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Posts Tagged ‘Red Tree’

I wrote the post below back in 2009.  I’ve revisited the use of multiple images a few times since but only on a limited basis.  Maybe once or twice a year. But it’s a concept that appeals to me and just seeing these images again always sparks something.

I was looking through some older images on my computer, searching for a painting that I had completed several years back.  As I scanned through the paintings, I noticed several pieces through the years that were different from most of the work I’ve been doing recently.  They were multiples, such as Peers, shown here.  They were  paintings with several windows with a new scene in each, although most of the scene were very similar to the others.

It was a format in which I really enjoyed working and one that I have not revisited in a couple of years.  I really don’t know why. They have a very graphic appearance and really stand out on a wall, making them pretty well received as a rule.  I guess in the past few years I’ve been focusing more on working on texture and heightening the color, as well as working in the Archaeology series, so that I haven’t even thought of revisiting this format.

I remember some  of the early ones very well.  One had 48 cells and had a great look, the result of overlaying the paint with layers of chalk and pastel.  Another was the same number of cells with 48 individual small paintings,  each window having a separate opening in the mat.  It was a pretty difficult piece to mat and frame but it also popped off the wall.   I will have to go through my slides from that time (pre-digital) and see if I can wrangle up a few shots.  I would like to see them again to see how they really hold up against my memory.

Maybe I will revisit the multiples sometime soon.  I often run across things that have slipped from the front of my painting mind when I go back looking for something else.  It may be a format such as these multiples or may be a small compositional element.  It’s always interesting for me to try to re-insert this older element into the new work, to see how the inevitable evolution of the work will change this older concept.  We’ll have to see what this brings…

Fourfront  - GC Myers 2003

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“Enlightenment is man’s release from his self-incurred tutelage. Tutelage is man’s inability to make use of his understanding without direction from another. Self-incurred is this tutelage when its cause lies not in lack of reason but in lack of resolution and courage to use it without direction from another. Sapere aude!- ‘Have courage to use your own reason!’- that is the motto of enlightenment.”

― Immanuel Kant,  What Is Enlightenment?

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Sapere Aude!  From the Latin for Dare to know.

I came across the passage above from the 18th century philosopher Immanuel Kant and felt immediately that it was a great match for this new painting.  In fact I am calling this piece, 11′ by 15″ on paper,  Dare to Know (Sapere Aude!)

The Red Tree here is removed away from the influence and shading of the other trees and houses in the foreground, out of darkness and into the light.  There is a light about the Red Tree and a sense of freedom in the openness of the space around it. It is free to examine the world, free to seek the knowledge it craves, and free to simply think for itself.

It’s a great idea, this concept of enlightenment and one that we definitely could use today.  Too many of us form our own base of knowledge by relying on the thoughts and opinions of others, often without giving much consideration as to their truthfulness, motives, or origins.  Or we shade our base of knowledge with our own desires for  how reality should appear, holding onto false beliefs that suit us even when they obviously contradict reality.

In short, there is no enlightenment based on falsehoods, no way to spin darkness into light.  Enlightenment comes in stepping away from the darkness of lies and deceptions to see the world as it is, with clarity.  It means stripping away our own self defenses and admitting our own shortcomings, prejudices, and predispositions.

It may not always be what one hoped for but it is an honest reality. And maybe that is enlightenment, the willingness to face all truths with honesty.

To dare to know.

Sapere Aude!

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GC Myers- Balance (Known/Unknown)We have to balance the lineality of the known universe with the nonlineality of the unknown universe.

Carlos Castaneda
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I am calling this new painting Balance (Known/Unknown).  It is a 14″ by 32″ canvas and will have a slightly different edge detail that I will shown at a later date.

The Carlos Castaneda quote above just reached out to me when I was looking at this piece. The Red Tree here seems to be standing at the edge of the known, the terrestrial world that is defined here with earthy color, solid forms, and dark lines– the lineal universe.  Beyond it the non-lineal universe beckons, represented by a nebulous sky and a sun that acts as an unblinking eye.

