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Road to Nowhere

I have a gallery talk today at 1 PM at the Principle Gallery, so I’m probably on the road at the moment.  I spend some time trying to think of something interesting to talk about and hope that when I’m standing there, in front of a group, it doesn’t completely fly away before I can remember it.  Don’t want a Jan Brewer-at-the- debate moment.

Anyway, I’ll be there with a few surprises.  For now, I’m driving  so here’s some Talking Heads from about 25 years back.  Hard to think of this as a “Golden Oldie”!

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Explorer

Well, off on one of my drive-fests, first to Asheville then to Alexandria then home, all within 48 hours. Just the way I like it.

This is a painting that is going to the Haen Gallery in Asheville.  Titled Explorer, it’s a 30″ by 40″ canvas that I’ve been very proud of as it sat waiting in the studio.  It is a piece that, if I had to sum up in one painting what my work has been to this point, would fit the bill nicely.  It has a real feeling of completeness, of being a fully mature and realized piece, as though it exists in only that moment without any thought or deference to the past or future.

I think that might be what I’m looking for in my work-  a self-contained world in its own present time and place, separate  from the world we know.  It’s own sense of landscape, of light and color– all familiar yet apart.  But welcoming.

I could go on wading in esoterica but I’ll spare you that. Let’s just say that it’s a piece that really hits for me. 

Anyway, time to hit the road.  If you’re in the Alexandria area tomorrow, Saturday, stop into the Principle Gallery for my gallery talk or just to say “Hi!” 

 Hope to see you there.

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Bounty

This is a new painting that is going with me down to the Principle Gallery.  It’s a 10″ by 30″ canvas that  I call Bounty.  I chose the title because there is an idealized feel to the painting, not necessarily a representation of  how things are but how they might be, in a land that is rich in everything but greed.  It feels like a meditation on sharing the richness of the land with everyone. 

 Call it an egalitarian daydream.

Egalitarian.  It’s a word that has been in my mind lately.   It’s not a popular word or concept these days, oddly enough.  The word has evolved to a point where people think of it as another way of saying welfare state or that other dreaded word,socialism.  This is unfortunate because the idea of equality, a society without classes,  is such a beautiful concept and one that was one of the legs that our nation first stood on. 

 Of course, there was never such a place.  Not in post-Revolution America or France or Russia.  Aspirations, yes.  Practical application, no. 

Again, unfortunate.  But one can dream of such a place.  If it exists, I hope it feels like this…

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It’s a busy day for me as I finish up a group of work before I head out on the road for a couple of days, going first to Asheville to drop off some new pieces at the Haen Gallery then on to Alexandria for a Gallery Talk at the Principle Gallery on Saturday.  I am finishing up framing  and there’s always a sense of urgency at this point.

So, here’s a little musical interlude.  It’s a song from April Smith called Terrible Things.  It first came to my attention as part of a promo for the TV show Weeds and it really caught my ear.  I came across this acoustic version that I like a lot.

It’s an interesting song.  Terrible things.  How many of us carry the weight of terrible things we’ve done behind our everyday appearance?  I know I’ve done things of which I’m not proud but I try to keep them buried and not dwell on them.  I want to be defined by the person I ultimately became, not the impetuous, naive youth I was.

Anyway, give a listen.

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Enlivened- GC Myers 2010 at the West End Gallery, Corning, New York

Well, my current show, New Days,  at the West End Gallery ends this week.  Normally, this is the time when I have a bit more free time but this year seems to be more crowded than most.  I am finsihing up a couple of commissions and will be heading down to the Principle Gallery in Alexandria for a Gallery Talk on September 11th. 

I’m also in the midst of finishing work for an October show at the Kada Gallery in Erie.  I do a show there every two years and it’s always a pretty busy affair.  I am still working on the title for this show but there is a focus on the Red Chair for the show this year.  I’ll be showing more of the work for this show in the coming weeks.

In between all of this I am starting to look towards the time after the Kada show when I will have a bit of time to work on some new (and old) concepts that have been rolling around in my head for some time but need a little time to grow into work that I can show in next year’s shows.

So I must now get back to work.  Time’s a-wastin’!

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I’ve been working on a series of pieces that are monochromatic but for small bursts of color.  It started as an exercise, just something to reboot my brain after finishing the show that’s currently hanging at the Principle Gallery in Alexandria.  I wanted to think less about color and more about form, letting color emerge as the exercise went on.  I wasn’t sure what would show up but as these gray paintings took shape I was pleased by the overall feel.