It all is very much a metaphor for the purpose of art and that is to act as an intermediary between the known and the unknown, the go-between for that which is of our five senses and those things that go  far beyond those senses.

Things that we feel in an emotional sense.

And that is what art often does, putting the deep feeling of that which we cannot see onto those things that we do see.  It makes the intangible tangible.

That said, I like this new piece and have been enjoying my time with it. Every day I find a new angle within it that gives me pause, that excites me, and sets me thinking. And that is all I hope for in my work.

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I thought I’d share a post from several years back where I showed a painting at several stages in its progress.  It was finally titled Game of Life and remains a favorite of mine.  Below is the blog entry that was based on the beginning of he process.  At the bottom are several photos that show it in progress.

gc-myers-feb-2013-1

This is a new piece that I started over the weekend.  It’s a fairly large canvas, 24″ by 48″, gessoed and blackened before I began to lay out the composition in the red oxide that I favor for the underpainting. I went into this painting  with only one idea, that it have a mass of houses on  a small hilltop. That is where I began making marks, building a small group of blocky structures in a soft pyramid. A little hilltop village. From there, it went off on its own, moving down the hill until a river emerged from the black. An hour or two later and the river is the end of a chain of lakes with a bridge crossing it. We’ll see where and what it is when  it finally settles.

I like this part of the process, this laying out of the composition. It’s all about potential and problem-solving, keeping everything, all the elements that are introduced, in rhythm and in balance. One mark on the canvas changes the possibility for the next. Sometimes that possibility is limited by that mark, that brush of paint. There is only one thing that can be done next. But sometimes it opens up windows of potential that seemed hidden before that brushstroke hit the surface. It’s like that infinitesimal moment before the bat hits the pinata and all that is inside it is only potential. That brushstroke is the bat sometimes and when it strikes the canvas, you never know what will burst from the rich interior of the pinata, which which is the surface of the canvas here. You hope the treats fall your way.

One of the things I thought about as I painted was the idea of keeping everything in balance. Balancing color and rhythm and compositional weight, among many other things, so that in the end something coherent and cohesive emerges. It’s how I view the process of my painting. Over the years, keeping this balance becomes easier, like any action that is practiced with such great regularity. So much so that we totally avoid problems and when we begin to encounter one, we always tend to go with the tried and true, those ways of doing things that are safest and most predictable in their results.

It’s actually a great and safe way to live. But as a painter who came to it as a form of seeking, it’s the beginning of the end. And as I painted, I realized that many of my biggest jumps as an artist came because I had allowed myself at times to be knocked off balance. It’s when you’re off balance that the creativity of your problem-solving skills are pushed and innovation occurs.

It brings to mind a quote from Helen Frankenthaler that I used in a blogpost called Change and Breakthrough from a few years back:  “There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about. ”  

 You must be willing to go outside your comfort zone, be willing to crash and burn. Without this willingness to fail, the work becomes stagnant and lifeless, all the excitement taken from the process. And it’s that excitement  in the studio that I often speak of  that keeps me going, that keeps the work alive and vitalized.

It’s a simple thing but sometimes, after years of doing this, it slips your mind and the simple act of reminding yourself of the importance of willingly going off balance is all you need to rekindle the fire.

This is a lot to ponder at 5:30 in the morning. We’ll see what this brings in the near future.  Stay tuned…

gc-myers-feb-2013gc-myers-feb-2013-wip gc-myers-feb-2013-2wip gc-myers-game-of-life-small

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GC Myers- The ConversationWhat did the tree learn from the earth
to be able to talk with the sky?

Pablo Neruda, The Book of Questions

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I think that much of my work has to do with asking questions.  Not necessarily about getting answers, mind you, but about making inquiries about those motivations and meanings of the world, both inner and outer. About trying to create a dialogue, a give and take between the worldly and the ethereal.

And that questioning, that conversation, is what I see in this simple, small painting.

Will there ever be an answer?

That can only be answered with another question: Who knows?

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GC Myers- Freed ThoughtThe omnipotence of evil has never resulted in anything but fruitless efforts. Our thoughts always escape from whoever tries to smother them.

Victor Hugo

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I call this new painting, 10″ by 20″ on panel, Freed Thought.

Like many people, I am concerned with what is happening in this country and around the world as ideas such as nationalism and authoritarianism take hold in more and more places.  That is a scary thought when you consider the horrors that took place in the first part of the last century–world wars, civil wars and genocide– as a result of these ideologies.

Perhaps we are just far enough removed from that time that we allow ourselves to conveniently forget that bit of history. Or think that it doesn’t apply here and begin to believe that this time will be different, somehow treating us to a much more pleasant result.

I think a lot of people fall into that second category, the It Can’t Happen Here camp. That is easy to understand and easy to swallow, not requiring much work or thought.

Keep your head down, don’t make waves or ask too many questions, and it will all be fine.

Unfortunately, that is the fodder for those with evil intent.  To those who seek control, who want to rule over— not govern–people, this unquestioning attitude is as enabling as the ardor of their most loyal adherents.  They are the most easily managed and most easily convinced because they don’t want to stand out alone, away from the others in any way.

Those with evil intent then try to keep this easily led herd away from those who disbelieve, who choose to remember history and see the ghosts of the past in the actions of the present.  Those who would stop them from achieving their goals– both publicly stated and those whispered in the darkness. This is done by controlling the message, creating false realities and fostering doubt in one’s own observations and beliefs.  Destroy trust in all institutions and all information except for that coming from the singular ruling voice.

Oh, it can happen here.

But I take some solace in the words above from Hugo and from history itself. Every movement, however powerful and far reaching, that is based on the darker angels of greed, deception, and exclusion eventually fails. An empire based on falsehood is unsustainable and will eventually succumb to truth. Truth and thought can never be fully controlled. They will always find a way to break free.

The downside in all of these cases is that many, many people are ultimately hurt along the way. And I worry that this is the direction in which we are headed.

That is why it is so important to come clear of the other trees that shade your views.  Stand freely and ask the questions that need to be asked and answered.  Remember that every evasion from a question is a step away from the truth. The truth has nothing to hide, doesn’t need to be concealed or evaded.

A thought based in truth will always stand tall and will not be obscured.

So, for god’s sake, ask the questions and demand the answers. But most of all, use the power of thought and think.

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GC Myers- The Eye of ImaginingAll human accomplishment has the same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination. It converts to actual. It sustains, it alters, it redeems!

Saul Bellow, Henderson the Rain King

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It converts to actual.

Those four words sum up the power and potential of the imagination.

Our dreams, our hopes, our desires– they all take place in our imaginations. There these concepts begin to take shape and create their own paths forward. It is in the imagination that those first tenuous steps take place that transform mere thought into reality.

Every worthwhile thing we have ever done and every aspiration we will ever have is a product of the imagination.

It is the seat of all humanly power. And it is ours if only we use it.

Dare to imagine.

I think that is what I am seeing in this new painting, an 18″ by 18″ canvas, that I call The Eye of Imagining. It’s about dreaming.  About transforming that which we know and see into a form that better suits our hopes and desires.

It’s about reminding ourselves that the only limits to our potential come from not dreaming, in not allowing our imaginations to run freely.

This throttling down of one’s imagination is something of which I am as guilty as anyone.  I often find myself compromising my dreams, making them smaller and less challenging because of self doubt and a lack of confidence.

And this lack of imagining makes me feel smaller as a person.

We need to dream.

We must dare to be the person we imagine ourselves to be. Dare to imagine that.