They felt stripped down, detail peeled away leaving only the essence.  Haiku-like.  But still saying essentially what I wanted from them.

So after the show, which had a great response for this work, I decided to explore a bit more with this series.  It’s been interesting to revisit familiar compositions with this spartan palette, finding new definition in in the already known.  There is a different sort of challenge in trying to coax emotion from the limits of grays and blacks, keeping myself from going to my  strength, color.  For me, maybe that’s the appeal of these pieces- that tension of restraint.

This painting is Days Pass In Gray and is definitely familiar in form.  With full color, this piece is an iconic image of strength and perseverance-  a celebration of triumph almost.  But stripped of color except for a touch of red in the tree’s canopy it becomes a different view of perseverance.  There is a victory of sorts but it seems more hard-fought and the price paid is worn for all to see.  The red in the tree is a garland of victory but the tree realizes that the days don’t stop to celebrate any triumph but continue their steadfast march ahead. 

Time has the pitiless stare of the sphinx.

Maybe that’s too grim an assessment because I do see a joy in this painting as well, in the distant light on the far mountains.  It gives a certain hope to this piece that lifts it above the darkness that I wrote of above.  Perhaps that is what I enjoy about this work, the polarity of the emotions it pulls all at once from me. 

Maybe.  I don’t know.  I guess I’ll have to look a little more…

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Keynote-- GC Myers 2010

Well, this year’s opening for my show at the Principle Gallery is over and it actually went very well.  Great crowd with many familiar faces and many new ones as well.   It was a lovely evening and I left feeling that it was, by all accounts, a very successful show.

Two of the new faces I saw at the show belonged to the charming twin daugthters of Erin and Noah Ristau.  Ever and Grey are 7 or so months old  and came out to their first opening with their parents who made this a pitstop as they moved their home from Richmond to Ohio for a new position for dad Noah.  The lovely girls seemed pretty at home and I was honored to meet them for the first time.  I’m sure they and their parents will prosper in Ohio.

Actually, Grey and Ever were not the only children at the show.  There was Henry, fresh (and tired) from a swimming lesson, accompanied by his parents, Stephanie and Tom.  I first met Henry at a gallery talk there when he was just under a year old.  He sat placidly through the whole time of the talk, taking in the paintings and never fussing once.  I always think of  him as the calmest child I know but I’m sure his parents beg to differ.

Then there was the shy Lexy who hid behind her mom, who asked if I had advice for her aspiring artist  daughter.  Lexy likes to draw.  The best I could tell her was to be bold, make strong marks on the paper.  Show people who you are.  And there was Kai, the young son of Leslie, who hails from my home area.  Kai is a big eyed waif  who aked if I remembered teaching him how to draw Snoopy at last year’s opening.  I told him I most certainly did then  told him about the lesson from my 5th grade art teacher who had us fill sheets of paper with little drawn objects, making  a trash heap.  This lesson had led to the Archaeology series for me and I hope Kai gets something from it as well.

I answered what seemed like an unending barrage of questions until my throat was dry and sore.  Afterwards we went with a group from the gallery and their friends (and my old friend Al)  to see the band The Reserves (who used a painting of mine for the cover of their first CD) play a set at a local club.  Dave and the other members of the band had stopped in for a while at the opening and I didn’t have an opportunity to say hello so it was good to catch up a bit.  They have a new CD that is garnering really positve reviews and they sounded great that night.  

But soon, I just ran out of steam and the night was done for me.  All in all, a good night.

I wish to thank everyone who came out to the show this year.  It is this support and interest for my work that makes it possible and I am ever appreciative.  Also, special thanks to Michele, Ali and Clint at the gallery for making this show possible and providing such a comfortable and relaxing environment for the work.  Their partnership in showing my work for these past 13 years has played a vital part in any growth I may have had as an artist and for that alone, putting aside the friendship they have always extended, I will always be indebted.

Thanks, everyone…

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Well, my show at the Principle Gallery, Facets, opened last night.  Wow! Was it ever great!?

Actually, I’m writing this Thursday afternoon so I have no way of knowing how everything turned out at the show.  I’m probably heading back up the highway as you read this but I will give you some details within the next few days. 

The painting shown here is actually the title piece for the shows, Facets.  It has a very stained glass feel and the sky is broken apart in a way that seems to section off the light from the moon/sun, giving me the title.  It’s a simple, pensive piece and one that I think works well with the concept contained in the title.

Here’s a little traveling or just hanging out music from Billy Bragg and Wilco‘s interpretation of Woody Guthrie’s lyrics for a song called Walt Whitman’s Niece. Enjoy your Saturday!

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