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The post below, from early 2012, is a favorite of mine.  The idea that each individual has their own unique strength and quality–their own lever, if you will– is what I see as the basis for my work. This post also serves as a reminder that there is never an obstacle too large or a foe too powerful that can’t be moved with the proper lever. I think it’s something we should think about during this time.

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Give me a place to stand, and I will move the Earth.

Archimedes

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This is actually a condensed and long accepted version of  Archimedes‘  words.  It was really about the power of lever in physics.  He actually said: Give me a lever long enough and a place to stand  and I will move the Earth.  But the lever has been dropped over the 2200 or so  years since he lived and has come to signify something more than a statement about physical mechanics.  It is an almost existential statement about the power of the individual in changing the world.  The small somehow defeating  the overwhelming forces set against them.

David versus Goliath.

The biblical David’s lever was his intelligence and the sling and stone that he used to offset the lever of the Philistine’s size and strength in order to take down the giant.  Every underdog has somehow identified a strategic advantage that has enabled them to triumph against all odds.  Something that plays to their own strengths and magnifies their greater opponent’s weaknesses.

What is the lever you will use to move the Earth?

I call the painting above A Place to Stand after these words of Archimedes.  It is a new piece that is a 24″ by 30″ canvas that is a very simple composition that relies on the juxtaposition of the single Red Tree set against a powerfully set sky that seems ready to overwhelm the diminuative tree.  Yet, against all the elemental force  of wind and weather that  the sky can muster, the tree perseveres.  It uses the flexibility of its trunk and limbs to absorb the wind and its bark protects it against the heat and cold.

It stands alone, without protection for all the world to see. Yet it stands. Just standing where you are with resolve is sometimes a lever powerful enough to change the world.

Perseverance is often its own victory.

Persevere.

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GC Myers- Surface CalmThrough practice we can get to the point where some disturbance may occur but the negative effects on our mind remain on the surface, like the waves that may ripple on the surface of an ocean but don’t have much effect deep down. 
Dalai Lama XIV, The Art of Happiness

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I’m finally getting into a bit of a better work groove here in the studio and it’s proving to be a nice distraction from the crapfest taking place here in our government. During both the actual painting process and just looking at it afterwards, pieces like this new 12″ by 12″ canvas are proving to be a great tool in making an escape from the chaotic idiocy of it all.  I think that’s why I am calling this new painting The Calm Surface.

It feels very placid and calm, as though the storms that may rage far away will not shake it’s  tranquil demeanor.

And that’s what I want for myself. I want to be, as the Dalai Lama advises above, that deep ocean water where the rough waves on the surface don’t reach down to the calm depths.

But I am not there.  I don’t have that kind of depth yet and maybe I never will attain it.

But at least in works like this I have a tangible goal, a target for which I can set my bearings.

And that’s what I need right now– something to really work for.

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GC Myers- Truth Shines ThroughThe truth remains the same in every version of this world. It is a constant.

It cannot be obscured nor hidden for long.

And while we may be distracted from that which is truth, sometimes by pretty colors or words that poorly mimic the real thing, truth remains at the ready.

It needs nothing while it waits unlike the false truths that must be fed fear and selfishness in order to exist. Truth is an inextinguishable ember that is always ready to flame brightly when given the air and space in which it can breathe to life.

Yes, there is truth.  It’s out there and it’s waiting to bring light.

And to those who mishandle the truth, who try to forge it into something that falsely serves them, it will bring an all encompassing inferno that will leave them in ashes.

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If I’d thrown in some scripture, that might sound like I was auditioning to be a Baptist minister, huh?

Well, maybe the truth needs a little sermonizing because a large part of the flock these days seems to be distracted by a gold plated idol who feeds them a pablum of fear and selfishness.

And that’s what I see in this new piece, a 12″ by 6″ painting on panel,that I call Truth Shines Through.  Truth stands in here is in the guise of the Red Tree rising like a flame over and through the colors that seek to pull your eye away from it.

The Red Tree is the truth and reality of this piece and it burns brightly.

 

 

 

 

 

 

 

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